Charlotte Perkins Gilman was an American editor, writer, and lecturer whose short story “The Yellow Wallpaper,” about a woman’s descent into madness, is often revisited in college literature classes. She was a single mother who supported herself by writing — no small accomplishment today, let alone at the time she was doing so, the late 19th and early 20th centuries.
Herland is often treated as though it stands alone, but it’s actually the middle volume of a trilogy, preceded by Moving the Mountain in 1911 and followed by With Her in Ourland in 1916. The work was originally published as a serial in a magazine called The Forerunner that Gilman edited; it did not appear as a complete book until 1979, when Pantheon Books published it.
Herland is a utopian novel, in which three men, Vandyk (the narrator), Terry, and Jeff stumble across a civilization where the women reproduce asexually and there are no men. This turns out to lead not to a perfect civilization, but certainly one that seems more appealing than the one Gilman found herself in. Gilman uses the book as a device with which to explore constructed ideas of gender. It is an appealing society in many others; in others, it’s a bit cold and calculating. Girls who are overly rebellious or mouthy, for example, will not be allowed to reproduce.
One of the things that’s refreshing about the book is that it’s not written as though the lack of males is a deficit that warps society. Instead, it’s simply the way things are, and the Herlanders seem capable of getting along quite well without it.
Gilman was one of the important suffrage speakers of her time and a bit of a polymath. If you want to go further into her writing, I suggest a piece of nonfiction, her work on economics, Women and Economics: A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution, which originally appeared in 1898.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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Reading Like a Writer: Planning It Out
Tracy Townsend just did a terrific workshop this Saturday on Reading Like a Writer, (here’s the highlights from Twitter). One thing I came away with is the idea of planning my reading — or at least some of it — out much more purposefully.
When we did introductions and talked about what people wanted out of the class, it struck me that two ideas kept surfacing. One was the idea of using an activity one loves — the majority of writers are avid readers — to hone one’s craft would be more efficient. The second was a sense that if one was enjoying the writing, such learning couldn’t be happening; that work and joy could not go together.
I heartily disagree with the second, because I constantly draw on the first. Perhaps because now, as in the past, I am perpetually swimming in books, and consider that a dream existence. I was one of those kids who spent most of their hours with their nose inside a book, and at a time when the Internet was yet to appear, so I read and re-read over and over again, particularly L.M. Boston, Zenna Henderson, C.S. Lewis, Andre Norton, Theodore Sturgeon, J.R.R. Tolkein, to name a few.
Nowadays I get sent a lot of books — some attractive, some not so much — partially as a result of the somewhat scattershot way that most publisher marketing departments work, partially because I’m in a lot of anthologies, and partially because I am doing my best to support authors by buying their books through indie booksellers. I also pick up a lot of Storybundles and Humblebundles. While I’m a very fast reader, I’m not fast enough to keep up with the deluge.
So I like the idea of taking the last week of each month to plan the next month’s reading, particularly with an eye to assembling it. Tracy mentioned doing like assembling a D&D adventuring party, making sure it’s a mix. Her suggestions were these categories, all of which may overlap:
authors who inspire and excite you
authors who bring diversity to your reading list
authors who people keep saying you should read
authors who are great at the things you need to work on
Here’s some of the things I want to add to that for my personal plan:
Some current novelettes/novellas. These get overlooked sometimes because they’re usually something best suited to the electronic, but we’re also in the midst of a resurgence of them, and I want to make sure I keep myself of what’s going on there.
Because I’ve been trying to educate myself better about mid-to-late 20th century F&SF history, at least one nonfic book about it and one anthology produced during that period.
At least one nonfiction book that is not about gardening or cooking each month.
So here’s my rough notes as I create my reading list for December. I usually read 20-30 books each month, so I’m going to plan out 15 and leave the rest sort of up to the moment.
N.K. Jemisin Emergency Skin – novella, huzzah!
