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Documents of Tabat: Gardens of Tabat

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What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for web-use. I hope you enjoy this installment, but you’ll have to read Beasts of Tabat to get the full significance. -Cat

An Instructive Listing of the Major Gardens of Tabat, being Pamphlet #4 of the second series of “A Visitor’s Guide to Tabat,” Spinner Press, author unknown.

Despite the city’s fierce weather, the cliffs that shelter it on the northwest and western side create pockets of weather that allow its gardeners to coax fruit and flower that normally would not be found here. Additionally, the presence of the College of Mages ensures a perennial crop of young mages ready to earn their coin by turning it to a patron’s use, creating marvels like a moonlight garden whose flowers change aspect according to the positions of the three moons in the sky, as is rumored to be located in the center of the Moon Temples’ complex, unknown to any but their priests.

Accordingly those interested in the botanic, the scenic, or the complete experience of Tabat should allot time in their schedule for the following.

The Duke’s Gardens: Appended to the Ducal castle, the grounds are open to the public on even-numbered days and feast days but are always closed during the Games. Often select Beasts and animals from the Ducal menagerie are brought out for display. Cost is a silver ship per adult visitor, with children at five per ship. Hours are dawn till the seventh evening bell.

Tabat’s Heart: These vast gardens stretch through the middle of Tabat, cutting across all but the top and bottom terraces. Tram lines and staircases line the western edge, allowing access to the paths across as well as the many sub-gardens and fountains. Admission is free and the parks are always open, but are patrolled by mechanicals after midnight until the first morning bell.

The Sea Garden: Built into the western cliffs at the water’s edge is the Sea Garden, full of corals and in the summer tanks of sea creatures and Beasts, including singing Whales and Dolphins, and a display of venomous sea serpents. Admission is free in the winter and a copper ship throughout the rest of the year, with a discount for schools and educational groups. Hours are from the last night bell through the first evening bell. Open all days except Games.

The Gardens at the College of Mages: Filled with plants, animals, and Beasts collected from across the world, these gardens are renowned in scholarly and academic circles. Points of interest include the Fairy hive in their central hall, which also acts as museum, the caged Mandrakes, their Sphinx amid its xeric landscape, and the Hypnotic Garden, which features narcotic and soporific plants and animals and which can only be entered with a guide, who wears a white silk mask and is prepared to wake the visitor if he or she succumbs. Admission is a silver merchant for two, and includes chal in the Dancing Cup across the way from the College’s grounds.

Famous for their aromatic and ornamental plantings, the grounds of the Nettlepurse estate are open every Fifteenth Day. Cost is a Nettlepurse nought. Hours are the third morning bell through the midnight bell. Go in the spring in the evening to see the humming moths that are an all too brief yearly phenomenon or visit the Cypress Maze in order to view the reflecting pool in its center.

If you have additional time, we recommend the flowering tree groves of the Piskie Wood (to be visited only in the daylight hours, and wear bright clothing to avoid the Piskie hunters who practice their livelihood there.)

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Love the world of Tabat and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Preorder Page! Plus Some More Talking About Book Promotion Progress

If you’d like to preorder Near + Far from Hydra House, you can do so here. We will have some copies with us at WorldCon. If you’re there and around Saturday night, please stop by our Pink + Blue party, up on the 32nd floor.

I’ve been working on the jewelry, which got pretty much finished up today. We’ll be giving away 30-35 of those at the party, plus books, stickers, CDs, and handmade journals.

Here’s a bunch of the pieces laid out:

Images of promotional jewelry created using art by Mark W. Tripp for Cat Rambo's collection of SF short stories.
Here's most, but not all of the pieces. There's still about twenty to be done at this point.

And here’s closeups of some of the same image. One thing is for sure — each of these is unique!

Promotional jewelry for the Chicago Worldcon book launch party of Cat Rambo's Near+ Far, made using Ice Resin and assorted findings.
The various jewelry accoutrements came from the Redmond Ben Franklin's. This early batch has some blotchiness, which we learned to avoid in subsequent batches by laminating the paper onto the tile or into the finding before resin was applied.


I’m working on a piece for the SFWA Blog about promotional giveaways. What are the best — and worst — ones you’ve seen? What resources would you recommend to people? The stickers are the interior art, done in a nice size that’s big enough not to lose but small enough to be able to use in a number of places.

Promotional jewelry created using Ice Resin and art by Mark W. Tripp from Cat Rambo's SF short story collection, Near + Far.
These are waiting to get filled with resin. They'll take a few days to cure, but when ready will look like glass, and all the roughness here, created by brush marks in the mod podge, will be imperceptible.

