Five Ways
Subscribe to my newsletter and get a free story!
Share this:

WIP: Teaser From "Red in Tooth and Cog"

This is what I’ve been working on today. It’s a lot closer to being done that it was.

This is how Renee lost her phone and gained an obsession.

She was in the park near work. It was a sunny day, on the edge of cold, the wind carrying autumn with it like an accessory it was trying on before settling for it for good.

She set her phone down on the bench beside her as she unfolded her bento box, levering back metal flaps to reveal still-steaming rice, a quivering piece of tofu.

Movement caught her eye. She pulled her feet away as a creature leaped up onto the bench slats beside her, an elastic band snap’s worth of fear as it grabbed the phone, half as large as the creature itself, and moved to the other end of the bench.

The bento box clattered as it hit the concrete, rice grains spilling across the grey.

She’d thought it an animal at first, but it was actually a small robot, a can-opener that had been greatly and somewhat inexpertly augmented, modified. It had two corkscrew claws, and grasshopper legs made from nutcrackers to augment the tiny wheels on its base that had once let it move to hand as needed in a kitchen. Frayed raffia wrapped its handles, scratchy strands feathering out to weathered fuzz. Its original plastic had been some sort of blue, faded now to match the concrete beneath her sensible shoes.

The bench jerked as the robot leaped again, moving behind the trash barrel, still carrying her phone. She stood, stepping over the spilled rice to try to get to the phone, but the leaves still on the rhododendrons thrashed and stilled, and her phone was gone.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

Leave a Reply

Your email address will not be published. Required fields are marked *

Get Fiction in Your Mailbox Each Month

Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

You may also like...

Teaching and Burnout: Taking a Break

Photo of Cat Rambo, speculative fiction writer. All rights reserved.
What classes are coming up? There's Writing F&SF Stories, the First Pages workshop, Podcasting Basics, Literary Techniques for Genre Fiction...and more.
I’ve been teaching online classes for a few years now. They have been awesome and one of the coolest things has been the number of talented writers I’ve had the privilege to work with. However, I’m scheduling a break from teaching during the latter half of 2014, and it’s for a few reasons.

The first and most important is that I can feel a little burnout creeping up around the edges. I’ll be talking in a class and think to myself, “I know I’ve said this before,” and it will be because I have said it before, repeatedly even — but not to that class. I can tell that if I don’t take a break, that feeling is going to drown me.

The second is to focus even more on the writing, because there’s at least two books I’d like to finish up this year, along with the usual roster of short stories. (I’m at ten completed so far this year, which is unusually productive but highly pleasing.)

The third is because I don’t want to get in a rut. I want to go think about some new things and then come back ready to talk about them to students.

So – if you want a class with me in 2014 — check out the list now. I’ll probably list a couple more conversation classes in June, but that’s it. But I’ll be back in 2015!

...

Writing-Related Link Roundup from November 2014

Image of a feline mermaid.
If you're looking for an interesting online writing class to keep productive during December, I've got both a flash fiction and a "Moving Your Story from Idea to Draft" workshop coming up on the 20th and 21st.
Maybe not as timely as it could be, since everyone’s finishing up Nano novels, but just in case: 8 Ways to Outline a Novel on Litreactor

Some of you have two weeks left to sub to She Walks in Shadows. All woman Lovecraft antho, pays 6 cents a word (pro rate). Guidelines.

Good piece about science-fiction writer Nnedi Okarafor on BookRiot. “I came to her work at a time when the debate about a woman’s place in the world of science fiction, fantasy, and speculative fiction was getting a lot of buzz. I realized that I’d read a few of the women who’d made their mark in that realm ““ Ursula K. LeGuin, Octavia Butler, Margaret Atwood, Jo Walton- but I felt as though I hadn’t gone far enough. Okorafor’s stories have encouraged me to travel further down that path.”

Interested in a writer’s retreat? Here’s a pretty good list of them.

Ray Bradbury talks about creativity and how our motives shape our writing. On the same site, Umberto Eco talks about the pleasures of maps of imaginary places.

What happens in your head while you’re reading? Your brain on stories.

David Cronenburg is interviewed about his process of novel writing, as well as finding beauty in unlikely corners. “There are many realities we need to ignore in order to function. Whenever we’re reminded of that, however obliquely, it is very disturbing””there’s a real dissonance that’s happening there. But of course it’s part of the function of art to keep that dissonance happening.”

An article with a lot of resonance for the self-pub versus traditional publishing argument about day jobs, found via M.C.A. Hogarth.

In The Atlantic, Jeff VanderMeer talks about the uncanny power of weird fiction.

Great piece about writers and their real influences, the things that shape their writing.. “I have a theory: the thing that makes you a unique writer hasn’t got so much to do with your influences as it does with how you became a writer in the first place. I think your preferences””your obsessions””come just as much from the first sorts of things you consumed and were passionate about. Whether that’s pop music, comics, “lowbrow” fiction, soap operas, or anything else, the thing that matters most is what started you writing stories.”

...

Skip to content