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Five More Ways to Increase Your Blog Readership

picture of a tortoisehell cat
When in doubt, go with a picture of your cat. But do include a picture of SOME kind, no matter what.
I blogged a couple of days ago with five ways to increase your blog readership. Here’s an additional five that I hope are helpful for those who like to look at their numbers every once in a while. But remember — writing always comes first!

  1. Be a pro. Proofread and remove errors. If someone points one out to you, fix it and thank them for the feedback. Make your posts look professional, not hastily assembled or sloppy. The appearance of the post can’t help but make an impression. Take the time to preview the post and make sure all links lead to the right place.
  2. Monitor results. You won’t know what works unless you’re looking at the data, even if it’s at the topmost level of “how many comments?” (This is a bad metric because so often the answer is “none.”)
  3. Your profile matters. Fill out your profile on social networks and make sure it includes your website’s URL. This adds to its search engine ranking, making it appear higher in search engine results.

  4. Pay attention to the Zeitgeist. Pulling your blog topics from Google or Twitter trends can be a good idea — as long as you have something useful to say. Don’t hashtag for the hell of it.
  5. Content trumps cash. Producing good, interesting, useful content will outperform any amount of money thrown at advertising. I find that some social networks send me coupons to use on advertising every once in a while and I do use those — but once they’re used up, I stop the campaign.
  6. Promote other people. This gives you good content if the recommendations are wholehearted and worthwhile.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Book Launch!

Hydra House cover for Near by Cat Rambo
Hydra House cover for Near by Cat Rambo. Art by Stephen Counley; cover deisgn by Tod McCoy.
Today’s the official day that Near + Far is launched upon the world. Huzzah! If you’re wondering how to buy or spread the word about the book, here’s some details.

There’s a giveaway for jewelry going on here on this blog throughout this week.
There’s a giveaway for a signed copy of the book along with one of the Near + Far necklaces on GoodReads.
David Steffen is hosting a giveaway here.
Here’s a book trailer!

Some of you have received the mail I sent out talking about what you could do to spread word of the book. Here’s some of the pertinent details from that for those as wants such.As you know, publishing is changing and increasingly authors are part of the promotion process. I’m asking — if you should feel so inclined — for your help if getting the buzz out.

So what can you do?

Well, sure, buy the book is top of the list. But we don’t all have the budget. Here’s some other ways that you can assist in getting the word out about Near + Far:

1. Request it through your library. Most will even let you do this online.

2. Request it at your local bookstore. It’s available through Ingram, a major book distributor, so they should be able to get it.

3. Write an Amazon review or tag the book on Amazon. Amazon reviews are great! But if you don’t have the time to write one up, you can still help. One way that often gets overlooked is tagging. Scroll to the bottom of the Amazon page for the book until you see “Tags Customers Associate with This Product.” Add tags that you think might help someone find the book, if you notice anything missing, or just go through and check the boxes next to the tags you think are relevant (which is hopefully all of them.)

4. Review it or add it to your to-read list on book sites. Reviews on Barnes & Noble, Goodreads, LibraryThing (http://www.librarything.com/work/13024203/book/89765198), and Shelfari are great!

5. Blog about the book. Any mention of the book, particularly one that explains why you liked it, is awesome. There’s actually some cool little things about the book:

  • The tête-bêche format, also known as the Ace Double. Flip the Near side of the book over, and you’ll find Far on the other side.
  • The interior artwork is by long-time friend Mark W. Tripp.
  • If you’re one of the people who’s already received a necklace, take a picture of it with yourself to send me for the Near + Far page. Or alternately, the necklace with someone/something/draped across a rotting log/in a bookstore/whatever?
  • Stories range from very early to very recent, spanning markets from Asimov’s and Lightspeed to small and somewhat obscure anthologies. I’ve included some of my favorite stories, such as “The Mermaids Singing Each to Each,” “Surrogates,” and “Bus Ride to Mars.”

6. Share news of it on social networks. Sharing links on Facebook and other social networks is great. I’ll be posting links to blog entries about the book on the main networks I use: Facebook, Google +, and Twitter. Just favoriting, plusing or liking posts helps give them a little Google juice. Even going to the Facebook page at https://www.facebook.com/nearplusfar and clicking “Like” helps.

7. Share news of it on mailing lists and other groups. Pass the news along to your fellows on writing or SF-related discussion boards, BBSes, mailing lists, and other forums.

