Creating A System For Writing On the Road

One of the things I stress to students is that you cannot wait for the muse. And, in fact, the more you wait for her, the less likely she is to arrive.

For example. The last few days I’ve been working at getting back into the flow of writing daily. I held myself accountable and post daily word counts here or on Twitter. And lemme tell you, some of those words were difficult to wrestle out of my skull and onto the page. One way I can tell things are going in difficult fits and spurts is that I’ll hop around a lot from story to story.

One of those projects is “Prairiedog Town” (which is definitely getting a different title). I started jotting down mental notes for it while traveling through Kansas, but only had a thousand words or so on it before last week. It was slow writing, partially because I wasn’t sure how I was getting from one point to another in the story. I knew it was a piece about a woman reclaiming her humanity and I had a good idea of what the penultimate scene would look like.

So I kept jotting words down in sporadic clumps of a few hundred at a time, yerking the story along in an awkward and impatient way. It helped when I incorporated a prompt from Sandra M. Odell, a woman finding an abandoned teddy bear by the road. But it still was slow slogging. Yesterday I took a break from it.

And then, this morning, while working on it, things began to fall into place. A secondary character had popped up, and I understood how to bring her back into the story — and why. A piece that was supposed to take three days suddenly shortened into a single night, and with that, the ultimate scene came clear. I went through, pulling the threads into place as close to a thousand words came spilling out and into the story.

It’s not done yet — maybe another thousand words to go, but I’ve got a map of it, and comments where I need to go back and insert things. Here, for example, is what a section of today’s work looks like:

They end up chatting. Talia asks after father. Relates that he’s died. Talia asks if she’s going to the funeral.

No
It’s what you’d say either way, isn’t it.
That’s true
I’ll be there. On the outskirts.

She freezes again. It’s an old code word they used to use, back in the days when they worked together. It’s someplace close but (some distance) to the (direction).

And most importantly at all, things have come together to a point where I’m excited about the story, feel that some clever stuff has been worked in or has had places made for it. It’ll end up being around 4-5 thousand words, and I know I’ll finish it by the end of this month, because it’s designated as the next story to go out in the Patreon campaign.

And if I hadn’t done that picking away at it — scraping those words out of my skull, even though it felt painful and awkward and uninspired — I would have never gotten to that point at all.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

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Tried the balcony out for writing last night. Here’s a blog post that emerged.

For a long time I listen to the ocean, a background of some chirping insect, shrill arcs of sound going out against that massive, constant grumble. That is what life is like, singing out against that gray and empty grind, not caring what it sounds like, because singing is the only thing you can do.

I can feel my shoulders relaxing as I type, the guilt of several weeks (over a month, really) of getting little done, not just because of the traveling or the distractions but because I let myself get lazy and forget that what a writer does is write. If you want to call yourself one, that’s what is necessary and while that’s a hard standard to maintain consistently sometimes in the face of a multitude of crises of the mind or body or world or family, it’s one I hold myself to, first and foremost.

A confession: I am not one of those writers who “have to” write, the ones seized with such a fervid muse that they cannot exist without words spilling out of them. I envy them, and sometimes in my heart, get irritated by a smugness that is really an interpretation imposed by my own insecurities.

But I have always defined myself as a writer, even in the days when I wasn’t writing so much and was pouring all that energy into writing for an online game or technical documentation or some combination of the two. So when I don’t do it, it’s not so much that it’s the writing building up. In fact, some days I’m digging the words out, and they’re obdurately clinging to the inside of my skull so I have to wrestle them onto the keyboard. Even now, I want them to flow and they’re halting, the flow coming in fits and spurts while all the time the ocean softly roars, as though it can’t help itself at times, perhaps getting just a little too excited, a little too enthusiastic in its mutterings.

Here’s the thing. When I’m not writing consistently, when I’m not hitting solid word count on at least most of the days of the week, I feel unmoored, adrift, unsure of my center. What good is a writer who isn’t writing?

There’s also an awareness of time creeping up on me. Often I wish I’d done more with those early years “” though who would have known in all that young adult thrashing about? While I don’t want to let guilt consume me, it’s not a bad goad. I believe it was John McPhee that said any motive for writing is valid, even spite and malice.

And it’s a goal that I know is doable, to hit two thousand words “” and more when I’m being motivated, which often coincides with felicities of mind or body. I don’t worry about whether they’re bad or good, all that matters is that they’re words that actually make it from my mind to the page. Right now I’m adding these words into the count, even though I don’t usually count nonfiction, because right now the focus is warming up, priming the pump, getting myself back into that productive groove.

It’s the days when I get no word count, not even a page written in a notebook, that really bug me, so when the words are flowing, there’s a point where all is well, when I can feel myself assembling words to express what I want to say and they’re falling into place quickly, one at a time but in a constant patter, like raindrops falling on the keyboard.

So tonight is swell and good. We’re here for a month, then probably onward to another country to try a few weeks there. I can get into a routine that feels productive and which includes some of the things that help ensure my mood is good and I’m undistracted by feeling unwell, such as good solid walking bouts and not eating junk food and getting enough sleep.

So what will I work on this month?

First and foremost is finishing up the YA novel I’ve been working on, along with several stories, two for anthologies and a couple for the Patreon campaign. While the stories will be fun and I do want to get them finished, the novel is what I want to be spending most of my time doing. I’ll be posting snippets and word counts as I go, keeping myself accountable. Because that’s another thing for a writer — you have to hold yourself accountable, because there’s nothing out there, really, to do it for you.

Good writing to you all. I hope you’ll get some words today as well.