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The Spontaneous Knotting of an Agitated Awards Process

Image of a baby two-toed sloth, taken at the Sloth Sanctuary in Costa Rica.
This is a baby two-toed sloth. I figured it would be more appealing than an award logo.
Hugo nominations have opened and with that, an array of canvassing and promotion techniques have begun to be deployed, which will no doubt continue until the actual awards are awarded and everyone can briefly calm down before a new season begins.

The thing I’m not fond of, which has arisen in recent years, is the idea that one should vote according to one’s politics, and plunk down a vote for the “right” books without bothering to read them. Some people like to justify this by pointing to something that is undeniably true — the award is often less often the expression of the opinion of SF fans overall than that of a small subset of those fans and sometimes — perhaps even often — popularity, access to high-traffic websites, or other factors not related to quality of writing affects those results. In these cases, that’s usually used as a justification for throwing the votes in what’s perceived in the opposite direction.

And my reply is this: FFS, people, read stuff and vote for the stories you like, the stories which YOU find well-crafted and appealing. Go download the excellent Campbell sampler that Marc Blake has been putting together each year and take the time to read through it. Look at the ‘year’s best’ lists. Ask people what they liked that you might. Look at the five kerjillion “here’s what I have eligible this year” posts, particularly if you have a favorite author and want to make sure you don’t miss anything by them.

But read it and apply your standards to it and then vote for what you thought was the best story/novella/whatever. Anyone telling you to vote any other way, anyone offering their work and saying “you should vote for this because we belong to the same category” rather than “I hope you’ll vote for it if you like it” has an agenda that is not at all about quality of writing.

Yes, there are “taste-makers” — critics whose likes and dislikes are listened to, and often used for guidance. But those folks fall all over the spectrum and the answer, if you think there’s not someone representing your particular niche of opinion is to become one yourself, by putting your opinion out there articulately, clearly, and interestingly, which is the very same process by which those taste-makers got to that position.

You may well not agree with a particular award’s results. Opinions are like…well, you probably know how that saying goes. There’s plenty of room in a world this size for a vast array of opinions. But when a piece you didn’t like wins an award, saying that it did so because of politics comes off as soreheaded sour grapes more than anything else. Let’s face it, a shitty, badly-written piece has an awfully steep (but again, admittedly not impossible) hill to climb before accumulating the avalanche of votes something needs to win one of the major awards. But assuming that because you don’t like something no one else is justified in liking it is narcissistic egotism.

Want to see the stuff that you like on the ballots? Nominate it, vote for it, spread word about it on social media, through reviews, and via blog posts or other writings. Work at that, not trying to handicap the other candidates just so yours can limp home. And read stuff and decide for yourself, don’t just take the slate of predigested candidates someone has prepared so you don’t have to read any of that nasty conservative/liberal/whatever prose and actually think for yourself. Read all over the spectrum, not just one color. You’re shortchanging yourself of some good stuff otherwise.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

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A Glimpse From the College of Mages

In the lull between bells, the campus walks were deserted and their scent trails stale, the pupils all in their classes this late morning. They worked them hard at the College of Mages, and no student would have a break until after a lunch of bread and fishy oil and the moments they could snatch for chatting, flirtation, naps, or mischief, before they were forced to plod on to other debates in other classrooms.

The sunlight was weak in this place, a thin draught of heat unlike the fierce burn of home, particularly in late winter. The Sphinx lay on a stone slab outside the Hall of Instruction, wishing for the comfortable give of sand and listening to the voices from inside: an instructor teaching her first year pupils about the Lists.

The Sphinx combed her hair with a paw. Black strands, dull from infrequent brushing, had fallen in front of her face — discolored claws slid through them, dirt-darkened to a matching color. A fly crawled across her tawny flank, and her limber tail swatted it away as she listened.

“How do we know,” a student asked. “What is Beast and what is Man?”

The instructor’s voice was mild, although she had answered this question before at the lecture’s beginning. “The races that are Human and the races that are Beasts are set forth in the Lists.”

“What if the listmakers were wrong?” a student asked. There was brief, shocked silence at the words before the instructor said “We do not believe that they were wrong.”

The words’ quiet conviction made her hackles rise, the fine fur at the nape of her neck, where it shaded between hair and mane, bristle. Irked and restless, she rose, abandoning her puddle of sunlight to move along the gravel paths of the College, in and out of the pine and cedar shadows.

