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The Spontaneous Knotting of an Agitated Awards Process

Image of a baby two-toed sloth, taken at the Sloth Sanctuary in Costa Rica.
This is a baby two-toed sloth. I figured it would be more appealing than an award logo.
Hugo nominations have opened and with that, an array of canvassing and promotion techniques have begun to be deployed, which will no doubt continue until the actual awards are awarded and everyone can briefly calm down before a new season begins.

The thing I’m not fond of, which has arisen in recent years, is the idea that one should vote according to one’s politics, and plunk down a vote for the “right” books without bothering to read them. Some people like to justify this by pointing to something that is undeniably true — the award is often less often the expression of the opinion of SF fans overall than that of a small subset of those fans and sometimes — perhaps even often — popularity, access to high-traffic websites, or other factors not related to quality of writing affects those results. In these cases, that’s usually used as a justification for throwing the votes in what’s perceived in the opposite direction.

And my reply is this: FFS, people, read stuff and vote for the stories you like, the stories which YOU find well-crafted and appealing. Go download the excellent Campbell sampler that Marc Blake has been putting together each year and take the time to read through it. Look at the ‘year’s best’ lists. Ask people what they liked that you might. Look at the five kerjillion “here’s what I have eligible this year” posts, particularly if you have a favorite author and want to make sure you don’t miss anything by them.

But read it and apply your standards to it and then vote for what you thought was the best story/novella/whatever. Anyone telling you to vote any other way, anyone offering their work and saying “you should vote for this because we belong to the same category” rather than “I hope you’ll vote for it if you like it” has an agenda that is not at all about quality of writing.

Yes, there are “taste-makers” — critics whose likes and dislikes are listened to, and often used for guidance. But those folks fall all over the spectrum and the answer, if you think there’s not someone representing your particular niche of opinion is to become one yourself, by putting your opinion out there articulately, clearly, and interestingly, which is the very same process by which those taste-makers got to that position.

You may well not agree with a particular award’s results. Opinions are like…well, you probably know how that saying goes. There’s plenty of room in a world this size for a vast array of opinions. But when a piece you didn’t like wins an award, saying that it did so because of politics comes off as soreheaded sour grapes more than anything else. Let’s face it, a shitty, badly-written piece has an awfully steep (but again, admittedly not impossible) hill to climb before accumulating the avalanche of votes something needs to win one of the major awards. But assuming that because you don’t like something no one else is justified in liking it is narcissistic egotism.

Want to see the stuff that you like on the ballots? Nominate it, vote for it, spread word about it on social media, through reviews, and via blog posts or other writings. Work at that, not trying to handicap the other candidates just so yours can limp home. And read stuff and decide for yourself, don’t just take the slate of predigested candidates someone has prepared so you don’t have to read any of that nasty conservative/liberal/whatever prose and actually think for yourself. Read all over the spectrum, not just one color. You’re shortchanging yourself of some good stuff otherwise.

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Retreat, Day 22

coffeeToday I am letting myself slack a little, feeling caught up from the weekend’s excesses and so I can game tonight.

Today’s wordcount: 2592
Current Hearts of Tabat wordcount: 119954
Total word count for the week so far (day 3): 13568
Total word count for this retreat: 60229
Worked on Hearts of Tabat, “Moderator,” untitled piece
Works finished on this retreat: “California Ghosts,” “My Name is Scrooge,” “Blue Train Blues.”
Time spent on SFWA email, discussion boards, other stuff: 45 minutes

From the untitled piece:

The magician gestured, and out of the pool came musicians, the very first thing the tip of a flute, sounding, so it was as though the music pulled the musician forth, accompanied by others: grave-eyed singers and merry drummers; guitarists and mandolinists with great dark eyes in which all the secrets of the moon were written; one great brassy instrument made of others interlocked, so it took six to play it, all puffing away at their appointed mouthpiece, and all of them bowed down to the priestess who stood watching, her sand-colored eyes impersonal and face stone-smooth.

“Very pretty,” she said, and yawned with a feline grace, perhaps even accentuating the similarity in a knowing way with a tilt of her head.
The magician smiled, just as catlike, just as calm. “You can do better, I am sure,” he said.

She shrugged, her manner diffident, but rather than reply, she pursed her lips and whistled. Birds formed, swooping down, and wherever they swooped, they erased a swathe of the musicians, left great arcs of nothingness hanging as the seemingly oblivious players continued, their music slowly diminishing as they vanished, the instruments going one by one, and the last thing to hang, trembling in the air, was an unaccompanied hand, holding up a triangle that emitted not a sound.

