Five Ways
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WIP: Teaser from Carpe Glitter

Knocked out a good 2200 words on this, which is rapidly stretching towards novelette length, plus a flash piece, and another 500 words on something that may go anywhere, not sure at all with it. Hurray for productivity! Anyhow, here you go.

There was nothing else to do but tackle what I’d put off for so long: Grandmother’s suite. It occupied a good half of the Tudor house’s second floor ““ bedroom, lavishly appointed bath, sitting room. The high ceilings might have been lovely but they also allowed her to stack the boxes even higher there.

I’d avoided this spot even though it made no sense. If there were valuables, this was the logical place for them. No, it was something else that deterred me. Elsewhere in the house I could explore and pretend that my grandmother had just stepped out for a moment. To invade her bedroom, that was a different thing.

That was to acknowledge that she was dead.

I don’t believe in glorifying the dead. I will not pretend that my grandmother was a nice woman. I will not pretend that she was a kind woman. In truth, she was self-absorbed, strong-minded to the point of being a force of nature.
But she loved me. I was her only grandchild and when I was smaller, I could have done no wrong in her eyes. That was, perhaps, one of the things that divided my mother and I. She’d tried so hard all her life for her mother’s approval while I’d gotten it without even asking.

When someone loves you like that, deeply and unconditionally, it’s very hard not to love them back. My grandmother may have coerced me into the college of her choosing, but we’d both known the truth: while she’d do plenty to hurt my mother in the long and complicated game they’d been playing all their lives, she might have threatened to keep me hostage, but it was a strategy that would have worked for either side. My mother had not used it, but I wasn’t sure through unawareness or some moral scruple. I’d never understood all the currents of emotion that ran between them.

I paused in front of the oak double doors. They weren’t original to the house ““ she’d brought them back from somewhere in Bavaria and they were carved with willow trees and Rhine maidens. The handles were brass swans. I laid my fingers on one’s neck and tried the handle: locked. I sighed and began trying keys from the vast loop of unmarked ones I’d found in the kitchen. After ten minutes of trial and error, the lock clicked and I swung the door open.

I flipped the light switch on one side back and forth, but the bulb had long ago burned out. You couldn’t see the room for all the boxes. A narrow passageway led between the stacks of cardboard cartons ““ some old liquor boxes, others from thetrical supplies. The one at eye level to my right read: White Feathers: 1 Gross. White tendrils still clung to the tape along one edge.

I pushed my way forward through that cardboard corridor, so narrow that my shoulders brushed it on either side. It went straight for a few steps then branched, one side leading towards the window and (I presumed) the bed area, the other snaking towards her sitting room.

I opted for the latter.

At the threshold between the two rooms, I sought another light switch, but it was just as fruitless. The air smelled of dust and perfume and ancient cat pee. There had always been a cat around when I was a child, but in later years, Grandmother had renounced them and turned her nurturing side to the succulents out in the courtyard.

I was using my cell phone as a flashlight by now, holding it out between my fingertips. It startled me when it rang.

I glanced at the screen. My mother. I answered, standing there in the dusty darkness that smelled like Grandmother.

“Yes?”

“I need you to pick me up at the airport at 3:23,” my mother said.

“Today?”

“Of course today! I’m about to get on the plane. I’m flying on United, flight 171. Do you need me to repeat all that so you can write it down?”

“Why are you coming?”

“So I can help you, of course.”

Suspicion seized me. “Where are you staying?”

A pause, as though my question were in some foreign language that required translation before it could be processed. “With you, of course. Aren’t you staying there at the house?”

I imagined my mother “helping” me. It made my throat tight. All my life I’d watched the two of them do battle. Now my mother had come to crow over a victory that consisted of simply having outlived the other. Or, worse, like the others ““ the agents, Eterno ““ she wanted something here but would not tell me what.

I steeled myself and said, “No, you can’t do that. I’ll find you a hotel.”

“Don’t be ridiculous. Why on earth can’t I stay there?”

