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Patreon Post: The Mage's Gift

Photo of a dangerous woman.
You can find “The Subtler Art,” featuring The Dark and Tericatus, in Blackguards: Tales of Assassins, Rogues, and Mercenaries.
The is the fourth Serendib story I’ve done. The others are: “The Subtler Art,” also featuring The Dark and Tericatus, which appeared in Blackguards: Tales of Assassins, Mercenaries and Thieves; “Call and Answer, Plant and Harvest,” which should appear in the science fantasy issue of Beneath Ceaseless Skies tomorrow; and “The Owlkit, the Beekeeper, the Brewer, and the Candymaker,” which appears in forthcoming collection, Neither Here Nor There.

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The Mage’s Gift

This is a story of Serendib, the origami city where dimensions intersect and where you step between worlds as easily as turning down a new street to hear the stars singing overhead or the clanging steps of automata on patrol or centaur hoofs clattering over concrete. Everyone that comes to Serendib has a story, and sometimes those stories continue well after they’ve come to stay.

Once she’d hopped the glass-edged wall using gloves made of fish-leather from the deepest deeps, it had been easy enough to defeat the bloodsucking ivy and the centipede hounds contained in the first set of barriers. After that, she paused to change gloves to a new set, this time made of technology stolen from ancient Atlantis, made of ebon clay and silver circuitry.

The Dark rarely stooped to thievery nowadays but it was how she had started her professional life, long ago in a city whose name she had deliberately forgotten.

There she had been a child born to both privilege and indifference. At fifteen, she had left the school where her parents had deposited her and sauntered off to make her own living. This took the form of burglarizing her parents’ friends, at least those whose estates and townhouses she’d had occasion to reconnoiter in earlier years.

This was not as novel a revolt as it might have been, for that city accepts its criminals to the point of licensing them. The true revolt manifested in flouting paperwork until she came of age at sixteen.

Nimble, fearless, and adept in unexpected strategy, she did quite well by this. Well enough that she was able to spread the largesse to many of those less comfortable than her victims, and in doing so, became known as “The Dark Angel.”

When, thirteen months later, the infamous guild of assassins that had noted her exploits came to recruit her, they demanded she rename herself (for licensing purposes, since murder was as strictly regulated as theft), which she did by truncating the former name to the alias she had gone by several decades now.

She had kept that knowledge to herself as, over the course of those decades, she’d met any number of unusual characters, including her spouse for two of those decades, Tericatus the alchemist-mage; her sometime-enemy, sometime-friend Chig the Rat God; and quite a few fellow thieves and assassins who often failed to live up to the high standards she held when it came to both of her professions.

Of that group, only Chig knew of her thiefly beginnings. The Dark had kept meaning to tell Tericatus, but he did not come from a city where burglary or murder were government-sanctioned and so held a number of different opinions on such matters. In her secret heart, The Dark found her spouse a trifle sanctimonious at times and preferred not to give him license to pontificate.

She had retired from assassinations ““ aside from the occasional wager-related killing ““ some time ago. And now she returned to thievery not so much for entertainment but also because she was impelled by the yearly conundrum of a suitable anniversary present for a man who could, literally, conjure almost anything his heart could imagine.

The next wall was made of fricklebrick, which sounds amusing but involves a number of razor-sharp edges shifting frequently and somewhat randomly in their orientation.

She held her hands near the wall, palms in parallel to let the gloves sense the vibrations of the bricks and adjust themselves to countershift accordingly in a gentle grinding born of magic and machinery.

Casting a glance upward to make sure none of Serendib’s possible moons hung too high in the sky, she thought about Tericatus’ imagination and ““ not the for the first time ““ contemplated her luck in a mate who had long ago grown blasé with outer appearances and preferred inner qualities of fierceness and determined loyalty.

She wriggled upwards, features smeared with coalblack to match the midnight shadows around her, a silver box bumping on her hip. This year, she planned to snare something lovely that could not be bought. Her philosophy of presents was that such things were far better assembled when by effort than by coin.

This garden, located on one of the great terraces built along the mountain slope bordering the city to the north, belonged to a recent arrival to Serendib, a merchant/scientist whose name The Dark kept having tremendous difficulty remembering. This spoke of certain magics laid upon the name to avoid notice, and that was intriguing. More intriguing yet were the rumors of the contents of the innermost garden, center of three sets of walls, which held a worthy anniversary gift.