One of the things that’s emerged from the discussion so far is to use things that people will use and keep on using, whether it’s bookmarks, pens, notebooks or a host of other clever items. The fans Mary Robinette Kowal has been giving away with Glamour in Glass were mentioned several times, and I know I thought of her cleverness with temporary tattoos to address an issue with the first edition.

Promotional jewelry created using Ice Resin and art by Mark W. Tripp from Cat Rambo's SF short story collection, Near + Far.
Here's the same image, which reminds me of a little rocket ship, done several different ways. I like the way all of them turn out, honestly.

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WIP: Teaser from Carpe Glitter

Knocked out a good 2200 words on this, which is rapidly stretching towards novelette length, plus a flash piece, and another 500 words on something that may go anywhere, not sure at all with it. Hurray for productivity! Anyhow, here you go.

There was nothing else to do but tackle what I’d put off for so long: Grandmother’s suite. It occupied a good half of the Tudor house’s second floor ““ bedroom, lavishly appointed bath, sitting room. The high ceilings might have been lovely but they also allowed her to stack the boxes even higher there.

I’d avoided this spot even though it made no sense. If there were valuables, this was the logical place for them. No, it was something else that deterred me. Elsewhere in the house I could explore and pretend that my grandmother had just stepped out for a moment. To invade her bedroom, that was a different thing.

That was to acknowledge that she was dead.

I don’t believe in glorifying the dead. I will not pretend that my grandmother was a nice woman. I will not pretend that she was a kind woman. In truth, she was self-absorbed, strong-minded to the point of being a force of nature.
But she loved me. I was her only grandchild and when I was smaller, I could have done no wrong in her eyes. That was, perhaps, one of the things that divided my mother and I. She’d tried so hard all her life for her mother’s approval while I’d gotten it without even asking.

When someone loves you like that, deeply and unconditionally, it’s very hard not to love them back. My grandmother may have coerced me into the college of her choosing, but we’d both known the truth: while she’d do plenty to hurt my mother in the long and complicated game they’d been playing all their lives, she might have threatened to keep me hostage, but it was a strategy that would have worked for either side. My mother had not used it, but I wasn’t sure through unawareness or some moral scruple. I’d never understood all the currents of emotion that ran between them.

I paused in front of the oak double doors. They weren’t original to the house ““ she’d brought them back from somewhere in Bavaria and they were carved with willow trees and Rhine maidens. The handles were brass swans. I laid my fingers on one’s neck and tried the handle: locked. I sighed and began trying keys from the vast loop of unmarked ones I’d found in the kitchen. After ten minutes of trial and error, the lock clicked and I swung the door open.

I flipped the light switch on one side back and forth, but the bulb had long ago burned out. You couldn’t see the room for all the boxes. A narrow passageway led between the stacks of cardboard cartons ““ some old liquor boxes, others from thetrical supplies. The one at eye level to my right read: White Feathers: 1 Gross. White tendrils still clung to the tape along one edge.

I pushed my way forward through that cardboard corridor, so narrow that my shoulders brushed it on either side. It went straight for a few steps then branched, one side leading towards the window and (I presumed) the bed area, the other snaking towards her sitting room.

I opted for the latter.

At the threshold between the two rooms, I sought another light switch, but it was just as fruitless. The air smelled of dust and perfume and ancient cat pee. There had always been a cat around when I was a child, but in later years, Grandmother had renounced them and turned her nurturing side to the succulents out in the courtyard.

I was using my cell phone as a flashlight by now, holding it out between my fingertips. It startled me when it rang.

I glanced at the screen. My mother. I answered, standing there in the dusty darkness that smelled like Grandmother.

“Yes?”

“I need you to pick me up at the airport at 3:23,” my mother said.

“Today?”

“Of course today! I’m about to get on the plane. I’m flying on United, flight 171. Do you need me to repeat all that so you can write it down?”

“Why are you coming?”

“So I can help you, of course.”

Suspicion seized me. “Where are you staying?”

A pause, as though my question were in some foreign language that required translation before it could be processed. “With you, of course. Aren’t you staying there at the house?”

I imagined my mother “helping” me. It made my throat tight. All my life I’d watched the two of them do battle. Now my mother had come to crow over a victory that consisted of simply having outlived the other. Or, worse, like the others ““ the agents, Eterno ““ she wanted something here but would not tell me what.

I steeled myself and said, “No, you can’t do that. I’ll find you a hotel.”

“Don’t be ridiculous. Why on earth can’t I stay there?”

My mind cast about for excuses. There must be some reason.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

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