Neil Gaiman has been catching a lot of flack for this tweet.
People are, understandably, saying that the equation clarion + student = pro writer is not the only way you can reach that particular sum, and they are absolutely correct, although the drama is — as is often the case on the Internet — a bit hyperbolic.
This is the fact of F&SF (and any other genre) writing — there are writers disadvantaged by gender, or race, or sexuality or other physical circumstances. But there’s also a big group — which contains a disproportionate number of those differing physically — affected by economic issues.
Here are two simple facts:
If you have the economic means to attend a workshop like Clarion West, Clarion, Kevin J. Anderson’s Superstars, the workshops given by Kris Rusch and Dean Wesley Smith, etc, it can give you a career advantage, primarily in terms of forming a support network of peers, although there are a number of other plusses. The degree of advantage depends on both luck and how willing you are to make the most of the time at the workshop.
If you have the economics means to attend a convention, it can give you a career advantage, primarily in terms of industry contacts. The degree of advantage depends on both luck and how willing you are to make the most of the time at the convention.
But there is nothing being taught at a workshop that you cannot pick up by yourself, given time, though it is true that workshop teaching can often be inspirational, effective, and sometimes entirely life-changing.
Being able to attend a convention or workshop is not just a matter of being able to pay the substantial fee. It’s being able to travel and most importantly — it’s being able to take time away from both work and family. That’s an incredible privilege.
I came through Clarion West in 2005. My instructors were (in chronological order) Octavia Butler, Andy Duncan, L. Timmel DuChamp, Connie Willis, Gordon Van Gelder, and Michael Swanwick. I am a pretty convivial person, and remain close friends with the majority of my instructors. I also was part of a talented class that included E.C. Myers (winner of the Andre Norton Award for his book Fair Coin), Rachel Swirsky (frequent nominee and winner of things) and goddamn Ann Leckie, whose Ancillary series has set the bar for success so high the rest of us are just going, “Yeah right.”
I was able to do this because I had a partner willing to let me quit my job and try writing for a while. A decade later, I have yet to make half of what my Microsoft salary was through writing; I continue to persevere. If I had a family to support, it would have been incredibly difficult to do it — perhaps simply impossible. It gave me an advantage, and it also kicked me in the ass to be productive, because I was intensely aware of just how lucky I was.
Neil is — obviously — not saying you can’t be a writer without such a workshop. Note that Gaiman himself did not go to such a workshop, as far as I know. He is, though, enthused about the workshop (as befits a former instructor) and aware of what a big advantage it can prove.
But it also depends on what you make of it. In any class there will be those who persevere and those who fall by the wayside. Of the people in my writing workshop from decades ago at Hopkins, only a handful are still writing. Ten years later, a few members of my Clarion West class seem to have dropped off the face of the planet.
You have to want it hard enough to work for it, no matter what. You have to be willing to make time for writing words down and thinking about the order and what happens when you rearrange them. You have to have a hide hard enough to survive the day when there’s three rejections plus a nice fan letter whose writer is confused and thinks you’re someone else with a similar name. You have to be willing to trim away some bullshit activities and substitute stuff that lets you work at your craft, like reading or taking online classes or whatever. That’s the part you need.
A while back, I read someone saying that we all have someone who gives us permission to call ourselves a writer. For me, it was John Barth: sitting in his sunlit Hopkins office, a bookcase framing his smiling, balding head talking about my stories and a fellowship he wanted me to apply for is something I will always remember. But that is less important than giving yourself permission to call yourself a writer. It’s harder — it requires a certain amount of adamant ego and determination — but that permission can — and must — come from inside as well as externally. That’s the most important component, and you can do it with or without the aid of a workshop.
TL;DR version? Ain’t nothing going to substitute for hard work. Why aren’t you writing?
Later addendum: Most of the workshops do offer some scholarships; if there’s one you’re interested in, I do suggest asking about what financial aid is available.
Good words indeed. But everyone keeps forgetting that Clarion West, at least, offers scholarships for those who can’t afford to attend, as does the Carl Brandon Society.