Not quite atop the wall, she used a mirror-tipped steel strand to survey the territory. She frowned. She had expected to deal with golems, their lips lined with acid spitters, armored in Tesla coils, but they lay scattered about. Someone had preceded her.

Her lips firmed in an uncharacteristic surge of temper. She had throttled back anger since, as a young thief, she had first accidentally-on purpose knifed someone as they grappled.

Not a death she regretted more than any other. The young man (he and his twin sister had been her schoolmates) had followed her to blackmail her. His death had been very painless, very swift. She prided herself that every subsequent kill had also fallen in that category.

But still ““ she had learned not to give way to impulse.

And it was not as though she had been able to lay claim to this place. Serendib has no organized institutions of thieves. Indeed, it is one of the few forbidden things, and so there was no established way of marking a place as being the target of someone very dangerous to cross.
Sparks from the farthest golem’s body still smoldered, sending up bitter smoke, from the felted leaves, which meant that her predecessor had beaten her by moments. She moved across the space with assurance, still clinging to the shadows, careful of the snarls of razor-edged grass, ornamental and deadly, lining the pathway.

The stones of the inner wall were cemented with soul stuff, and she had never been good with that magic, so she relied on a wholly technological approach, letting a wand of phlogistonic radions spill its lavender light out along the pink-veined surface, soothing it, till she could climb without complaint.

She saw no sign of the intruder as she came into the garden’s inner heart. That was a very good thing, because it was such a pretty place that it stunned her momentarily, a phenomenon that rarely happened to the phlegmatic and sometimes a little cynical woman.

Here in the lambent center, lit by living lanterns, a thousand flowers swelled and bloomed, silky petals dappled and daubed with iridescence, each sending out great invisible clouts of perfume, each different, dizzying with its intensity: cinnamon and carnation, musk and mossrose, vanilla and vetiver.

Mechanical dragonflies and bumblebees, hummingbirds and hovering moths, flitted from one great head-sized blossom to another, posing for seconds in the scented depths as the biomagnetic fields recharged its visitor, letting them continue to dart about on patrol.

Crouched at the wall’s foot, The Dark lost no time setting the contraption she had carried at her belt on the ground and touching an ivory dial on its side. It unfolded spindly legs and began to totter about, looking like a walking cage made of silver wire and light, staggering towards a flowering bush circled by whistling bees.

She ignored it and looked for tracks, searching over the soft earth. As she moved, flying creatures sensed her and veered, but as each neared with tiny laser-lit eyes flashing and razor sharp mandibles and stings at the ready, it swung away, disoriented and warded off by the complicated magnetic field of The Dark’s earrings, fashioned of rare and subtle earth magics by her husband for their last anniversary, who had intended his gift protection rather than pilfering.

The Dark knew how to read subtle signs: a bent leaf, a displaced butterfly, a flower turned to an unnatural alignment. Whoever it was, they were of a certain height, and a certain weight, and wore a robe that flickered out just so”¦A frown grew on her face, and each time the moonlight licked her mouth, her lips were turned further down.

By the time she found the intruder, standing to watch carp seethe beneath the surface of a tiny pond, she knew enough to say, her tone irritated, “But I was getting a present for you.” And then, “You always have said thievery is a base form of art.”

“Well, that is true enough,” her husband said in a mild tone intended to smooth the rasp from hers. “But you must admit that you are very hard to find presents for.”

“Hrmph,” she said. “Well, enough, let us collect what we haVE come for and return home to exchange gifts a trifle early.”

He inclined his head.

But when they reunited some moments later in the garden’s center, The Dark held her walking cage, twisted and rent asunder by some force, and Tericatus had scraps of similarly shredded mist, smelling of ozone, clinging to a handful of glowing threads. The Dark eyed that device curiously, for it was not a spell that had occurred to her, but she said only, “Someone else is here, and they do not mean us good.”

“Two thieves for the price of one,” a voice fluted, “but I am only interested in the one. Man, you may go now, if you leave swiftly and without interference.”

The figure that stepped from the shadows was hard to see, for the mechanical insects whirled and fluttered around the slim form, not as though to attack, but to protect. It was a face that the Dark had forgotten, but she realized now she had remembered it all her life, for it was that of the young man who had been her first kill.

Then another step forward and she realized ““ not him, but his sister, who the Dark had known but little, and last remembered seeing at the very uncomfortable funeral.

