I’ve written two stories so far this week, but I think this is the one that will be the next Patreon story. Here’s how it begins.
The ghost had chosen the apartment because it was as good a place as any. His body had died in the hospital, but that place was odd and unsettling, seething with the ghosts of things other than human: bacteria and viruses and parasites. Those filled the corridors along with all the childrens’ ghosts, which he found most troubling of all.
He had spent five years altogether in the apartment, the longest he had ever lived anywhere other than his childhood home, which had been torn down decades ago. So he chose it, and furthermore chose the final week of each year, rather than enduring throughout the full 365 days.
There was something about that last week of the year, the stretch between Christmas day and New Year’s eve, that drew him. His wife lived in the apartment for a year after his death, and he stayed a great deal of time in the week, watching her write out overdue Christmas cards, her eyes red rimmed, her jaw set to avoid thinking about the thing that had devastated her.
He was sad for her in the way that ghosts are sad, an abstract and gray sympathy. Ghosts choose this state deliberately. Otherwise they can be torn apart by the grief of their loved ones. It is a choice that shames them, although all of them make it, and so he hid from her, even knowing that she could not see him.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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Michael DeLuca's Reckoning 2: Creative Writing on Environmental Justice
Reckoning 2: Creative Writing on Environmental Justice is solid in weight and content. The stories, poetry, essays, and art deal with the world around us and our ethics in dealing with it. This refined focus sharpens the magazine’s impact, I think, and makes it something that tries to evoke change through its art rather than the shallow comfort afforded by something whose theme was simply “Nature”.
The annual’s mission statement is A locus for the conflict between the world as it has become and the world as we wanted it to be. Editor Michael DeLuca’s opening editor’s note, “On Having a Kid in the Climate Apocalypse,” deals with a life situation that makes that mission even more pressing: having a kid:
My son is three months old. He has no idea what the world is, what it has become. I can say anything in front of him. I can curse. I can cry. He’s happy or he’s sad. there’s no cause and effect. I can read to him from A Tree Grows in Brooklyn, a book that spends hundreds of pages drawing an analogy between a child growing up and an invasive tree species flourishing in a sidewalk crack, a book full of compassion for the poor hated by the rich, casual about the hatred it portrays for people of other cultures. He doesn’t understand a word.
The essay is intimate, frank, and willing to comtemplate its own imperfections:
Maybe this revelation isn’t for everyone. Maybe not everyone needs it. Maybe, to people who aren’t white, aren’t straight, aren’t privileged children of educated families, some of this is so painfully obvious. I’ve spent this essay embarrassing myself. I needed it. I needed to write it. I needed my assumptions undermined and broken up and reassembled around someone who wasn’t me.
While there are several essays in the magazine, all of them nicely put together and executed, my favorite pieces from the issue are all stories:
“Wispy Chastening” by D.A. Xiaolin Spires is slight but significant, much like the narrator’s crimes against the environment, turning this into a sharp look at the idea of thinking globally but acting locally, or even individually.
“To the Place of Skulls” by Innocent Ilo provides an Afrofuturist post-apocalyptic world where its protagonists visit a landscape of grit and myth:
We are going to the Place of Skulls: Saro-Wiwa, Babbe, Gokana, Ken, Nyo, Ueme, Tai, and myself. For you to know, this is not the place Bro Lucas said Jesus was crucified when he was spitting into my face from the broken lectern during his sermon, last Sunday. The Place of Skulls is where a stark reality stares us in the face. We all have after-school exhaustion, Babbe’s diarrhea has worsened, Gokana is still nursing the burns on his legs from our last visit and Mama will yank at my ear if she hears fim about it, but we must go. The Place of Skulls is that important.
“Girl Singing with Farm” by Kathrin Köhler broke my heart and yet I know I’ll go back and read it several more times. What seems like it may be simplistic turns into a beautiful, layered story with a final image that will linger with the reader.
I’m saving the best for last and that is the story “Fourth-Dimensional Tessellations of the American College Graduate” by Marie Vibbert. I love this story so much that I am not going to discuss a single detail except that the ending made my heart leap and it is my favorite story of 2018 so far. I will hold onto my copy of this magazine forever because it contains it.
Highly recommended for those enjoying more literary SF as well as thoughtful essays.
Fen pre-empted any observation he could make about the weather. "The statues will be done by midsummer, they say. Later than anyone had hoped for, but still enough time to get to the coast before winter sets in."
Another Tabat story is brewing, this time explaining one of the city’s architectural features: the ninety-nine statues of figures from the history of Tabat, commissioned by a Duke to be placed along Salt Road. A mystery arises – what is it about the 99th statue that sets it apart from its fellows? Here’s a snippet from the beginning:
It was one of those rainy days that make up most of Tabat’s spring, a day when the clouds hung so low that the city’s upper terraces were shrouded in fog. When Nicolas started up the foot of Salt Road, it was clear, but as he ascended, the white mist around him thickened and he found himself breathing in cold moisture that made his lungs feel as sodden as the thick wool coat he had imprudently chosen that morning, thinking it would snow and he’d want the warmth.
He shivered and glanced sideways and slightly down at his companion. Feniker marched along with his hands in his pockets, smugly dry in his oilskin cloak and waxed leather boots, both brand new. An elaborate cockade was pinned to the black fabric’s breast.
“I see the Duke has chosen to outfit you,” Nicolas said.
Feniker glanced down at himself. “This is what all the expeditions are equipped with. Nothing but the best.”
“Still planning on going?” Nicolas asked. He regretted the words as soon as they left his lips, but Feniker didn’t reply, just nodded and kept on walking.
Nicolas kept his pace in step with his friend’s, despite the discrepancy in their heights. He hunted for a safe topic of conversation but everything seemed fraught, tinted with departure.
By now, they could barely see the street, surrounded by a wall of meaninglessness, robbed of any sign of wall or fence or street-sign. The cobbles underfoot were slick with moisture. Tonight when the temperature dropped, Nicolas knew, they would become black ice, and most of the city would come to a standstill, with only the lines of the trams moving up and down the terraces.
I’ve written two stories so far this week, but I think this is the one that will be the next Patreon story. Here’s how it begins.
