And we’re off!If you are one of the many of us going off to protest, to bear witness, to object, then I want you to be prepared.
Beforehand:
Make sure someone knows you are going, and that they will check in if they haven’t heard from you by the end of the night. Preferably someone who would be willing to come stand bail for you in a pinch. Have their phone number memorized; not just in your phone.
A fully charged phone, and preferably a backup battery
A backpack that includes a first-aid kit, any medication that you cannot do without, and whatever basics you might pack for an emergency overnight trip, water-based baby wipes, eye drops
ID
Enough money to buy food/make a phone call, whatever
A sealed plastic bag containing a bandana soaked in vinegar in case of tear gas.
Notebook and paper.
Do not take anything with you if its loss would be devastating.
If you are planning on being on the frontline:
Wear goggles or shatter-resistant glasses. Rubber bullets are real bullets, encased in a rubber coating. Pepper spray has been used on protestors here in Seattle. Other possibilities are tear gas and fire hoses.
Wearing a backpack on your stomach with some padding, such as a change of clothing, will give you some small protection if police are jabbing batons in order to push people back.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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In Celebration of International Women's Day: Feminist Futures Storybundle
I’m so pleased that my Feminist Futures Storybundle came out in time for International Women’s Day! This bundle celebrates some of the best science fiction being written by women today, gathering a wide range of outlooks and possibilities, including an anthology that gives you a smorgasbord of other authors you may enjoy!
This is my favorite bundle so far, although I’m already assembling one in my head for next year that will be even better and more diverse. Why? Because I used to work in the tech industry, and there I saw how diversity could enhance a team and expand its skillset. Women understand that marketing to women is something other than coming up with a lady-version of a potato chip designed not to crunch or a pink pen sized for our dainty hands. Diversity means more perspectives, and this applies to science fiction as well. I am more pleased with this bundle than any I’ve curated so far.
In her feminist literary theory classic How to Suppress Women’s Writing, science fiction author Joanna Russ talked about the forces working against the works of women (and minority) writers. A counter to that is making a point of reading and celebrating such work, and for me this bundle is part of that personal effort, introducing you to some of my favorites. Ironically enough this bundle idea started with a particular book, Native Tongue by Suzette Haden Elgin, that fell through at the last minute sadly “” but that’s all the more reason to do this theme again next year for Women’s History month again. 😉 But don’t wait till then – you can find the Elgin book currently available online and it’s worth the read.
And in the name of expanding one’s knowledge and enjoyment of women writing SF, the majority of these books are first volumes of series, and I hope if you enjoy them, you’ll find the others as well as telling other people about them. The Kirstein series is the only one where not all the books are available; she’s currently working on book five and plans seven altogether. Many of them are independently or small press published, showing the depth and quality of work such publishing venues can yield.
I come to the task of writing these notes having just finished reading through a slush pile for an anthology I’m editing, If This Goes On, devoted to political science fiction. Some of the themes there are echoed in some of the works here, and it’s been interesting to note the resonances. Other books in the bundle are more lighthearted or escapist. I hope everyone will find at least a few they enjoy, and that many readers will join me in thinking they’re all swell.
I’ll be doing some video interviews with authors about their books – look for the hashtag #thefutureisfeminist on social media or subscribe to my Youtube channel or newsletter to make sure you get notified when they appear!
Here’s the bundle participants:
Athena Andreadis has produced multiple anthologies focused on women writers and I’ve had the pleasure of being in her anthology The Other Half of the Sky. Its sequel To Shape The Dark focuses on female scientists doing science in ways that move outside the traditional modes. This solid, intriguing anthology holds more than a few creative, inventive stories that you will enjoy.
L. Timmel Duchamp’s Alanya to Alanya is the first volume of her Marq’ssan cycle. Like the Gussoff book, it’s set in a near future Seattle and world that has become fiercely divided by gender, visited by aliens with very different ideas about such things. Political and intricate, this book pulls no punches in setting up a world that echoes that of The Handmaid’s Tale while remaining a unique vision. DuChamp is also a literary scholar and publisher; her Aqueduct Press is publishing great stuff.
Caren Gussoff’s The Birthday Problem is set in a near-future Seattle where a nannite plague has overtaken the world. It deals with issues of connection and mathematics in a multiple point of view narrative that showcases her ability with evocative, illuminating prose, and contains figures like former-WNBA center Didi VanNess and The King of Seattle, an ex-rockstar now living in one of Seattle’s iconic landmarks, as well as thirty cats named Ira.