An itch between the pads of her paws, furry grooves full of sensitive hairs, told her that somewhere in the crypts below the college, Carolus was teaching a class on summoning ghosts. There was electricity and regret in the air, and spiritual energy stirred on the breeze, pulled here and there by forces of attraction and repulsion.

A wiggle of ectoplasm circled her ear, an incipient ghost trying to figure out whether or not it wanted to be born. Another flick of her tufted tail, as big as a fat feast carp, dispelled it back into shredded wisps, and it did not reform as she passed out of range.

She patrolled along the high iron fence that kept the townsfolk out and the students in, intricate ironwork that held containment sigils, woven together so thick and strong that passing through the gates felt like sliding through velvet and steel curtains, heavy weights catching at her. She resisted their impediment to pause outside, surveying the street.

Only one passerby paid her much attention ““ some northerner newly come to town, country dust still thick on him and his eyes wide with wonder at the city’s nature as it unfolded strange thing after strange thing. Including her, who he eyed with trepidation as he moved along the street. He was a mouse, a boy who would snap beneath one pounce.

She watched him with her wide golden eyes, knowing their unnerving nature. Outside the city, Beasts were more dangerous ““ her uncanny fellows stalked the humans through the wilderness, and claimed hundreds each year, but she had become Civilized in her role as the doyenne of the College of Mages. She was legendary to the students — generations had tried to evade her detection when sneaking in or out of the grounds. Though she was forbidden to harm them, they acted as though she would. As though she was still dangerous.

Perhaps she was.

#sfwapro

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WIP: A Cavern Ripe With Dreams

Cover for A Seed on the Wind, painting by Mats Minnhagen
Tiny things floated through the air all around him. He stretched out his palm and kept it motionless long enough that one drifted to be trapped in his palm. A seed, a brown seed. Attached to one end a tuft of hairs, fine and feathery, to carry it along. Carefully he raised his hand, examined it more closely. So small. As it neared his eye, it became no longer brown, ridges and swirls marked its surface in grays and greens and reds that somehow blended together to create the impression of brown from just a few inches farther away.
I’m finishing up A Cavern Ripe with Dreams, the sequel to A Seed On the Wind. A version will undoubtedly go out to Patreon patrons before I start shopping the combined novellas around as a single entity.

This story owes a great deal to both William S. Burroughs’ Junky (indeed, the protagonist is named Bill in his honor) and Joe R. Lansdale’s Drive-In, a book I found immensely freeing and exhilarating in its sheer WTFery and bravura. If you’ve read A Querulous Flute of Bone, it’s the same world, that of the co-writing project The Fathomless Abyss.

From part of today’s writing:

Bill felt a rush of fear, but a kind that he had never experienced before, something like the fear you feel when someone tells you a frightening story that they believe is true. A terror that was convincing yet somehow dilute. A terror that was not his, somehow.

A fear that was enjoyable.

He realized that it was the creature. That he was feeling its emotions. That if he closed his eyes, he could still see the room like a ghostly overlay across the darkness behind his lids.

He wondered if it experienced the same phenomenon, this double life. He put his hand up and touched it with a fingertip, stroking along the coarse fur that was still damp with eggy fluid. It smelled like newly-split wood, rare and sharp. As he touched it, it shuddered but stayed still, like a woman whose innermost core had been touched, who feared and craved more. At the thought, he grew hard, and he felt it shudder again before it curled tighter around his neck.

He lay there with it around his neck, savoring the mental taste of it, dipping in and out of its perceptions. After a while, his bladder drove him into standing and using the chamber pot beneath his bed. As he pissed, he could feel the creature tasting his sensations in turn.

It made him curious. Settling back onto the bed, he took a syrette from the bedside table, already loaded with honeypain. He injected it in his wrist and lay back to feel the twofold sensation.

First it felt as though the back of his eyes had dissolved, only to be filled with a subtle warmth that flowed out from them, flowing through him until he was only a zone of temperature and sensation, as though he was warm water in a bath, only an outline. But always with that lurking presence perceiving him, keeping him whole. He had loved honeypain for its ability to take him outside himself, but now he realized that it was nothing compared to the creature.

He tried to think at it, to see if it would answer him, but all his thoughts were blurred by the honeypain. He could hear only his blood drumming in his veins, a hard and insistent beat that told him he was alive, as it had before, for sometimes when he was dipped deep in these reveries, he thought himself dead. Now he had that beat but more ““ the creature curled on his chest. Part of him but not part.

After a while he slept.

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