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Patreon Post: Talking in the Night

IMG_0557This is a quick little flash piece because I’m still mired in moving, and also one that stays on the literary side of things, not wandering into the speculative. Nonetheless, I like it, and what it has to say about connection and communication in relationships.

Talking in the Night

It started like this: Mona turned over in the bed, trying to find the cool edge of sleep. She let out a little groan of frustration and her husband patted her shoulder, caught half-awake, half-asleep himself. She whimpered as though she’d awoken from nightmare and he pulled her close, buried her in his overflowing warmth.

After that sometimes she tested him with that little noise. Sometimes he was too asleep but sometimes he held her, reassuring as the shore holding a wave, feeling it leave and return, leave and return, regular as his breathing.

“You make noises in your sleep,” he said at breakfast. “Are you having nightmares?”

“Every once in a while,” she said. She studied him. How would he react if he thought she were suffering nightmares, that life was stressing her, eroding her, creeping into sleep to make it as uneasy as a coffee-less morning? “Often.”

He left before she did and when she went out through the frosty parking lot, she found he’d scraped the ice off her car for her.

Sometimes she woke and spoke words into the night, hoping he’d decipher them. “No” and “yes” and “please please please.” He slid his arms around her, stroked her back, but never replied. Sometimes later he slipped from bed and went to watch TV, sitting on the couch in his robe, lost and unknowable while the sports channel buzzed facts and figures while she lay in the other room wondering what he was thinking.

One night, she said, “Yes” and he repeated it, giving it a question’s inflection. She held her breath, didn’t answer and they both lay there, listening to each other pretend to dream.

He spoke first, the next night, and said, “Please.” It was her turn to repeat it, pitch it upward, trying to elicit the next word. This time it was his turn not to answer.

It could have laid quiet after that forever. She could have abandoned the night speech, he could have chosen in turn not to pick it up. Their horizons could have been sleepless and silent.

But the next night he spoke and told her about the time his father had taken him fishing and the hook had ripped into his thumb and his father had said men don’t cry. The story went out into the blackness and coiled near the ceiling, peering down at them as though they were dolls in a bed, plastic and supine.

She answered.

She answered with a story half-remembered of cigar ash and a grandfather and they went on telling memories they’d never spoken before to anyone, the things that they would have dreamed if they were sleeping.

And so they didn’t sleep. And so they talked till dawn and the day that was theirs as it had never been before.

If you’re not a Patreon supporter but would like to be, here’s the page where you can find out more about that.

If you’re interested in my online writing classes, you can find out more about the live ones here or the new on-demand content here.

In recent news, Rappacini’s Crow as well as All the Pretty Little Mermaids both made Ellen Datlow’s longlist for the year’s best horror and my collaboration with Mike Resnick, The Mermaid Club, will be appearing in Conspiracy. Other upcoming work includes appearances in Beneath Ceaseless Skies, Abyss & Apex, and The Magazine of Fantasy and Science Fiction.

If you’re in Baltimore at the Baltimore Book Festival this weekend, please stop by the SFWA booth and say hi!

7 Responses

  1. Great story. I had to repeat that last sentence to myself many times, and I still feel like something is missing. The whole story though, ace! I might even have done that when I was very young…

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99 Statues, Part Two

Picture of a bed
Two down comforters were draped over them as well; Nicholas could not sleep without their weight on him, while Feniker, who seemed to burn with a furnace's metabolism, would inevitably throw most of them off during the night, onto Nicholas.
(Another excerpt from the story I’m currently working on.)

Nicholas woke slowly. It was chilly in the room, and when he shifted his body between the clinging flannel sheets, he could encounter zones of warmth and cool. Two down comforters were draped over them as well; Nicholas could not sleep without their weight on him, while Feniker, who seemed to burn with a furnace’s metabolism, would inevitably throw most of them off during the night, onto Nicholas.

He could hear Feniker’s soft breathing, a burry almost snore, a sound so uniquely Fen that it tugged a smile onto Nicholas’s lips, knowing what his lover’s face looked like when sleep-slackened, how it must look right now. He had drawn the drapes across the windows; the hotel’s front looked out onto the plaza, but Nicholas had opted for one of the less ostentatious back chambers which he secretly thought more pleasant, overlooking the back gardens, which were the more handsome vista, even when leaf-deprived and blackened by the cold, due to the green cedars that ringed it round.


