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Women Destroying Fantasy: What I'll Be Looking For

Picture of western cowgirls
I've got a weak spot for weird Western stories as well, but the fact that I've read a lot of them means that the bar is set pretty high for that in my head.
I was just at a Kristine Rusch and Dean Wesley Smith workshop where people were using the idea of reader “cookies” and “anti-cookies”, things that delight or turn-off a specific editor, increasing or decreasing the appeal of a story when they’re considering it.

So I’ll be open to submissions from March 15 through March 31 for the Women Destroying Fantasy issue. Here are some of my wants and a couple of things that will turn me off.

  • I want fantasy that showcases the amazing emotional range of the genre and the spectrum of forms it can take.
  • I’ll want at least one tearjerker and one humorous piece.
  • I’ll want something that draws on fairytale or myth, but which does so in an amazing, interesting, and fresh way, and I’m hoping to find something that feels urban fantasy-ish as well, also in a fresh and interesting way.
  • Fantasy that often hits well with me: superheroes, non-cutesy talking animals, linguistic-related, the weird.
  • I like language: make yours wonderful, but never at the cost of the story.
  • Your character should make me care about their fate (and for this issue, probably a female protagonist is, quite frankly, probably going to be a better fit).
  • I’ll want at least one piece with an utterly amazing landscape, that immerses me in a fantasy world that delights my heart.
  • Diversity does matter to me. It doesn’t trump quality, but when you’re going to be up against the very best, score your points where you can.

I don’t want retellings of D&D adventures. Or pirates. I really don’t like pirates (got exposed to an awful lot of fantasy pirate stories while at Fantasy Magazine) and I’m not particularly fond of zombies. Typos are another big turn-off: proofread your work.

This is not a time to go for the low-hanging fruit or play it safe. I have four, count ’em, four slots. Send me something — but make it the very best you have, something that is unique to your voice, something that you and only you could write.

8 Responses

  1. Dear Cat: I once sent a light fantasy to Fantasy that you said was very close, but the setup was a little too long. I’ve since trimmed the setup. Can I submit it to WDF?

  2. Thanks so much for putting such specific guidelines. Looking forward to sending you a piece for this awesome anthology.

  3. This sounds awesome, Cat. I’m sure it will be a terrific issue and I’ll look forward to reading it. All of my finished stuff is out at other venues at the moment but if I can get my latest done in time, I’ll send it along.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Up to One's Hips: Thoughts on Wading Through the Slushpile

I just finished the first pass on the slushpile for If This Goes On. The anthology is intended to be half solicited manuscripts; half from the open call, and I’m happy to say that I don’t think it’s going to be hard to pull that together. I’ve got five or six definites on my list right now, and I’m setting them aside. I did read through every story except for a handful of less-than-serious ones; thank you to the slushreaders and publisher Colin Coyle for winnowing those out.

If I can, I’ll take one more pass through the first third or so of the slushpile, when I was reading and not knowing how strong some of the submissions would be. I suspect at least a third of those can be winnowed. Then I’ll ask the publisher to send out that round of rejections.

By then I am hoping I’ll have narrowed things down to a few dozen stories. These manuscripts have officially made it to the final round. At this point I’ll be looking at some things that include:

  • Is this a common theme or something unusual? A few commonalities have emerged and I will probably only have one underwater people story, one abortions-are-illegal story, one from-a-child’s-POV story, and one post-apocalyptic landscape story, which may or may not be one of the several that featured a particular dietary item.
  • How much bang for the buck does it yield in terms of editorial work? If it’ll be amazeballpants (common editorial jargon), then I’m willing to put more time into it. Along the same lines, I’ve got one serviceable story that would only take a little work to deepen its emotional impact. It’s also a strong contender.
  • What’s the tone? I’ve got lots of gritty, desperate stuff and some humor in there to leaven the mix is necessary. At the same time I don’t want things that will seem incongruous next to each other.
  • What did the slushreader(s) think? Unfathomable as it may seem, I have been known to be wrong. If I was meh about a story but someone else raved, I’ll certainly go back and take another look.

Then will come the final passes, where I’ll be reluctantly saying goodbye to some stories for reasons that might include:

  • They don’t fit the overall theme as strongly as the others.
  • They don’t play off other stories, or else are too similar to another piece.
  • They will take a lot of editing, but the amount of work required by other pieces with similar strengths/themes is significantly less.

I hope that the slushreaders have learned something from all of this, including a better sense of what submitters may or may not want to avoid, and how varied the slush pile can be. With a few of them we’ve done some talking about stories, but not all. For most slushreaders, I would suggest if you’re passing up more than half the stories, you are not being harsh enough, but if it’s only one in ten, you may be leaving out some stuff the editor will want to see, unless your tastes are perfectly aligned.

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Editing Fiction Collections

The two collections will have the same cover. I like this picture, but it's not the right one.
This month one work item is putting the near-sf and far-sf collections together for e-publication. This morning, I got the near one assembled in a Word doc, made a formatting pass, and added about a third of the afternotes. Here are the tentative ToCs (Table of Contents). Each will be a little over 50k.

NEAR:
The Mermaids Singing, Each To Each (Clarkesworld)
Peaches of Immortality (originally appeared as The Immortality Game in Fantasy)
Long Enough and Just So Long (Lightspeed)
Therapy Buddha (20/20 Visions)
Do the Right Thing (unpublished)
10 New Metaphors for Cyberspace (Abyss & Apex)
Memories of Moments, Bright As Falling Stars (Talebones)
RealFur (Serpentarius)
A Man And His Parasite (unpublished)
Not Waving, Drowning (Redstone)
Flicka (Subversions)
Raven (Twisted Cat Tales)
Legends of the Gone (Talebones)

FAR: (much less sure about this order, suggestions welcome)
Zeppelin Follies (Crossed Genres)
Surrogates (Clockwork Phoenix 3)
Kallakak's Cousins (Asimov's)
Five Ways to Fall in Love On Planet Porcelain (unpublished)
Angry Rose's Lament (Abyss & Apex)
Fire on the Water's Heart (Membrane)
Amid the Words of War (Lightspeed)
I Come From the Dark Universe (unpublished)
Seeking Nothing (Daily SF)
Bots d'Amor (Abyss & Apex)
TimeSnip (Basement Stories)
Mother's World (Aberrant Dreams)

(If you're curious about any, all of the online ones are linked to on my fiction page – http://www.kittywumpus.net/blog/fiction/. I know there's at least one A&A link that's broken, glad to hear of any other broken links.)

I've left some stories out, because there's actually enough for a 2nd fantasy antho and a horror one, much to my surprise. I've been more prolific over the past few years than I'd realized.

In my utter arrogance, I am debating whether or not I need to hire an editor, which is normally something I'd urge anyone putting together something for self-publishing to do. My reasoning is a) most of these have undergone multiple editing passes for publication, b) I am pretty sure I can find at least one volunteer proofreader, and c) I will be doing at least one read aloud pass to polish and finetune because I'd really like this to end up looking nice and error-free.

Cover art, I have no clue about yet. If I did it myself, it'd be two stick figures dancing.

Enjoy this insight into editing and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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