“Alas,” Tericatus said, and his tone was still mild, but this time steel flowed beneath it. “I do not choose to leave my wife behind.”

“Your wife!” the lady exclaimed. The Dark remembered her curls as dark as her own, but now silver threads outmatched the ebon ones, vanquishing, and age and disapproval thinned the once-plump lips. “Not just a thief, but a killer, and a noted one, fattened on her murders over the years. I see that crime treats you well enough.”

“In all things,” the Dark said, “I have always acted within the boundaries of the law.” She glanced at Tericatus.

“That does not matter,” the sister, whose name The Dark still could not quite recall ““ Elissa? Alyssa? Elison? Whoever she was, she thrust her clenched fist out, tight knuckles upward, and let her fingers fly open as she slapped downward a few inches, releasing an alarming number of gnarly black tentacles that plunged for seconds then writhed upward with a swordblade’s swiftness, flashing up at the pair.

By mutual accord, they separated, stepping simultaneously in opposite directions. The Dark vanished into the shadows beneath a tree’s outgrasping branches while Tericatus thumbed three vials open with practiced swiftness, vapors from the first two combining to solidify around him while the third released a thimbleful of glittering motes that swarmed to halo his head.

But the tentacles moved unerringly only for The Dark, altering course and somehow picking up speed in the process, perhaps assisted by the mother of pearl moths, their wings edged with perilously sharp flakes of crystal, orbiting her head in paths that curved in to slash at her cheek, then shoulder.

Tericatus stepped forward, striking the tentacles with a lacy golden blade that shimmered with sunlight, but they ignored him.

“They only judge those who are truly guilty!” The noblewoman laughed, the sound high-pitched, relief achieved after decades.

Tericatus said, “My wife is not guilty. She tells the world she stepped down from her path for love of me, but I know it was because things weighed on her too heavily. She has worked to atone, and anyhow who are you to judge her and pronounce her fate?”

He moved between the Dark and the tentacles as he spoke, and they fell away from him as the sparkling motes danced over them, becoming more and more sparks in the process.

“I have been told of her misdeeds, over the years,” the woman said, and glittering beetles danced in time with her words, fever-quick. “She learned nothing from killing my brother, has gone on to kill again and again. I have spoken to her comrades, her companions of the blade.”

“Perhaps you had a particular informant,” The Dark said, coldness counterbalancing the fire. “Perhaps they were narrow of face and dark of hair.”

“That could describe many,” the noblewoman said.

“Much like myself, they dressed in blacks and greys, with the occasional touch of silver.”

The noblewoman shrugged. “That is a style, like any other.”

“And possibly from time to time, when you glimpsed them from the corner of your eye, they appeared to have”¦ whiskers.”

The woman wavered. “That,” she said, “is both idiosyncratic and true.”

“Chig,” The Dark said without intonation, but her husband muttered it under his breath in a very different tone.

“You are a pawn,” Tericatus said and glanced at his wife, “in a game that has been playing for a very long time, and which I thought was over.”

“If so,” The Dark returned, “and I am neither confirming nor denying such things, I would have anticipated such a contingency but would, as welcome your sage advice on the subject of my imprisonment.”

“Given my knowledge of magic, I would suspect that the things holding you might be dispelled by truths.”

“Or magic of one variety or another,” The Dark suggested, feeling the tentacles tighten around her.

But as he sighed and readied two new vials, she said, “My dear, the truth of it is that I began my working life as a thief, and I have never told you that because I thought you would think the less of me.”

Tentacles withered and fell. The woman gaped, and somewhere from the deepest shadows came a murmured curse, the slither of a great tail and a plomph of displaced air that might signify a rat god vanishing.

“I personally would count that truth a gift, but perhaps you might remove one of the flowers and several of its attendant insects for our garden, as I had intended, as a token for our trouble. Take your present, my dear, and go ahead,” The Dark said. “I’ll be along in a little while.” She eyed the woman.

When she caught up with Tericatus at the outermost wall, he said, “An assassin who had repented might stay their hand from killing someone who they thought might pose a future danger sometime.”

“That is true,” The Dark said, cleaning some substance from a silver stiletto. “And it is also true that even such a one might think it best to avoid future trouble if it might affect others that one cared for.”

“That is indeed another truth,” Tericatus said and reflected, not for the first time, on the value of growing blasé with outer appearance and preferring inner qualities of fierceness and determined loyalty in a mate.

