Five Ways
Subscribe to my newsletter and get a free story!
Share this:
rainbowflagbygilbertbaker

Nattering Social Justice Cook: Celebrating Rainbow Hair

And as he spoke of understanding, I looked up and saw the rainbow leap with flames of many colors over me. -Black Elk

One place recent culture wars have been being played out has been the virtual space occupied by Twitter and its adjacent social media. Examining a particular hashtag or recurring phrase often provides insight into what the topic of the moment is, as well as what tropes and memes are being deployed.

A common adjective in many of the more conservative, alt-right, and other theater-of-outrage rants I’ve seen in the past couple of years is “rainbow-haired,” never in a positive sense. It’s usually paired with some form of “social justice warrior,” and often accompanied by an emotional catch-phrase or verbiage like “feels” or “drinking the tears.” There’s a lot of interesting stuff built into that particular fixation. So let’s dig around to find what’s contained in the phrase and its use in this pejorative sense.

The rainbow itself has plenty going on, symbology-wise. In many mythologies, it’s the bridge between heaven and earth, used by gods, heroes, and shamans. In the Christian allegory of Noah, it’s the sign of God’s covenant with humanity. Leprechauns hide their gold at the rainbow’s foot, Indra uses it for his bow, and in the Australian Dreaming, it adorns the scales of the Rainbow Serpent who created the world. It’s also got a maxim built into it: something positive that cannot appear without something negative happening first. There are no rainbows without rain, at least a little of which must fall into every life.

In 1978, this metaphor for something containing a multitude of variations became associated with gay pride and diversity, through the efforts of artist/drag queen Gilbert Baker, who said of it: “We needed something beautiful, something from us. The rainbow is so perfect because it really fits our diversity in terms of race, gender, ages, all of those things. Plus, it’s a natural flag””it’s from the sky! And even though the rainbow has been used in other ways in vexilography, this use has now far eclipsed any other use that it had.”

And we should not forget Skittles and the slogan “verb the rainbow.”

What happens when it becomes hair color that makes it particularly hate-worthy for dour conservatives? It’s something I’m fairly familiar with, since I started dying my hair with streaks of pink in 2006 when I found Loreal’s Color Rays on a Bartell’s shelf. The dye requires no pre-bleaching; it is alarmingly, wonderfully bright when it first goes on, and fades over the course of the next couple of months. While it only comes in three colors rather the multitudes other lines hold. I have yet to find another dye that lasts as long and well. I’ve tried plenty over the years, including Manic Panic, Ion, Arctic Fox, and Vibes. I wrote at length about the (over a decade-long now) experience in The Pink Hair Manifesto so I’ll avoid saying anything other than it’s something I anticipate continuing to do, particularly since it’s become part of my authorial brand.

Let’s ground the recent phenomenon of chemically-colored hair plumage historically, since it happened a few decades earlier than my decision. Fabulous colors required science to make it possible, but the earliest adopters were the punks, particularly Cyndi Lauper. This was considered pretty shocking; I can remember a girl at my high school dying a small patch of hers blue and having her father threaten to kick her out of the house as a result.

Rainbow hair, rooted in a counter-culture movement, revels in individuality and a certain DIY spirit (there is no shame in going to the salon for it, but I find it much more fun to do my own). It celebrates one’s appearance, draws the eye rather than shrinking away from it. It is something beautiful that those who don’t fit inside normal standards of beauty can have. It is playful, joyful, delightful at times.

Very recently it has spread like wildfire, and many of the people adopting it are millennials. This gives the anti-rainbow hair sentiment a double-whammy, providing an “oh these kids nowadays” moment while slamming anyone older for acting overly young. (Which implies that’s a bad thing, which isn’t a notion I agree with).

Screen Shot 2017-06-26 at 10.19.06 AMHere’s something that I think also often makes conservative minds bristle: it confuses gender norms. In traditional thinking, men aren’t supposed to care about or celebrate their appearance in the way women are. But rainbow hair appears all over the gender spectrum. Pull in the strand of meaning associated with gay pride, and the objectionability quotient increases.