Diversity – this month I’m going to add a few more LatinX authors to the mix, having read a piece with some recommendations, while also finishing up the collection of Harlem Renaissance novels I started last month. I’ve added two from their list I wasn’t familiar, Felix J. Palma and Adam Silverta, and will find a book from each.
Classic – Walter Tevis The Man Who Fell to Earth. I enjoyed the series based on Tevis’s The Queen’s Gambit, but in looking at it, I decided to go with this instead since it’s a pretty classic book that I’ve never read.
Classic anthology-wise, I’ve got a ton on my shelves, so I’ve snagged Orbit 3, edited by Damon Knight. I also bought a collection that’s worth working my way through, The Avram Davidson Treasury: A Tribute Collection, particularly since I want to look at Davidson’s methods of storytelling. For nonfiction that fits into that reading project, I’m adding Lost Transmissions: The Secret History of Science Fiction and Fantasy by Desirina Boscovich, which just arrived in the mail and is a handsome looking book.
Nonfiction books I recently picked up include NeuroTribes: The Legacy of Autism and the Future of Neurodiversity by Steve Silberman; American Rule: How a Nation Conquered the World but Failed Its People by Jared Yates Sexton, How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence by Michael Pollan; Gender Outlaw: On Men, Women and the Rest of Us by Kate Bornstein. I’m halfway through the last, so I’ll plan on finishing it and reading at least one of the others.
Looking over my Kindle – man, there is a ton of other stuff I downloaded and would like to get to, so I need to stop buying books until I’ve cleared at least SOME of this away.
Only the Devil is Here by Stephen Michell
Nophek Gloss by Essa Hansen
The Wall by Gautam Bhatia
The Left-Handed Booksellers of London by Garth Nix
The Six-Gun Tarot by R.S. Belcher
The Afterward by E.K. Johnston
The Order of the Pure Moon Reflected in Water by Zen Cho
Banshees by Mike Baron
Touched by Venom by Janine Cross
Brimstone Angels by Erin M. Evans
*starts to add others then goes aiiieee and runs around in circles for a while instead*
I’m still pondering the various notetaking methods Tracy talked about, but certainly reading more mindfully seems worthwhile. Will any of this be useful? I dunno, but it can’t hurt, and in the meantime I get to read.
The Andre Norton Award for Young Adult Science Fiction and Fantasy is an annual award presented by the Science Fiction and Fantasy Writers of America (SFWA) to the author of the best young adult or middle grade science fiction or fantasy book published in the United States in the preceding year.This year I’ve been reading for the Andre Norton Award, which has been great in that a ton of books have arrived and insane in that a TON of books have arrived and need to be read. I wanted to call out some of my favorites so far.
The Rise of Renegade X by Chelsea M. Campbell: This is listed as Jan 2014 for the paperback edition, but I believe the e-version was self-published in 2013. It’s a terrific teen superhero adventure, featuring a protagonist trying to figure out if he’s a hero or a villain. IT has a sequel as well, The Trials of Renegade X.
Conjured by Sarah Beth Durst: I don’t usually like protagonists who wake up with amnesia, but here Eve and her situation grabbed me and made me care much faster than such narratives usually do. The book managed to surprise me, and did so in a really engaging way.
Contanimated by Em Garner: This is a zombie story, so I didn’t expect to like it much. But the zombies are caused by a diet drink, and the challenge is integrating the contaminated into society. When that contaminated is your mother, it’s a whole new issue. The ending is not as satisfying as it could be – things feel a bit too easy — but overall this was a gripping, hard to put down book.
Control by Lydia Kang: Plenty of corporate-controlled futures in the YA I read this year, and this was one of the more interesting ones. The ensemble of teen characters are engaging, entertaining, and above all believable.
The Color of Rain by Cori McCarthy: This features a fairly adult theme, in that the protagonist prostitutes herself to get herself and her brother off planet. But the sex is fairly low-key and not depicted in the thorough way it might be for adults. It’s a good story with a charismatic main character in desperate straits.
Twinmaker by Sean Williams: This book is an extended exploration of the implications of matter transporters. It’s a lot of fun, fast-paced, and ingenious.