Srsly. CW’s scholarship program + the additional generosity of crowdsourced strangers helped me attend the workshop during a time when I was unemployed and, technically, homeless. (Which isn’t to downplay the difficulty of balancing work+family+life obligations for those who are in a much stabler position than I was then, but the idea that these workshops are only feasible for Teh Elites is itself a pretty piece of fiction.)
I don’t think scholarships are available to cover five (six?) weeks of bills, the rent, etc… for folks without five weeks of paid leave? Or am I wrong about that? There is more opportunity cost to this than the fees involved in attending the workshop.
That fact that people are offended by this baffles me. Gaiman was obviously using “need” in its colloquial/internet sense, meaning “really REALLY want”, as in “Oh man I NEED a pepperoni pizza right now.” It find it very difficult to take him so literally as to really believe he was suggesting that Clarion is actually required to be writer.
I think it’s a sore spot for a lot of people. I have noticed this discussion can be very polarizing. The irony of people getting pissed at Gaiman, who didn’t come through a workshop himself, for saying this is not lost on me.
It’s more a matter of email sucking the emotional tone out of a message. If you heard Neil saying it with a fake junkie tone, laughing afterwards and following up with “I’ve gotten so much from these sessions–if you’re stuck as a writer, I heartily encourage you to try Clarion to break through to a new plateau of skills,” there’d be no doubt. But I can imagine people catching it sideways.
I feel like there’s an unwillingness to give people the benefit of the doubt in some quarters; if there’s multiple interpretations, assume the one that’s offensive/insulting, because then we can all complain about it on Twitter!
Language is tricky, a text with tone, as Fran notes, is trickier. I think we need to cut people some slack, ESPECIALLY in a place like Twitter where space is so limited.
As someone who can’t afford Clarion and is getting a little tired of being told to attend Clarion, I think the reason this is such a sore spot for so many of us is that some Clarion graduates are too aggressive in recruiting efforts and don’t seem to understand that “I can’t,” should be the end of the conversation. It probably doesn’t help that there are SO MANY Clarion grads. It starts to feel like “Not taking NO for an answer,” when it’s really just that there are LOTS of people recruiting.
Spot on, Cat. My own take (five-plus years after Clarion and no real sales to speak of) is that it’s not necessary, but it sure as hell helps. As for the present outrage, my own working hypothesis is that most folks are full of angst and rage at things they can’t (or won’t) do much about, so when an outside target arises, they are all too happy to direct their vitriol at it as a way of venting some of the pressure. OMMV.
Also, in case anyone’s interested, I also blerged about this particular kerfuffule, at http://wp.me/p1BIcx-j0
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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Teaser From Another Unfinished Steampunk Story
If you're interested in my steampunk stories, you might start with "Clockwork Fairies," which originally appeared on Tor.comI’ve been writing a lot in a steampunk world lately; this is the fourth story set in this world. The passengers are headed to Seattle, but a version much grimier and war-ridden than our own. The Civil War is three years over; another war, over a substance called phlogiston, has arisen.
Jemina noticed the Very Small Person the moment she entered the train.The child paused in the doorway to survey the car before glancing down at her ticket and then at the other half of the hard wooden bench, high-backed, its shellac peeling, that Jemina sat on. Jemina tucked the macrame bag beside her in with her elbow.
The child was one of the last on, which was why Jemina had been hoping against hope to have the bench to herself, at least all the two day trip to Kansas city. The train began to roll forward, a hoot of steam from the engine, a bell clang from the caboose at the back of the train, the rumble underfoot making the little girl pick her way with extra caution, balancing the small black suitcase in one hand against the pillowy cloth bag in the other.
She arrived mid-car beside Jemina and nodded at her as she struggled briefly to hoist her suitcase up before the elderly man across the man did it for her. She plumped the cloth bag in the corner between sidearm and back and sat down with a little noise of delight as she looked around. Catching herself at the noise, she blushed, fixed her gaze sternly forward as she folded her hands in her lap, and peeped at Jemina sidelong.
Jemina tried to imagine how she might appear. She knew herself thin but nicely dressed and pale-skinned. The lace at her throat was Bruges, the cross around her neck gold. She looked like a school-teacher, she imagined, and not a particularly nice one. She felt her lips thin further at the thought.