The hotel was stirring. Soon enough his breakfast, with plenty left over for Feniker, would arrive and be deposited outside the door with a discreet knock. The hotel’s own brand of fish tea, with an odd peppery brackishness. He still wasn’t sure whether or not he liked its aftertaste, even after living in the hotel for almost two months now. He had lived with his father before then, but fire had taken their mansion, and both had taken themselves to alternate lodgings. He had chosen this hotel, which he could afford on his lavish allowance, for the way it managed to combine proximity to the student quarter with luxury.

He rolled on his side and found Feniker watching him, no longer snoring, blue eyes bright in the morning light, almost luminous.

“Good morning, sunshine,” Nicholas said. He leaned over to give Fen a kiss. Fen’s fingers tangled in his hair, drew him down to meet lips.

“What’s on your agenda for today?” Fen said.

“I am meeting with my father to go over the plans for the new factory in Cloudmarch,” Nicholas said.

“Will you be visiting it? The expedition is going through Cloudmarch. You could come out with us, say goodbye there, do whatever you needed to do with the new factory.”

“I would serve my father ill as a factory manager,” Nicholas said. “I’m not good with such things.”

“You have a mind keen enough to keep up with anyone in their classes,” Feniker said. “If you chose to exert yourself. Instead you pretend yourself slower than you are, and use it as excuse to while away your days drinking fish tea and playing cards.” He pushed himself off the bed and strode across the chamber, naked, to reclaim his clothing from the bench below the window.

Nicholas gathered the covers around himself, reluctant to lose their warmth, even in pursuit of what the kiss had promised. “What of you, what does the Duke’s secretary do today?”

Fen shrugged and drew on his trousers, sat down to pull on his boots. Behind him the window panes were laced with frost, a pattern like the ghost effluvium a professor had demonstrated at the last University lecture Nicholas had attended.

Thinking of that, he protested, “I do go to some lectures after all, and meet with Professor Wirewit to work on my paper.”

“Meetings that are few and far between,” Fen said. He caught himself. “Look, I don’t mean to nag you.”

“Will you come tonight and see a play with me?” Nicholas asked.

“I will have papers to transcribe,” Fen said. “I have been burning the candle at both ends, and I must decide where I should be spending my time. I do not mean to imply that it should not be with you, only that I would rather spend time enjoying your company, than sitting together staring down at a stage while the audience gossips so loud that we cannot hear half the lines.”

The reasonable tone, the exaggerated patience in his voice made Nicholas want to smack him.

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The Wayward Wormhole - Barbados February 2026 / The Art of the Novella

 

 

 

 

 

 

 

Novellas are growing in popularity, and we want to help yours stand out.

Structurally, they can get tricky—they’re not mini-novels anymore than children are mini-adults—while still demanding full, fleshy, character arcs and immersive descriptions.

What if you could learn from professionals, while editing YOUR novella with a real-time feedback during a workshop?

 Applications for this Science-fiction/Fantasy/Horror Novella Workshop

OPEN: March 21, 2024          CLOSE: MAY 15, 2024, AT 11:59:59 EST 

SUBMIT: One page, single spaced, novella synopsis and the first ten pages by April 30, 2025

(The full novella is due October 15, 2025)

  1. E-mail your name and the file to: applywaywardwormhole@gmail.com
  2. Pay the application fee through PayPal to catrambo@gmail.com
  3. or Venmo to cat-rambo-1

If you can’t use these options or need help with the application/payment process, please contact us using the “apply” address above.

Join us and work closely with:

Premee Mohamed  https://premeemohamed.com/

Karen Lord  https://karenlord.wordpress.com/

Tobias Buckell  https://tobiasbuckell.com/

Cat Rambo  https://www.catrambo.com/

Hone YOUR novella during the workshop, and leave knowing you’ve effectively incorporated new tools into your work. Selected students will be randomly sorted into cohorts of six. Each cohort will spend three days with each instructor.

  • Day One will include a morning and afternoon workshop that includes specific exercises that focus on the day’s topic.
  • Day Two is your chance to apply one or both exercises to any scene from YOUR novella. You’ll send both the original scene and the edited version to the people in your cohort and the professional for critique and discussion.
  • Day Three is for critique circles. Your scene will be critiqued by each member of your cohort and the professional.

PLUS: A full novella, One on One discussion with a professional

WHEN: February 7 to 21, 2026

WHERE: Oistins area, Christ Church, Barbados

Why Barbados? Karen Lord invited us, and we couldn’t say no to Barbados.

FEE:  $2,500.00 US

(travel, accommodations, and food NOT included)

The Wayward Wormhole is working to secure group rates at selected hotels.

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