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You Should Read This: Jeff VanderMeer's Southern Reach Trilogy

Cover of AcceptanceI’m timing this post to come out before I’ve finished the last book of the Southern Reach trilogy, ACCEPTANCE, so I haven’t read the entire trilogy yet. But I recommend the overall trilogy based on my utter enthusiasm for the first two books, ANNIHILATION and AUTHORITY.

VanderMeer is one of the finest writers alive*, in my opinion, able to craft worlds that are eerie and beautiful and intriguing and, above all, unlike anything you’ve read before. Both ANNIHILATION and AUTHORITY are full of moments that smacked me in the face with their perception and beauty in a way that still leaves me thinking about them.

The books have that sense of the weird that haunts other works, like House of Leaves or The Crying of Lot 49. As though one were viewing the everyday world with a new lens, one that slants them, puts them askew, renders them mysterious. And they do it beautifully.

The publisher’s taken the unusual (increasingly less so, though) step of releasing all three books in one year — particularly awesome for those of us who hate waiting for the next installment to come out.

*Full disclosure: Not only do I know Jeff, but we’ve co-written a novelette, The Surgeon’s Tale, together. But part of my pleasure in that friendship/co-authorship is a deep awareness of how very very good his writing is.

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You Should Read This: Herland by Charlotte Perkins Gilman

Cover for feminist utopian novel Herland by Charlotte Perkins Gilman.
"There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver." - Charlotte Perkins Gilman
Last week, I pointed to one of the foremothers of science fiction, Margaret Cavendish, the Duchess of Newcastle, and her work The Blazing World. Herland comes several centuries later (in fact, it’ll be exactly a century old in 2015) but it’s just as important a landmark in this often murky territory.

Charlotte Perkins Gilman was an American editor, writer, and lecturer whose short story “The Yellow Wallpaper,” about a woman’s descent into madness, is often revisited in college literature classes. She was a single mother who supported herself by writing — no small accomplishment today, let alone at the time she was doing so, the late 19th and early 20th centuries.

Herland is often treated as though it stands alone, but it’s actually the middle volume of a trilogy, preceded by Moving the Mountain in 1911 and followed by With Her in Ourland in 1916. The work was originally published as a serial in a magazine called The Forerunner that Gilman edited; it did not appear as a complete book until 1979, when Pantheon Books published it.

Herland is a utopian novel, in which three men, Vandyk (the narrator), Terry, and Jeff stumble across a civilization where the women reproduce asexually and there are no men. This turns out to lead not to a perfect civilization, but certainly one that seems more appealing than the one Gilman found herself in. Gilman uses the book as a device with which to explore constructed ideas of gender. It is an appealing society in many others; in others, it’s a bit cold and calculating. Girls who are overly rebellious or mouthy, for example, will not be allowed to reproduce.

One of the things that’s refreshing about the book is that it’s not written as though the lack of males is a deficit that warps society. Instead, it’s simply the way things are, and the Herlanders seem capable of getting along quite well without it.

Gilman was one of the important suffrage speakers of her time and a bit of a polymath. If you want to go further into her writing, I suggest a piece of nonfiction, her work on economics, Women and Economics: A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution, which originally appeared in 1898.

You can find Herland online in its entirety at Project Gutenberg, along with much of Gilman’s other work.

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You Should Read This: On Writing by Stephen King

Cover for Stephen King's On Writing: A Memoir of the Craft.
"Words create sentences; sentences create paragraphs; sometimes paragraphs quicken and begin to breathe." - Stephen King
When I taught at Hopkins, the students used to defiantly bring up King as an example of what they liked to read. It always surprised them when I said I liked him too. It feels like I’ve been reading Stephen King all my life. At least, for a very long time. He’s produced a lot of wonderful books, including one of my favorites, The Stand. In this book you get to see beneath the covers on a lot of those books.

What: On Writing: A Memoir of the Craft by Stephen King is divided into two parts. The first is an autobiographical look at his writing over the years. It is unflinching and honest and well worth the read. The second is stuff about writing. It is also unflinching and honest and well worth the read.

Who: If you are a writer who buys writing books, it maybe impossible for you not to know about this book already. If you’re a writer who doesn’t read books about writing — this one’s worth picking up.

Why: Read this to become a better writer, or just to understand the craft better. King uses the metaphor of the writer’s toolbox, which is a very useful one.

I want to suggest that to write to your best abilities, it behooves you to construct your own toolbox and then build up enough muscle so you can carry it with you. Then, instead of looking at a hard job and getting discouraged, you will perhaps seize the correct tool and get immediately to work.

What goes in your toolbox? Vocabulary and punctuation. Point of view. Literary Devices. Foreshadowing. You get the picture.

When: Read this when you’re feeling a bit starved for the muse and want to be reminded that writing is a matter of work, not divine inspiration.

Where and how: Read it with pen in hand, ready to underline and make notes that apply to your own writing. Read it with King’s books close by, so you can reach for them and see his principles played out in their pages.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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