The child, interpreting the flattening of Jemina’s mouth for disapproval, fished in her bag and took out a small blackbound Bible. She began to read.
“Oh, it’s all right,” Jemina said. Her boldness surprised her, but this was a child, after all. “I’m Jemina Iarainn and I’m a scientist, headed to work at the War Institute in Seattle. Who are you are where are you going?”
The smile bestowed on her could have lit a room. The Bible slid back into the bag. “Oh thank goodness! I’m Laurel Finch and this is my very first train ride ever, up to Seattle too, and I was hoping I’d have an agreeable companion on my voyage.”
She stumbled a little over the solemnity in the last words. Jemina said, “Trips are much, much nicer with someone to talk to. Where are you going in Seattle? To visit relatives?”
“To the Soldiers’ Orphans’ Home there,” Laurel said, and her mouth drooped before she summoned her smile again. “I’ve been staying with my uncle for the last three years but he is traveling to China as an ambassador. It’s all right, he’ll come back for me, but in the meantime I’m to live there for a few years.”
“Seattle is very nice,” Jemina said. Her mind raced along the years before this child, living among orphans with no chance of adoption herself. Bleak, as bleak as any of Jemina’s childhood years. “You will meet Princess Angeline, Chief Seattle’s daughter. She lives down near the market and is a real Indian princess.”
“Do you know Seattle well?”
Jemina shook her head, then nodded. “My twin sister is out there already and she has been writing me long letters.”
“Is she also a scientist?”
“She writes for the newspaper.”
“Oh! Like Nellie Bly!” Laurel clapped her hands and Jemina sighed internally. A daredevil reporter was more exciting than a scientist, but she was the one constructing giant killing war machines, after all, even though she was not at liberty to talk about any of that.
You can find “The Subtler Art,” featuring The Dark and Tericatus, in Blackguards: Tales of Assassins, Rogues, and Mercenaries.The is the fourth Serendib story I’ve done. The others are: “The Subtler Art,” also featuring The Dark and Tericatus, which appeared in Blackguards: Tales of Assassins, Mercenaries and Thieves; “Call and Answer, Plant and Harvest,” which should appear in the science fantasy issue of Beneath Ceaseless Skies tomorrow; and “The Owlkit, the Beekeeper, the Brewer, and the Candymaker,” which appears in forthcoming collection, Neither Here Nor There.
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The Mage’s Gift
This is a story of Serendib, the origami city where dimensions intersect and where you step between worlds as easily as turning down a new street to hear the stars singing overhead or the clanging steps of automata on patrol or centaur hoofs clattering over concrete. Everyone that comes to Serendib has a story, and sometimes those stories continue well after they’ve come to stay.
Once she’d hopped the glass-edged wall using gloves made of fish-leather from the deepest deeps, it had been easy enough to defeat the bloodsucking ivy and the centipede hounds contained in the first set of barriers. After that, she paused to change gloves to a new set, this time made of technology stolen from ancient Atlantis, made of ebon clay and silver circuitry.
The Dark rarely stooped to thievery nowadays but it was how she had started her professional life, long ago in a city whose name she had deliberately forgotten.
There she had been a child born to both privilege and indifference. At fifteen, she had left the school where her parents had deposited her and sauntered off to make her own living. This took the form of burglarizing her parents’ friends, at least those whose estates and townhouses she’d had occasion to reconnoiter in earlier years.
This was not as novel a revolt as it might have been, for that city accepts its criminals to the point of licensing them. The true revolt manifested in flouting paperwork until she came of age at sixteen.
Nimble, fearless, and adept in unexpected strategy, she did quite well by this. Well enough that she was able to spread the largesse to many of those less comfortable than her victims, and in doing so, became known as “The Dark Angel.”
When, thirteen months later, the infamous guild of assassins that had noted her exploits came to recruit her, they demanded she rename herself (for licensing purposes, since murder was as strictly regulated as theft), which she did by truncating the former name to the alias she had gone by several decades now.
She had kept that knowledge to herself as, over the course of those decades, she’d met any number of unusual characters, including her spouse for two of those decades, Tericatus the alchemist-mage; her sometime-enemy, sometime-friend Chig the Rat God; and quite a few fellow thieves and assassins who often failed to live up to the high standards she held when it came to both of her professions.