Landing, the birds began to sing, and though the music was not particularly sweet, there was a naturalness about it that somehow rebuked the mechanical precision of the song theirs succeeded. As they sang, more and more birds appeared, and the music swelled, washing over the pair where they stood, like a river.

The priestess patted the air with the flat of her hand and the birds winked out of existence, leaving the two of them in a great white room, the antechamber of her temple.

“Will you go further in, then?” she said, and her voice was still casual.

The magician’s eyes were green as new grass and the black beard on his chin, which grew to a double point, was oiled and smelled of attar-of-roses. He considered her as though this was the smallest of debates, and finally stepped forward.

“We are still evenly matched,” he said.

...

Reading List: Superhero Fiction

Wonder Woman Issue 203I recently posted in a Reddit thread about superhero novels and thought that the list I put together there might form an interesting blog post.

Superhero novels are near and dear to my heart for several reasons.

  • One, I grew up reading comic books and loved some of them dearly. The only fanfic I have ever written involved the uncanny X-Men and the super villain Arcade, along with a thinly veiled version of myself. It has, luckily, been lost and not recorded for posterity.
  • Two, I loved playing superhero RPG’s like Villains and Vigilantes and Champions. Superhero 2044 came out around the same time, but it wasn’t as interesting to my gaming group, which tended to stick with Champions.
  • This led in fact to three, which is that I once wrote a novel involving superheroes. I wrote it while in the Masters program in writing at Johns Hopkins. At the time, watchmen had just come out, and the possibilities of superhero literature had not, perhaps we shall say, been realized as effectively as it is today. In fact, I took the book to Tom Disch, who was teaching in the office next to me, and who read a chapter, fixed me with a gimlet eye, and asked, “but why bother?” Several publishing houses looked at the novel and felt it was well written but not commercial. Some time later, tragically, the manuscript was lost in the course of moves. Its heroes can be found in a short story which appeared in Strange Horizons, Ms. Liberty Gets a Haircut, which can also be found in story collection Near + Far. Other superhero stories by me appear in Corrupts Absolutely and Eyes Like Sky and Coal and Moonlight

So here’s some of my favorites:

From the Notebooks of Dr. Brain by Minister Faust is awesome superhero fiction. It’s told by the therapist of a superhero team that closely resembles the Avengers. Faust also has The Coyote Kings of the Space-Age Bachelor Pad.

Count Geiger’s Blues by Michael Bishop is amazing. Along the same lines is Bishop’s Brittle Innings, the story of a baseball playing monster.

The Wild Cards series edited by George R.R. Martin (of GoT fame) is tons and tons of fun and there are a LOT of them for those of us who like to read at a fast and furious clip.

In Hero Years I’m Dead by Michael Stackpole is terrific along with Once a Hero. I wish Stackpole would write more in this world.

Carrie Vaughn After the Golden Age is told from the point of view of the unpowered daughter of a pair of superheroes, Captain Olympus and Spark.

Playing for Keeps by Mur Lafferty.

Austin Grossman’s Soon I Will Be Invincible is told from alternating experienced villain and novice hero viewpoints.

Michael Chabon’s The Amazing Adventures of Kavalier & Clay is a classic.

The Sugar Frosted Nutsack by Mark Leyner is, like all of Leyner’s books, hysterical, but this time with superheroes.

Those Who Walk in Darkness by John Ridley is the beginning of a series that I found reminiscent of joint online project Shadow Unit, created by Elizabeth Bear, Holly Black, Leah Bobet, Emma Bull, Sarah Monette, and Will Shetterly.

Nobody Gets the Girl by James Maxey. Series.

Evil Genius by Catherine Jinks is YA superhero fantasy.

Karma Girl by Jennifer Estep is frothy and funny and sweeps you along in a nicely satisfying story. First of a series.

Along the same lines is Black and White, the story of a superhero and a supervillain friendship by Jackie Kessler and Caitlin Kittredge. First in a series.

Santa Olivia by Jacqueline Carey (also known for her Kushiel adult epic fantasy series) is the story of a group genetically engineered for superpowers. First of a series.

If you want something that goes back to some of F&SF’s roots, try Doc Savage or A Feast Unknown by Philip Jose Farmer.

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