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The Spontaneous Knotting of an Agitated Awards Process

Image of a baby two-toed sloth, taken at the Sloth Sanctuary in Costa Rica.
This is a baby two-toed sloth. I figured it would be more appealing than an award logo.
Hugo nominations have opened and with that, an array of canvassing and promotion techniques have begun to be deployed, which will no doubt continue until the actual awards are awarded and everyone can briefly calm down before a new season begins.

The thing I’m not fond of, which has arisen in recent years, is the idea that one should vote according to one’s politics, and plunk down a vote for the “right” books without bothering to read them. Some people like to justify this by pointing to something that is undeniably true — the award is often less often the expression of the opinion of SF fans overall than that of a small subset of those fans and sometimes — perhaps even often — popularity, access to high-traffic websites, or other factors not related to quality of writing affects those results. In these cases, that’s usually used as a justification for throwing the votes in what’s perceived in the opposite direction.

And my reply is this: FFS, people, read stuff and vote for the stories you like, the stories which YOU find well-crafted and appealing. Go download the excellent Campbell sampler that Marc Blake has been putting together each year and take the time to read through it. Look at the ‘year’s best’ lists. Ask people what they liked that you might. Look at the five kerjillion “here’s what I have eligible this year” posts, particularly if you have a favorite author and want to make sure you don’t miss anything by them.

But read it and apply your standards to it and then vote for what you thought was the best story/novella/whatever. Anyone telling you to vote any other way, anyone offering their work and saying “you should vote for this because we belong to the same category” rather than “I hope you’ll vote for it if you like it” has an agenda that is not at all about quality of writing.

Yes, there are “taste-makers” — critics whose likes and dislikes are listened to, and often used for guidance. But those folks fall all over the spectrum and the answer, if you think there’s not someone representing your particular niche of opinion is to become one yourself, by putting your opinion out there articulately, clearly, and interestingly, which is the very same process by which those taste-makers got to that position.

You may well not agree with a particular award’s results. Opinions are like…well, you probably know how that saying goes. There’s plenty of room in a world this size for a vast array of opinions. But when a piece you didn’t like wins an award, saying that it did so because of politics comes off as soreheaded sour grapes more than anything else. Let’s face it, a shitty, badly-written piece has an awfully steep (but again, admittedly not impossible) hill to climb before accumulating the avalanche of votes something needs to win one of the major awards. But assuming that because you don’t like something no one else is justified in liking it is narcissistic egotism.

Want to see the stuff that you like on the ballots? Nominate it, vote for it, spread word about it on social media, through reviews, and via blog posts or other writings. Work at that, not trying to handicap the other candidates just so yours can limp home. And read stuff and decide for yourself, don’t just take the slate of predigested candidates someone has prepared so you don’t have to read any of that nasty conservative/liberal/whatever prose and actually think for yourself. Read all over the spectrum, not just one color. You’re shortchanging yourself of some good stuff otherwise.

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Documents of Tabat: The Markets of Tabat
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What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for web-use. I hope you enjoy this installment, but you’ll have to read Beasts of Tabat to get the full significance. -Cat

An Instructive Listing of the Notable Markets of Tabat, being Pamphlet #4 of the first series of “A Visitor’s Guide to Tabat,” Spinner Press, author unknown.

The Rain Market: To the north and east of Tabat lie the great marshes, half salt water, half fresh water. While the struggle to drain them and transform them into cropland presses on each year. The vast marshlands, a mix of salt and fresh water, seem unthreatened. The grasses that grow here are colored, like most of the marsh’s vegetation, by the purplish and green clays and minerals that underlie the marsh. Their pliant grasses colored lavender to dark purple and shades of olive, grow in abundance and are harvested for the purpose of making the tight-woven rain-gear that fills the Tabatian square known as the Rain Market.

Open come rain or sunshine, the Market sells, beyond its hats and shell-shaped overcoats of woven grass, baskets and other containers in whatever size or shape you might need. Bring the object there and they will weave a basket to hold it, from spiky pine-fruit to a glove shaped case from a wooden prosthetic hand of the sort the 12th Duke wore. Clatter chimes, lengths of hollow reed string on cording and meant to be hung from windowsills or bank tills to scare away sea-ghosts are sold here exclusively in this market in the shadow of the Slumpers.

Also near the Slumpers are the shops that sell its wares: tiles and china and porcelain goods. At the very edge of Rose Way is the complex of shops devoted to brownie wares: miniature dishes many use to coax brownies into their houses as well as other wares designed for smaller Beasts and animals.

Spice and Fish Square, only a block away from the main dock, supplies goods just unloaded from fishing and merchant ships,. The freshest sea fare can be found here and many vendors are prepared to cook your dinner on the spot. The air smells of brine and rot and smoke, and the nearby alleys are scattered with fragments of scales like silver spangles underfoot.

The Stable Markets are housed in what were once the city stables, since relocated to the northern edge of Tabat. Sitting on the fourth terrace, the building is filled with swarms of tiny shops selling this, that, and the other thing. Some stalls have existed here for generations while others are new traders, come with merchandise they want to dispose of quickly, if sometimes not cheaply.

The Midnight Market, located on the lowest terrace within sound of the sea, operates only from dusk to dawn, in the spaces that will be occupied by traders, merchants, and sailors during the day’s daylight hours. Anything and everything can be purchased here, and many of the vendors, as in the Stable Markets, are Beasts acting as representatives for Human masters.

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Love the world of Tabat and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.

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Teaser: The Threadbare Magician

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Friendly Village loops and winds, tiny roads scattered among the trailers. Every patch of landscaping is different ““ cacti surrounded one mobile home, followed by a forest of rhododendrons, then dahlias that might have originated in my own garden.

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In Greek mythology, such stones were sacred to Aphrodite. But I didn’t think a Greek God lurked within.

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I stopped a few feet away, looking at him.

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I acted unsurprised, and maybe I was. Occam’s razor again. One) move to a new place. Two) be attacked by a powerful magical adversary. More than time connected that chain.

“I’m Forseti,” he said.

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“Justice, right?” I said.

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Reminder – both the Electronic Publishing class and the first Editing 101 online class run this Sunday. You’ve still got time to sign up! To find out more, click on “Take an Online Class with Cat”.

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