Of that group, only Chig knew of her thiefly beginnings. The Dark had kept meaning to tell Tericatus, but he did not come from a city where burglary or murder were government-sanctioned and so held a number of different opinions on such matters. In her secret heart, The Dark found her spouse a trifle sanctimonious at times and preferred not to give him license to pontificate.
She had retired from assassinations ““ aside from the occasional wager-related killing ““ some time ago. And now she returned to thievery not so much for entertainment but also because she was impelled by the yearly conundrum of a suitable anniversary present for a man who could, literally, conjure almost anything his heart could imagine.
The next wall was made of fricklebrick, which sounds amusing but involves a number of razor-sharp edges shifting frequently and somewhat randomly in their orientation.
She held her hands near the wall, palms in parallel to let the gloves sense the vibrations of the bricks and adjust themselves to countershift accordingly in a gentle grinding born of magic and machinery.
Casting a glance upward to make sure none of Serendib’s possible moons hung too high in the sky, she thought about Tericatus’ imagination and ““ not the for the first time ““ contemplated her luck in a mate who had long ago grown blasé with outer appearances and preferred inner qualities of fierceness and determined loyalty.
She wriggled upwards, features smeared with coalblack to match the midnight shadows around her, a silver box bumping on her hip. This year, she planned to snare something lovely that could not be bought. Her philosophy of presents was that such things were far better assembled when by effort than by coin.
This garden, located on one of the great terraces built along the mountain slope bordering the city to the north, belonged to a recent arrival to Serendib, a merchant/scientist whose name The Dark kept having tremendous difficulty remembering. This spoke of certain magics laid upon the name to avoid notice, and that was intriguing. More intriguing yet were the rumors of the contents of the innermost garden, center of three sets of walls, which held a worthy anniversary gift.
Not quite atop the wall, she used a mirror-tipped steel strand to survey the territory. She frowned. She had expected to deal with golems, their lips lined with acid spitters, armored in Tesla coils, but they lay scattered about. Someone had preceded her.
Her lips firmed in an uncharacteristic surge of temper. She had throttled back anger since, as a young thief, she had first accidentally-on purpose knifed someone as they grappled.
Not a death she regretted more than any other. The young man (he and his twin sister had been her schoolmates) had followed her to blackmail her. His death had been very painless, very swift. She prided herself that every subsequent kill had also fallen in that category.
But still ““ she had learned not to give way to impulse.
And it was not as though she had been able to lay claim to this place. Serendib has no organized institutions of thieves. Indeed, it is one of the few forbidden things, and so there was no established way of marking a place as being the target of someone very dangerous to cross.
Sparks from the farthest golem’s body still smoldered, sending up bitter smoke, from the felted leaves, which meant that her predecessor had beaten her by moments. She moved across the space with assurance, still clinging to the shadows, careful of the snarls of razor-edged grass, ornamental and deadly, lining the pathway.
The stones of the inner wall were cemented with soul stuff, and she had never been good with that magic, so she relied on a wholly technological approach, letting a wand of phlogistonic radions spill its lavender light out along the pink-veined surface, soothing it, till she could climb without complaint.
She saw no sign of the intruder as she came into the garden’s inner heart. That was a very good thing, because it was such a pretty place that it stunned her momentarily, a phenomenon that rarely happened to the phlegmatic and sometimes a little cynical woman.
Here in the lambent center, lit by living lanterns, a thousand flowers swelled and bloomed, silky petals dappled and daubed with iridescence, each sending out great invisible clouts of perfume, each different, dizzying with its intensity: cinnamon and carnation, musk and mossrose, vanilla and vetiver.
Mechanical dragonflies and bumblebees, hummingbirds and hovering moths, flitted from one great head-sized blossom to another, posing for seconds in the scented depths as the biomagnetic fields recharged its visitor, letting them continue to dart about on patrol.
Crouched at the wall’s foot, The Dark lost no time setting the contraption she had carried at her belt on the ground and touching an ivory dial on its side. It unfolded spindly legs and began to totter about, looking like a walking cage made of silver wire and light, staggering towards a flowering bush circled by whistling bees.