-THE END-

Let me know what you thought! Shall I keep writing Serendib pieces, go back to Tabat, or venture elsewhere?

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Patreon Post: Seven Clockwork Angels

If you enjoyed this piece, you might also enjoy "Clockwork Fairies."
If you enjoyed this piece, you might also enjoy “Clockwork Fairies.”
This is a children’s steampunk retelling of Sleeping Beauty; I originally wrote it for the Fairypunk project, but I wanted to get it out here and figured there’s plenty of other fairy tales I can tackle when it’s time.

Seven Clockwork Angels, All Dancing on a Pin

If a clock has ticked, it must tock, and thus time moves along. And in every tick and tock, there’s a story, and sometimes more than one.

Once upon a tick and tock, there was a great Lord and a greater Lady, who were Patrons of the Arts and Sciences. They endowed libraries and laboratories, and commissioned portraits and poems and marvelous machines that could play chess or spin a silk thread so fine you could barely see it or that could even build their own, tinier machines to make tinier machines in turn, and so on and so on, until they produced the head of a pin inhabited by seven clockwork angels, all dancing.

The Lord and Lady loved the works they commissioned, but they yearned to produce something of their own. And one day it came to pass that the Lady announced to her Lord that they had collaborated very well indeed, and that she would soon produce an heir.

Their daughter was fine and fair. They named her Aurora, after the Aurora Borealis, and to celebrate her christening, they invited all the scientists and artists and musicians and philosophers and inventors they had helped.

The day of the christening, Aurora was given amazing gifts: a pair of spectacles that could see everything from the smallest cell to the farthest star; a flowering garden whose trees produced avocado pears and pineapples, cherries and peaches, all from the same branch; a clock that could tell her the time on the moon and predict the next three days’ weather with reasonable accuracy; a talking parasol that recited cheerful limericks in the morning to amuse her and long, languorous epics in the evening to lull her to sleep; and sundry other delightful devices and contraptions, each more cunning than the last.

But the Lord and Lady had neglected to invite one guest, a scientist named Artemus Scuttlepinch (who might have been omitted on purpose, for he was very bad at dinner conversation) and he stepped forward at the end.

“I have a gift as well!” he announced. “Behold the Cabinet of Dreadful Fates!” He whisked his dinner cape aside with a flourish, revealing a squat box painted a malignant black. Brass dials and switches covered its face.

Scuttlepinch steepled his fingers as though preparing a classroom lecture. “I have harnessed various eldritch and magnetic energies,” he said. “Whatever fate the machine pronounces for an individual, will come true, with 98% accuracy. And”¦” He sneered here, and would have twirled his moustache if it had been long enough. “The fates are never pleasant ones.”

Before anyone could stop him, he said, “This is for Aurora!” He pressed a switch.

The machine clicked and clattered ominously, and then clicked some more, finally producing a slip of paper. Scuttlepinch snatched it up and read it aloud. “On her eighteenth birthday, Aurora will prick her finger on a spindle and die!”

“Poppycock!” shouted the Lady. “No one ever died of a pin prick!”

“Preposterous!” shouted the Lord. “The spindle is an obsolete technology!”

He signaled for the guards, who took the cackling Scuttlepinch by the arms. Another seized the machine and raising it overhead, dashed it on the ground, where it shattered, revealing a series of gleaming tubes and poisonous green lubricant, which roiled like drops of mercury on the floor. Scuttlepinch only laughed the harder; the sound sent shivers down the spines of the witnesses.

But another scientist, Miss Mariah Fleetthought, spotting Scuttlepinch, had lingered in the back of the crowd, fearing just such an occurrence. She now stepped forward, clearing her throat with a diffident manner.

“Here,” she said, “perhaps this will help. My own research has led in a similar direction. This is the Good Luck Gizmo, instilled with the computational power of a Babbage engine and possessing its own chemistry of droplets distilled from wishing wells, the sap of seven leaf clovers, and another liquid whose origin I cannot disclose. It cannot avert dreadful fates, but it may alleviate them.”

She set the box she held on the floor, and it unfolded into a clockwork kitten, which picked its way through the shards and droplets to leap nimbly into Aurora’s crib and curl there, its green eyes glittering watchfully despite its position of repose.

