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You Should Read This: Herland by Charlotte Perkins Gilman

Cover for feminist utopian novel Herland by Charlotte Perkins Gilman.
"There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver." - Charlotte Perkins Gilman
Last week, I pointed to one of the foremothers of science fiction, Margaret Cavendish, the Duchess of Newcastle, and her work The Blazing World. Herland comes several centuries later (in fact, it’ll be exactly a century old in 2015) but it’s just as important a landmark in this often murky territory.

Charlotte Perkins Gilman was an American editor, writer, and lecturer whose short story “The Yellow Wallpaper,” about a woman’s descent into madness, is often revisited in college literature classes. She was a single mother who supported herself by writing — no small accomplishment today, let alone at the time she was doing so, the late 19th and early 20th centuries.

Herland is often treated as though it stands alone, but it’s actually the middle volume of a trilogy, preceded by Moving the Mountain in 1911 and followed by With Her in Ourland in 1916. The work was originally published as a serial in a magazine called The Forerunner that Gilman edited; it did not appear as a complete book until 1979, when Pantheon Books published it.

Herland is a utopian novel, in which three men, Vandyk (the narrator), Terry, and Jeff stumble across a civilization where the women reproduce asexually and there are no men. This turns out to lead not to a perfect civilization, but certainly one that seems more appealing than the one Gilman found herself in. Gilman uses the book as a device with which to explore constructed ideas of gender. It is an appealing society in many others; in others, it’s a bit cold and calculating. Girls who are overly rebellious or mouthy, for example, will not be allowed to reproduce.

One of the things that’s refreshing about the book is that it’s not written as though the lack of males is a deficit that warps society. Instead, it’s simply the way things are, and the Herlanders seem capable of getting along quite well without it.

Gilman was one of the important suffrage speakers of her time and a bit of a polymath. If you want to go further into her writing, I suggest a piece of nonfiction, her work on economics, Women and Economics: A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution, which originally appeared in 1898.

You can find Herland online in its entirety at Project Gutenberg, along with much of Gilman’s other work.

#sfwapro

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You Should Read This: Watership Down by Richard Adams

Cover for animal fantasy Watership Down by Richard Adams, reviewed for You Should Read This by Cat Rambo.
Watership Down was always notable to me for the section on Silverweed and his brethren. It's a section where the wild rabbits are bewildered by what has happened due to human encourachement, but in some ways, it sets up the horror of General Woundwort that will follow.
Watership Down was the first of a wave of animal books that included Duncton Wood, The Book of the Dun Cow, and Tailchaser’s Song. It’s inspired an animated movie that is not terrible (bear in mind that I dislike most movies) and which has weathered the years well.

What: A group of rabbits whose warren is destroyed by the bulldozers of a housing development try to find a new place to live, despite various pitfalls and traps along the way.

Who: Anyone who loves animals will love this book, and any writer interested in writing epic journeys as well as non human protagonists will find an analysis of the rabbits’ trek an instructive one.

When: Read this for immersion or when you want to share a saga with your children.

Why: Read it to see how well Adams has worked out rabbit soceity, including a vocabulary full of rabbity concepts like tharn and fabulous phoneticisms like hrududu. Read it to see the rabbit mythology and listen to the folktales told among the rabbits, very much in the same tradition as Kij Johnson’s The evolution of trickster stories among the dogs of North park after the change.

Where/how: Read it on a summer afternoon, preferably one when you can see a young rabbit or two frisking on the lawn, flicking their long ears back as they eye you whenever you flip a page.

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Media Consumed in October, 2017

happyhalloweenNot much October travel, yahoo! Game-wise it’s still StarDew Valley and Skyrim on computer and console, D&D5E and Star Wars RPG (Fantasy Flight) for tabletop.

In television, I’m happy to have a new season of DC Legends and The Flash start; I’ve been working my way through The Arrow and am finishing up Season 2 now, but it lacks the humor and sweetness of the other two. We did finally get around to watching season 1 of Stranger things, which didn’t really grab me much at first, but finally won me over. We finished that up last night and are looking forward to season 2.

As part of my reading, I did learn how to pick a lock this month, or at least have gotten to the point where I can pick the practice one in about ten seconds (which makes me feel a little badass, but in a pretty limited way) and also understand both how a skeleton key works and what a padlock shim is. I figure this will be a useful skill, post zombie-apocalypse. Maybe. Lotsa story ideas brewing from it, though, including a new Serendib piece.

Here’s the books I read:

Anonymous. Visual Guide to Lockpicking.
Michael Bishop. Light Years and Dark. One of the strongest anthologies I’ve ever had the pleasure to come across.
Leigh Brackett. The Long Tomorrow.
Rutger Bregman. Utopia for Realists: How We Can Build an Ideal World. Great argument for basic income, lots of fascinating history of what’s been tried (and worked with amazing effectiveness).
Chesya Burke. Let’s Play White.
Chesya Burke. The Strange Crimes of Little Africa.
Robert Coram. Boyd: The Fighter Pilot Who Changed the Art of War. Interesting bio, particularly if you’re curious about 4GWarfare since his concepts inform it.
Tananarive Due. The Black Rose.
Tananarive Due. My Soul to Keep.
George Alec Effinger. Heroics.
Laurie Forest. The Black Witch.
Victor Gischler. Ink Mage.
Robert Graves. Watch the North Wind Rise. Well, that was interesting, is all I’m going to say about that.
Charlaine Harris, Day Shift.
Brandon Massey. Whispers in the Night.
Anne McCaffrey and Elizabeth Ann Scarborough. Space Opera.
Nnedi Okarafor. Binti.
Lorenzo Pecchi and Gustavo Piga. Revisiting Keynes: Economic Possibilities for Our Grandchildren.
Declan Shalvey. Deadpool vs. Old Man Logan #1.
Michael Swanwick, Being Gardner Dozois.
Pamela Samuels Young. Buying Time.

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