She ignored it and looked for tracks, searching over the soft earth. As she moved, flying creatures sensed her and veered, but as each neared with tiny laser-lit eyes flashing and razor sharp mandibles and stings at the ready, it swung away, disoriented and warded off by the complicated magnetic field of The Dark’s earrings, fashioned of rare and subtle earth magics by her husband for their last anniversary, who had intended his gift protection rather than pilfering.
The Dark knew how to read subtle signs: a bent leaf, a displaced butterfly, a flower turned to an unnatural alignment. Whoever it was, they were of a certain height, and a certain weight, and wore a robe that flickered out just so”¦A frown grew on her face, and each time the moonlight licked her mouth, her lips were turned further down.
By the time she found the intruder, standing to watch carp seethe beneath the surface of a tiny pond, she knew enough to say, her tone irritated, “But I was getting a present for you.” And then, “You always have said thievery is a base form of art.”
“Well, that is true enough,” her husband said in a mild tone intended to smooth the rasp from hers. “But you must admit that you are very hard to find presents for.”
“Hrmph,” she said. “Well, enough, let us collect what we haVE come for and return home to exchange gifts a trifle early.”
He inclined his head.
But when they reunited some moments later in the garden’s center, The Dark held her walking cage, twisted and rent asunder by some force, and Tericatus had scraps of similarly shredded mist, smelling of ozone, clinging to a handful of glowing threads. The Dark eyed that device curiously, for it was not a spell that had occurred to her, but she said only, “Someone else is here, and they do not mean us good.”
“Two thieves for the price of one,” a voice fluted, “but I am only interested in the one. Man, you may go now, if you leave swiftly and without interference.”
The figure that stepped from the shadows was hard to see, for the mechanical insects whirled and fluttered around the slim form, not as though to attack, but to protect. It was a face that the Dark had forgotten, but she realized now she had remembered it all her life, for it was that of the young man who had been her first kill.
Then another step forward and she realized ““ not him, but his sister, who the Dark had known but little, and last remembered seeing at the very uncomfortable funeral.
“Alas,” Tericatus said, and his tone was still mild, but this time steel flowed beneath it. “I do not choose to leave my wife behind.”
“Your wife!” the lady exclaimed. The Dark remembered her curls as dark as her own, but now silver threads outmatched the ebon ones, vanquishing, and age and disapproval thinned the once-plump lips. “Not just a thief, but a killer, and a noted one, fattened on her murders over the years. I see that crime treats you well enough.”
“In all things,” the Dark said, “I have always acted within the boundaries of the law.” She glanced at Tericatus.
“That does not matter,” the sister, whose name The Dark still could not quite recall ““ Elissa? Alyssa? Elison? Whoever she was, she thrust her clenched fist out, tight knuckles upward, and let her fingers fly open as she slapped downward a few inches, releasing an alarming number of gnarly black tentacles that plunged for seconds then writhed upward with a swordblade’s swiftness, flashing up at the pair.
By mutual accord, they separated, stepping simultaneously in opposite directions. The Dark vanished into the shadows beneath a tree’s outgrasping branches while Tericatus thumbed three vials open with practiced swiftness, vapors from the first two combining to solidify around him while the third released a thimbleful of glittering motes that swarmed to halo his head.
But the tentacles moved unerringly only for The Dark, altering course and somehow picking up speed in the process, perhaps assisted by the mother of pearl moths, their wings edged with perilously sharp flakes of crystal, orbiting her head in paths that curved in to slash at her cheek, then shoulder.
Tericatus stepped forward, striking the tentacles with a lacy golden blade that shimmered with sunlight, but they ignored him.
“They only judge those who are truly guilty!” The noblewoman laughed, the sound high-pitched, relief achieved after decades.
Tericatus said, “My wife is not guilty. She tells the world she stepped down from her path for love of me, but I know it was because things weighed on her too heavily. She has worked to atone, and anyhow who are you to judge her and pronounce her fate?”
He moved between the Dark and the tentacles as he spoke, and they fell away from him as the sparkling motes danced over them, becoming more and more sparks in the process.