After that, the Lord and Lady took comfort in the raising of their daughter and avoided thinking of her possible fate, although they were instrumental in passing a bill that banned spindles outright. She was a bright and sunny child, and their delight in her outweighed all other considerations, until the marvelous machines produced under their patronage were bundled into a cellar to sit unused and dusty.

Aurora was talented and well-tutored, and had all the social graces as well. Her only flaw, which no scientist counted an actual weakness, was a driving curiosity and a craving to know how things worked, which led to her taking many things apart before she learned how to put them back together.

In all of this, she was companioned by the clockwork cat, which haunted her footsteps and watched with wise green eyes as she dismantled things. They came to call it Gizmo, and sometimes forgot that it was not a living creature, for it seemed as cat-like as any cat, despite its devotion to the child.

On her eighteenth birthday, they held a party for Aurora, and invited many young people of her age. But she found them boring, preferring to talk to the scientists about her own discoveries and eventually, bored, she slipped away, trailed by Gizmo.

She made her way down to the cellar, where she was in the process of taking apart a particularly marvelous lace-making machine, because she was curious about the patterns it produced. Gizmo did not approve of this particular machine, which was curious, and today, as she continued to explore its inner workings, the cat grew increasingly agitated, swatting at her with a paw and meowing in its tinny voice, till she pushed it aside more roughly than she meant to.

As she did so, her balance slipped a little and her hand pushed farther into the machine, where it met a certain inner part that spun thread, something that any seamstress might have called a spindle.

She withdrew her hand with a cry of pain, looking at the drop of blood on it. Dizziness overcame her and she sat back on her heels. Darkness pressed in on her vision, but she could hear Gizmo nearby, its head pushing hard against her, purring. Her heart faltered, but the rhythm of the purrs soothed it, made it slip into a slower but still existing rhythm as she fell asleep.

Crouched beside her, the cat opened its jaws and glittering motes flew out. Anyone wearing Aurora’s spectacles might have seen them: tiny clockwork angels with shining spindles, setting to work.

Bit by bit the angels spun, and the air became glass. First filling the room, suspending the sleeping Aurora, then spreading outward from the cellar, catching the mansion’s inhabitants till they were suspended as well, unmoving, but still in the attitudes of life in which they had been captured: the Lord and Lady holding hands as they walked in the garden among the partygoers, looking for their daughter; the cook putting the final layer of icing on the seven-layer cake intended to cap the evening; the butler tending the enormous furnace that heated the hot-water, even the flames, all caught in glass.

Scientists came from all over to study the enormous lump of glass in the middle of the city. They tried drills of diamond and moon metal, and acids that would burn through almost anything, and certain frequencies of sound, but the glass stayed, obdurate and unyielding. Some set up camp in order to study the phenomenon; after a few decades an open-air university sprang up there, devoted to unlocking the science behind the glass’s appearance. In time, everyone forgot what lay inside the glass as its surface dulled and clouded with years.

Till one day, a new scholar appeared at the University, which by now had been built so far that it completely encased the block of glass. He was a young man of modest garb and humble demeanor, but he brought with him a black leather satchel of the kind doctors often carry.

When questioned, he indicated that he wished to study the glass at the University’s heart. The other students derided him. By now they had forgotten about the glass, since no study of it had ever yielded the slightest result, and it was regarded a fruitless and outmoded subject. But he persisted, and eventually they took him to the corridor that led to the glass enclosing the mansion’s front door.

All he did there was open his satchel. Nothing came from it at all, but after it had been opened for a moment, he smiled and closed it again, before inviting them to go drinking with him.

He and his fellows drank all through the night. And while they did, the tiny clockwork butterflies, too small for the eye to see, that had risen from his suitcase, clung to the glass and slowly ate away at it.

In the morning, the students that had been drinking heard a great crash. The center of the University, an immense airy structure used to study the movements of the stars, had fallen in, lacking the glass upon which its slender struts had once rested.

They rushed to the corridor and found the glass gone. Pressing inside, they found the building, the confused partygoers wandering about among the wreckage covering the garden, the Lord and Lady among them, dressed in antiquated clothes and speaking in accents that had not been heard in a century.

Some pushed on, into the still intact mansion, and wandered its hallways in turn, until they came to a cellar door guarded by a clockwork cat. Inside, the new student sat watching the sleeping Aurora, patiently waiting for her to stir.

Which of course she did. But that story must wait for another tick of the clock, when the angels dance again.

-The End-

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