8. Share links on bookmarking sites. If you use bookmarking sites like Delicious, Reddit, or Stumbleupon, please think about bookmarking pages about the book. Here’s some pages that might be worth bookmarking:

Hydra House page for the book
Overview of the book
Zeppelin Follies, read by Folly Blaine

Resources for Sharing:
Here’s a link to the book on the Hydra House Books page:
http://hydrahousebooks.com/bookstore/index.php?main_page=product_info&cPath=2&products_id=7

Here is the Amazon listing:
http://www.amazon.com/gp/product/0984830146/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=0984830146&linkCode=as2&tag=carawr-20
Barnes & Noble listing:
http://www.barnesandnoble.com/w/near-far-hydra-house/1112139962?ean=9780984830145

Here it is on other networks:
Delicious
FaceBook
GoodReads
Pinterest
Shelfari

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WIP: Teaser from Carpe Glitter

Knocked out a good 2200 words on this, which is rapidly stretching towards novelette length, plus a flash piece, and another 500 words on something that may go anywhere, not sure at all with it. Hurray for productivity! Anyhow, here you go.

There was nothing else to do but tackle what I’d put off for so long: Grandmother’s suite. It occupied a good half of the Tudor house’s second floor ““ bedroom, lavishly appointed bath, sitting room. The high ceilings might have been lovely but they also allowed her to stack the boxes even higher there.

I’d avoided this spot even though it made no sense. If there were valuables, this was the logical place for them. No, it was something else that deterred me. Elsewhere in the house I could explore and pretend that my grandmother had just stepped out for a moment. To invade her bedroom, that was a different thing.

That was to acknowledge that she was dead.

I don’t believe in glorifying the dead. I will not pretend that my grandmother was a nice woman. I will not pretend that she was a kind woman. In truth, she was self-absorbed, strong-minded to the point of being a force of nature.
But she loved me. I was her only grandchild and when I was smaller, I could have done no wrong in her eyes. That was, perhaps, one of the things that divided my mother and I. She’d tried so hard all her life for her mother’s approval while I’d gotten it without even asking.

When someone loves you like that, deeply and unconditionally, it’s very hard not to love them back. My grandmother may have coerced me into the college of her choosing, but we’d both known the truth: while she’d do plenty to hurt my mother in the long and complicated game they’d been playing all their lives, she might have threatened to keep me hostage, but it was a strategy that would have worked for either side. My mother had not used it, but I wasn’t sure through unawareness or some moral scruple. I’d never understood all the currents of emotion that ran between them.

I paused in front of the oak double doors. They weren’t original to the house ““ she’d brought them back from somewhere in Bavaria and they were carved with willow trees and Rhine maidens. The handles were brass swans. I laid my fingers on one’s neck and tried the handle: locked. I sighed and began trying keys from the vast loop of unmarked ones I’d found in the kitchen. After ten minutes of trial and error, the lock clicked and I swung the door open.

I flipped the light switch on one side back and forth, but the bulb had long ago burned out. You couldn’t see the room for all the boxes. A narrow passageway led between the stacks of cardboard cartons ““ some old liquor boxes, others from thetrical supplies. The one at eye level to my right read: White Feathers: 1 Gross. White tendrils still clung to the tape along one edge.

I pushed my way forward through that cardboard corridor, so narrow that my shoulders brushed it on either side. It went straight for a few steps then branched, one side leading towards the window and (I presumed) the bed area, the other snaking towards her sitting room.

I opted for the latter.

At the threshold between the two rooms, I sought another light switch, but it was just as fruitless. The air smelled of dust and perfume and ancient cat pee. There had always been a cat around when I was a child, but in later years, Grandmother had renounced them and turned her nurturing side to the succulents out in the courtyard.

I was using my cell phone as a flashlight by now, holding it out between my fingertips. It startled me when it rang.

I glanced at the screen. My mother. I answered, standing there in the dusty darkness that smelled like Grandmother.

“Yes?”

“I need you to pick me up at the airport at 3:23,” my mother said.

“Today?”

“Of course today! I’m about to get on the plane. I’m flying on United, flight 171. Do you need me to repeat all that so you can write it down?”

“Why are you coming?”

“So I can help you, of course.”

Suspicion seized me. “Where are you staying?”

A pause, as though my question were in some foreign language that required translation before it could be processed. “With you, of course. Aren’t you staying there at the house?”

I imagined my mother “helping” me. It made my throat tight. All my life I’d watched the two of them do battle. Now my mother had come to crow over a victory that consisted of simply having outlived the other. Or, worse, like the others ““ the agents, Eterno ““ she wanted something here but would not tell me what.

I steeled myself and said, “No, you can’t do that. I’ll find you a hotel.”

“Don’t be ridiculous. Why on earth can’t I stay there?”

My mind cast about for excuses. There must be some reason.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

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