“I have been told of her misdeeds, over the years,” the woman said, and glittering beetles danced in time with her words, fever-quick. “She learned nothing from killing my brother, has gone on to kill again and again. I have spoken to her comrades, her companions of the blade.”
“Perhaps you had a particular informant,” The Dark said, coldness counterbalancing the fire. “Perhaps they were narrow of face and dark of hair.”
“That could describe many,” the noblewoman said.
“Much like myself, they dressed in blacks and greys, with the occasional touch of silver.”
The noblewoman shrugged. “That is a style, like any other.”
“And possibly from time to time, when you glimpsed them from the corner of your eye, they appeared to have”¦ whiskers.”
The woman wavered. “That,” she said, “is both idiosyncratic and true.”
“Chig,” The Dark said without intonation, but her husband muttered it under his breath in a very different tone.
“You are a pawn,” Tericatus said and glanced at his wife, “in a game that has been playing for a very long time, and which I thought was over.”
“If so,” The Dark returned, “and I am neither confirming nor denying such things, I would have anticipated such a contingency but would, as welcome your sage advice on the subject of my imprisonment.”
“Given my knowledge of magic, I would suspect that the things holding you might be dispelled by truths.”
“Or magic of one variety or another,” The Dark suggested, feeling the tentacles tighten around her.
But as he sighed and readied two new vials, she said, “My dear, the truth of it is that I began my working life as a thief, and I have never told you that because I thought you would think the less of me.”
Tentacles withered and fell. The woman gaped, and somewhere from the deepest shadows came a murmured curse, the slither of a great tail and a plomph of displaced air that might signify a rat god vanishing.
“I personally would count that truth a gift, but perhaps you might remove one of the flowers and several of its attendant insects for our garden, as I had intended, as a token for our trouble. Take your present, my dear, and go ahead,” The Dark said. “I’ll be along in a little while.” She eyed the woman.
When she caught up with Tericatus at the outermost wall, he said, “An assassin who had repented might stay their hand from killing someone who they thought might pose a future danger sometime.”
“That is true,” The Dark said, cleaning some substance from a silver stiletto. “And it is also true that even such a one might think it best to avoid future trouble if it might affect others that one cared for.”
“That is indeed another truth,” Tericatus said and reflected, not for the first time, on the value of growing blasé with outer appearance and preferring inner qualities of fierceness and determined loyalty in a mate.
-THE END-
Let me know what you thought! Shall I keep writing Serendib pieces, go back to Tabat, or venture elsewhere?
90 Responses
Wonderful and wise words, as always 🙂
Thank you 🙂
RT @Catrambo: On Clarion and Privilege and the Internets: https://t.co/GhX7OHaCgX
RT @Catrambo: On Clarion and Privilege and the Internets: https://t.co/GhX7OHaCgX
RT @Catrambo: On Clarion and Privilege and the Internets: https://t.co/GhX7OHaCgX
Read this! https://t.co/lAgJIORHwM https://t.co/GrTgwXOXQT
Read this! https://t.co/BaR2r5idj6
RT @Catrambo: On Clarion and Privilege and the Internets: https://t.co/GhX7OHaCgX
RT @Catrambo: On Clarion and Privilege and the Internets: https://t.co/GhX7OHaCgX
YES. So true.
Good words indeed. But everyone keeps forgetting that Clarion West, at least, offers scholarships for those who can’t afford to attend, as does the Carl Brandon Society.
I think all of them offer some sort of scholarship, don’t they? I know Clarion, Clarion West, and Superstars all do.
Srsly. CW’s scholarship program + the additional generosity of crowdsourced strangers helped me attend the workshop during a time when I was unemployed and, technically, homeless. (Which isn’t to downplay the difficulty of balancing work+family+life obligations for those who are in a much stabler position than I was then, but the idea that these workshops are only feasible for Teh Elites is itself a pretty piece of fiction.)
I don’t think scholarships are available to cover five (six?) weeks of bills, the rent, etc… for folks without five weeks of paid leave? Or am I wrong about that? There is more opportunity cost to this than the fees involved in attending the workshop.
