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Catching Up, Plus An Excerpt From Hearts of Tabat

Photo of a clock shaped like a Neko Cat, altered with the Percolator app.
This Sunday’s online class is Literary Techniques in Genre Fiction. Come and pick up some new tools to use in your fiction!
Hello folks! January has been crazy, and I have been bad about blogging. One thing I’m going to be doing going forward is scattering in some food posts, because I’m cooking a lot this year as well as working with the SFWA Cookbook Project.

BEASTS OF TABAT is coming out on March 27, 2015, at Emerald City ComicCon, which is very exciting, but also blindingly fast. If you want to get news about the book and other projects, please sign up for my mailing list:

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Meanwhile, I’m working away on two book projects, one a YA novel, the other Book 2 of the Tabat Quartet, HEARTS OF TABAT. It picks up halfway through BEASTS OF TABAT and involves three of the secondary characters. Book 3, EXILES OF TABAT, will take up the characters from BEASTS OF TABAT again at the point where BEASTS leaves off. Book 4, GODS OF TABAT, is plotted but I’m still figuring out the viewpoint stuff.

One of the viewpoint characters of HEARTS OF TABAT is Adelina, Bella’s former lover and closest friend. I’ve been writing about her this morning:

Adelina knew that in producing only one child, Emiliana had replicated the structure of the family from which she’d come. She wondered sometimes if her mother ever had, like Adelina, wished for a sister. What would it be like to have another soul that knew all the peculiar circumstances of your family existence, the conglomeration of odd relatives and circumstances and situations but more than anything, knew all the little sore spots that the world insisted on imposing, like the way her mother could, with a single look, indicate so much disapproval of an outfit.

Adelina straightened her shoulders. This was the first time she’d appeared in front of her mother wearing the cut and device of a Publisher, the open pages of a book, edged in the gold lines that indicated she was the head of a house. There were only five people in Tabat qualified to wear that device, but Emiliana refused to see any distinction in that. A house that worked in paper was lower status than one that worked in metal, let allow the heights that a banking house like the Nettlepurses were at. In Emiliana’s eyes, Adelina had stripped herself of all that, had stepped down into what was for Emiliana the equivalent of a puddle of shit when compared to the rarefied heights she had been born into.

Adelina imagined a sister standing beside her, whispering in her ear, “It’s all right. She doesn’t understand what an advantage such an outlet could be to a banking house.” A sister would have been willing to take the reins of the Nettlepurses and work together with Spinner Press, taking advantage of all that the two could offer each other.

But that was the other part of Emiliana’s disappointment. There were others who could take Adelina’s role, certainly, but they were all of distant blood, rather than her child.
And while Adelina could argue the advantages of her having formed the publishing house over and over again, she couldn’t argue with that disappointment, the real reason that underlay the look Emiliana gave Adelina as she came into the breakfast room.

But Emiliana said nothing, only offered a sharp nod of greeting, and returned her attention to the newssheets in her hands, the accounts of the morning arrivals at the docks, which ships carrying what, traveling mainly from the Southern Isles or elsewhere on the coast, but sometimes from the Old Continent or even places like the Rose Kingdom or the Winterlands.

In other news, I’ll be speaking briefly at an animated short films presentation that’s part of the Seattle Asian-American Film Festival on February 14th. See the Supernatural Seattle blog for details, and follow it on Twitter in order to get news of events and posts as they appear.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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This Weekend's Classes: Beginnings & Endings (Saturday) and Character Building Workshop (Sunday)

photo of a man in hello kitty armor
Taken at last year’s con, but I don’t know the gentleman’s name, unfortunately.
I’ve still got room in this weekend’s classes, Beginnings & Endings (Saturday morning) and the Character Building workshop (Sunday morning). In the first, I’m going to talk about a number of things, including how to use your beginning to create your ending and vice versa, what your beginning sets up for your reader, what your beginning and ending must contain, how to most effectively use title + beginning + ending, and various other tips and tricks. There will be 3-4 quick writing exercises over the course of the class designed to help you apply what we’re talking about in order to effectively add it to your writerly toolbox.