My mind cast about for excuses. There must be some reason.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

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Hands

signs of life
Photo owned by zoetnet (cc)

The crescent moon is a fingernail mark pressed into the darkening sky. An anxious star tugs at it, trying to pull it up farther. Hands swim below the surface of the water. Birds cradled in the wickerwork of leafless branches eye the restless fluttering of the fingers.

Someone calls, but no one answers. Shadows sweep along the banks of the lake, pulled and stretched into awkward shapes by passing headlights. No one answers.

Someone walks and feels the dry stiff grass lace itself around their ankles, tracing lines of frost. The hands continue to crawl and the moon creeps up the sky.

No one answers.

Tin dancing mice revolve in the warmth of the kitchen. One watches the light of the moon as it moves down the blue stripes of the wallpaper. It marks the time with one ticking paw. The mice click and whir, dancing frantically, trying to forget that their clothes are only painted on.

The salt and pepper shakers, shaped like ears of corn, sit sullenly. Upstairs, sleepers move restlessly, their dreams escaping, leaking into the feather comforters.

The moonlight reaches the fifth bar of delphinium.

There is still no answer. Someone longs for the heated air of the kitchen, but instead sits on a bench and watches the movements of the hands. Fingers break the corrugated surface of the water and return to counting the pebbles in the silt below.

Ducks whisper among the reeds, revealing their secret journey. Their tickets are crumpled birch leaves, spiderwebs of veins eroded by the autumn rain, gilded by the guilty starlight. Someone takes one and tucks it in the pocket of their jacket, where it tangles with milkweed down.

The moonlight reaches the twelfth bar,and the mice spin slowly, regretfully, back into their boxes. The comforters are stained crimson and ebony with the dregs of dreams.

The hands swim like memories in the process of being forgotten. Someone waits, and no one answers.

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Recent Online Reading: Short Notes about Short Stories

Swan
Taken at the American Museum of Natural History. I just love the delicacy of those feathers.
I loved Kris Dikeman’s Silent, Still and Cold in Beneath Ceaseless Skies. It has a high fantasy sensibility mixed with zombies, which always seems like a win-win to me. Also in this month’s issue is Jesse Bullington’s The Adventures of Ernst, Who Began a Man, Became a Cyclops, and Finished A Hero. Both stories have great titles, which is one of the things that’s been obsessing me lately.

Abyss & Apex has a slew of interesting stories in this issue, including J. Kathleen Cheney’s steampunky Of Ambergris, Blood and Brandy, C. J. Cherryh’s The Last Tower and Vylar Kaftan’s Mind-Diver.

Part I and Part II of Gavin Grant’s Widows in the World, published at Strange Horizons, are both full of interest and awesome. JoSelle Vanderhooft’s Mythpunk Roundtable is also full of sparkling, interesting thoughts from some smart people: Amal El-Mohtar, Rose Lemberg, Alex Dally McFarlane, Shweta Narayan and, of course, Vanderhooft.

Over at Daily Science Fiction, Peter M. Ball’s The Birdcage Heart displayed Ball’s poetic sensibility, which evokes but never enforces a trembling, exquisite realization for the reader. Lurvely. I also really liked Memory Bugs by Alter S. Reiss and Colum Paget’s chilling Imaginary Enemies. Lots of interesting near-future science.

Recent favorites on Tor.com include Kij Johnson’s Ponies and Ken Scholes’s monkey-riffic Making My Entrance Again With My Usual Flair

Crossed Genres included Therese Arkenburg’s The Halcyon in Flight, Corinne Duyvis’s The Rule of Three, and a story from fellow Clarion West 2005 class member, Ada Milenkovic Brown, Nadirah Sends Her Love, which I first heard at Wiscon a couple of years back.

Redstone Science Fiction’s Like a Hawk in its Gyre by Philip Brewer features one of the best bicycle characters I’ve had the pleasure of encountering.

I loved seeing a Tanith Lee story in Lightspeed Magazine. She’s one of my favorite writers, and Black Fire didn’t disappoint. Even though I tend to think of her as a fantasy writer, when she does sf, she does it extraordinarily well (The Silver Metal Lover, for example, and Drinking Sapphire Wine, neither of which are available on the Kindle and one of which is out of print, for the love of God.)

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