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That fact that people are offended by this baffles me. Gaiman was obviously using “need” in its colloquial/internet sense, meaning “really REALLY want”, as in “Oh man I NEED a pepperoni pizza right now.” It find it very difficult to take him so literally as to really believe he was suggesting that Clarion is actually required to be writer.
I think it’s a sore spot for a lot of people. I have noticed this discussion can be very polarizing. The irony of people getting pissed at Gaiman, who didn’t come through a workshop himself, for saying this is not lost on me.
It’s more a matter of email sucking the emotional tone out of a message. If you heard Neil saying it with a fake junkie tone, laughing afterwards and following up with “I’ve gotten so much from these sessions–if you’re stuck as a writer, I heartily encourage you to try Clarion to break through to a new plateau of skills,” there’d be no doubt. But I can imagine people catching it sideways.
I feel like there’s an unwillingness to give people the benefit of the doubt in some quarters; if there’s multiple interpretations, assume the one that’s offensive/insulting, because then we can all complain about it on Twitter!
Language is tricky, a text with tone, as Fran notes, is trickier. I think we need to cut people some slack, ESPECIALLY in a place like Twitter where space is so limited.
We still need the tag, imo.
People would just abuse it immediately though. =\
Django Wexler Oh, yeah, I’m sure that would happen.
Whups, forgot the tag.
140 characters doesn’t leave much room for tone unfortunately.
As someone who can’t afford Clarion and is getting a little tired of being told to attend Clarion, I think the reason this is such a sore spot for so many of us is that some Clarion graduates are too aggressive in recruiting efforts and don’t seem to understand that “I can’t,” should be the end of the conversation. It probably doesn’t help that there are SO MANY Clarion grads. It starts to feel like “Not taking NO for an answer,” when it’s really just that there are LOTS of people recruiting.
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I’d love to go to Clarion West, but since I’m a single parent, it ain’t gonna happen. I am, however, not even a little bit upset at Neil Gaiman.
And completely off topic: John Barth is one of my all-time favorite writers. Knowing that you got to work with him makes me extremely jealous.
I love Jack with all my heart. He is the most amazing gentleman. I count myself incredibly privileged to have gotten a chance to learn from him.
Great read, once again!
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RT @Catrambo: On Clarion and Privilege and the Internets: https://t.co/GhX7OHaCgX
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On Clarion and Privilege and the Internets https://t.co/NTBefIEXKb Thanks, @Catrambo. You nailed it.
Spot on, Cat. My own take (five-plus years after Clarion and no real sales to speak of) is that it’s not necessary, but it sure as hell helps. As for the present outrage, my own working hypothesis is that most folks are full of angst and rage at things they can’t (or won’t) do much about, so when an outside target arises, they are all too happy to direct their vitriol at it as a way of venting some of the pressure. OMMV.
Also, in case anyone’s interested, I also blerged about this particular kerfuffule, at http://wp.me/p1BIcx-j0
” my own working hypothesis is that most folks are full of angst and rage at things they can’t (or won’t) do much about”
This seems pretty on the mark to me.
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RT @Catrambo: On Clarion and Privilege and the Internets: https://t.co/GhX7OHaCgX
Great post.
Thank you!
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On Clarion and Privilege – https://t.co/zGbra9TqSL
RT @Catrambo: On Clarion and Privilege – https://t.co/zGbra9TqSL
RT @Catrambo: On Clarion and Privilege – https://t.co/zGbra9TqSL
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RT @Catrambo: On Clarion and Privilege – https://t.co/zGbra9TqSL
Head down, keep writing. https://t.co/DfbrSMKtnJ
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Well said!
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On Clarion and Privilege and the Internets https://t.co/aNKtKqqMWa
On Clarion and Privilege and the Internets https://t.co/z5LKTjJyTj
RT @outseide: On Clarion and Privilege and the Internets https://t.co/z5LKTjJyTj
RT @outseide: On Clarion and Privilege and the Internets https://t.co/z5LKTjJyTj
RT @BroadUniverse: On Clarion and Privilege and the Internets https://t.co/aNKtKqqMWa
RT @BroadUniverse: On Clarion and Privilege and the Internets https://t.co/aNKtKqqMWa
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