M.C.A. Hogarth’s Spots the Space Marine features a military heroine who’s also a parent in a book that has aptly been called “Pollyanna meets Starship Troopers”. If you’re not familiar with Hogarth’s work, I urge you to check it out. If you’re a fan of furry fiction, you’ll particularly enjoy her Pelted Universe works, but another favorite of mine is Black Blossom.
Happy Snak by Nicole Kimberling is a fresh and funny romp detailing the travails of running a fast-food enterprise in space as unhappy proprietor Gaia Jones finds her life growing increasingly complicated. My only sorrow is that there isn’t a sequel, because Happy Snak is comfort food of the highest grade,
The Steerswoman by Rosemary Kirstein is the first in a fantastic series by the same name. This is a terrific book with a landscape that fascinates and a protagonist exploring that world and its challenges carefully and methodically, to the best of her efforts. I was delighted to be able to secure this book for the bundle.
Louise Marley’s The Terrorists of Irustan deals with a world where women’s roles are severely limited “” and details the struggle as they begin to fight back. Louise writes under a variety of names, including Cate Campbell, Louisa Morgan, and Toby Bishop, every time with an elegance and empathy that is showcased in this early book of heres.
Vonda N. McIntyre is a favorite writer of mine, and here I’ve stuffed a little extra value in the bundle for you with not one but four books in this Starfarers omnibus edition from the Book View Cafe. When a group of scientists find their alien contact project has been cancelled, they go to extreme measures to keep it going. Also: intelligent squidmoths. Does it get better than intelligent squidmoths?
Kristine Smith is working in military sf and doing it with panache and grace in the Jani Kilian series. Tight and fast, Code of Conduct will pull you into one of my favorite series, with a set of characters and fascinating worldbuilding that will leave you scrambling to find the next volume in this five book series.
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Bonus: The virtual classroom may include sundry visits from Raven, who likes to know what's going on at all times.Several people have been asking if I’d offer an online workshop and I’ve been thinking about how best to do that. So here goes. Please spread the word of this however you can. If I don’t get at least 3 students for a workshop, I’ll cancel it.
Dates:
Workshop 1 — Wednesday evenings, 8 pm-10 pm PST, December 14, 2011-January 18, 2012
Workshop 2 — Saturday mornings 9:30 AM-11:30 AM PST, December 17-January 28, 2012 (I have to miss the 21st due to a convention).
Format: I’m going to offer two sessions, one on a weekday evening and the other on Saturday mornings, because I know schedules vary. The class will run six weeks, with a two hour session each time. I would like to schedule workshop time into that, where you’ll get a chance to read and critique each other’s stories, as well as a chance to hear me critique them, so starting with the second session, part of the class will be devoted to that (no more than 50%, tops). I’ll be doing the class as a Google Hangout, so we’ll all be chatting face to face, which means there is a limit of 9 students per class. There will be an optional make-up session for both workshops for people who had to miss a class or two along the line the week after the class ends.
Focus: The focus is the short story – how to come up with an idea, how to write it, how to revise, and how to submit it. There will be weekly writing exercises and optional reading. The final class will include career stuff, market advice, and a few funny anecdotes.
Why take a class with me? As both a writer and editor, I bring a focus that lets me advise you from both sides of the desk. My experience as the fiction editor of award-winning Fantasy Magazine as well as short story collections and anthologies combined with the fact that I’m a working, selling writer helps me provide you with solid, up-to-date market advice for both online and print publishing. My teaching experience includes the Johns Hopkins University, Towson State University, and Bellevue College and I’ve studied with John Barth, Stephen Dixon, Octavia Butler, and Connie Willis, to name just a couple of people I’ve had the pleasure of learning from. Former students can testify that I’m an active, engaged, and entertaining instructor who gives careful and considered feedback on their work.
Value adds: As part of the class, I will be happy to critique an extra story (up to 10k words) afterwards and offer market advice. The offer expires after a year.
Cost: Well, it’s an experiment, so I’m basing this off comparable workshops I teach. I am charging $199 per person, but will make it $149 if you sign up before midnight PST November 30. I do take Paypal; contact me at spezzatura AT gmail.com and we can work out details. If you can’t afford it and have some interesting barter to propose, let me know at the same address.
What if those times don’t work for you? Drop me a line. We can try to work something out.