The Character Building Workshop is familiar to some of you, and I always love teaching it because I come away with at least a couple of wordlumps that end up being part of the current WIP as well as better insight into the characters I’m working with. Come join us if you want a little inspiration for your current project.
Register by mailing me at catrambo@gmail.com or cat@catrambo.com with the name and date of the class you’re interested in. And please feel free to pass this newsletter along to friends and fellow writers you think might be interested!

April Classes
April 16 (Sat, 9:30-11:30 AM PST) Beginnings and Endings
April 17 (Sun, 9:30-11:30 AM PST) Character Building Workshop
April 23 (Sat, 9:30-11:30 AM PST) Creating an Online Presence for Writers
April 24 (Sun, 9:30-11:30 AM PST) Description and Delivering Information
April 30 (Sat, 9:30-11:30 AM PST) Flash Fiction Workshop

May Classes
May 1 (Sun, 9:30-11:30 AM PST) First Pages with Caren Gussoff
May 14, (Sat, 9:30-11:30 AM PST) Moving from Idea to Finished Draft
May 15 (Sun, 9:30-11:30 AM PST) Literary Techniques for Genre Writers
May 21 (Sat, 9:30-11:30 AM PST) Retelling and Retaleing with Rachel Swirsky
May 22 (Sun, 9:30-11:30 AM PST) Literary Techniques for Genre Writers II

June Classes
June 3 (Sat, 9:30-11:30 AM PST) Writing Your Way Into Your Novel
June 4 (Sun, 9:30-11:30 AM PST) Moving from Idea to Finished Draft

#sfwapro
Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.

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You Should Read This: Five Satisfying F&SF Series for Vacations

I just got back from a trip that included a couple long plane rides. I’m a very fast reader and finding a long, well-crafted series immersive enough to make me forget that my back is aching, the kid behind me keeps kicking the seat, and all the other discomforts of travel. Airport bookstores are usually full of stuff I’ve already read, so I try to load my e-reader with an abundance beforehand. Here’s a few that have stood me in good stead in the past few months.

Most recently, Kate Elliott’s The Novels of the Jaran (Jaran, An Earthly Crown, His Conquering Sword, and The Law of Becoming), which come as a single ebook bundle that Immensely satisfying space opera mixed with nomadic life with the Jaran on their unexpectedly pivotal planet. Elliott has become one of my goto writers (another favorite is Walter Jon Williams) – I know anything I pick up by her will be a satisfying and sustaining read.

Martha Wells’Picture of a Book Shelf The Books of the Raksura is fantasy, following the adventures of one of the Raksura, Moon, as he finds a new home and family, only to have to defend them. Moon is a character who shines; you desperately want him to be happy, and his path towards that is deeply engaging. And the most recent book, The Harbors of the Sun, is out now!

Max Gladstone’s The Craft Sequence. I had read the first three of these, but another nicely-priced ebook bundle let me pick them up all together and read them that way, which I highly recommend. They connect in a interesting and convoluted way that makes the series do what a series should – create a whole that is greater than the sum of the individual books. Awesome fantasy with a modern flavor and a delightfully careful attention paid to economics.

Kristine Smith’s The Jani Kilian Chronicles is military-flavored space opera with a strong and engaging protagonist, games with linguistics, and plenty of action. A protagonist who is flawed, fearless, and feisty, and a romantic life that adds to the book but is certainly not the focus. Not quite military SF but close, I guess – I’m never sure where space opera ends and military SF begins.

Short stories are not something I would normally take on a vacation – they’re candy, not sustaining rations. But there’s a lovely series collecting all of Theodore Sturgeon’s work that I’ve been picking up book by book, using them as rewards. I’m up to Volume Five of those, The Perfect Host. And yay! All of them seem to be available on the Kindle. If you’re an F&SF short story writer, Sturgeon is one of the people you should read, in my opinion, to see how brilliantly and beautifully he does things.

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