There’s a reason alt-right and other manifestations of conservative trollish rhetoric so often focuses on appearance, on fat-shaming or fuckability or even how a new Ken-doll wears their hair. It’s a reversion to the schoolyard insult, the way insecure children will be cruel to others in order to try to build their internal self-worth, a behavior many, but sadly not all, outgrow. Worthy of an essay in itself is the fact that it’s also behavior advantageous to advertisers: anxious consumers who want to fit in are willing to spend money in the effort.

This strategy of playground taunts based on a) something most people have little control over and b) a rigid set of norms is curious when we go back to the associated ideas of emotion and “feels” (I do want to talk about what additional stuff is built into the latter, but let me return to that in a second.) Emotion is traditionally seen as the domain of women and children; men keep a stiff upper lip and a silent heart of winter. Often emotionality is built into the verbs used to describe speech: shrill, shriek, and scream are favorites.

Big boys don’t cry. Women and other non-males do, and there is a Smeagol or Renfield-level insistence on the deliciousness of such tears, as with so much of the writing, which depends on mockery of other people’s passions or even what’s portrayed as their rude insistence on co-existing in this world.

It would be nice if pointing out the gender and other biases BS built into such language defused it entirely, but certainly it’s easier to keep it from affecting you if you’re aware of it. Life for many non-mainstream groups is a constant course of avoiding the particular lumps of low-level radiation scattered throughout our daily landscape. I’m aware I’ve got some shielding from that denied others.

So what’s built into “feels” beyond that? It’s a denigration of the memespeak and emoticons of the millennials, as far as I can tell, a curious mockery of Tumblr and lolcat culture. And there’s a reason that they fear that group, which is better (IMO) at seeing through the clouds of Internet argument than some of the other generations.

Literally four decades ago, when I was a kid, we saw football player Rosey Grier singing that it was all right to feel things:

I’m bemused that the people in the world I inhabit remain so wedded to a norm that seems harmful to men and makes them less capable of understanding the world. Maybe the feelz aren’t such a bad thing after all.

Which leads me to my conclusion, which is that it seems like an ineffective and overly dour point to hammer on. Overall, I can’t read any of the negatives being packed into rainbow-haired as actual negatives. Celebrate the rainbow connection, I say, and close accordingly with that.

Who said that wishes would be heard and answered when wished on the morning star?
Someone thought of that and someone believed it.
Look what it’s done so far.
What’s so amazing that keeps us stargazing and what do we think we might see?
Someday we’ll find it, the rainbow connection.
The lovers, the dreamers and me.

One Response

Leave a Reply

Your email address will not be published. Required fields are marked *

Get Fiction in Your Mailbox Each Month

Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

You may also like...

Notes From the Patreon and Other Forms of Crowdfunding Workshop

I recently taught a Patreon and Other Forms of Crowdfunding workshop for Clarion West, focusing on running an effective Patreon, and thought I’d provide some of the notes from that.

When I first started on Patreon, I remember one elderly SF writer calling it “hipster panhandling,” and I dunno… I’ve been pretty happy that I’ve stuck with it, and I know I’m giving my patrons a solid value in return for their support. It has been interesting to see some attitudes shift towards crowdfunding in general, particularly with the rise of self-publishing as a valid career approach, and nowadays it seems like Kickstarter is driving many anthology projects.

Some background for those that might want it: Crowdfunding is a way of funding (perhaps a one-time project, perhaps a long-running or ongoing entity) that depends on small contributions from many people. It can be a one-time donation or an ongoing one, like a subscription. Examples of cowdfunding platforms include Patreon, Kofi, GoFundMe, IndieGoGo, Kickstarter, and Onlyfans. Patreon can be subscription or per-creation; I’ve chosen to go the subscription route.

I have been running my Patreon for a number of years now and have hooked it into my school. Along with other benefits, supporters get discounts on classes and, at higher levels, free classes. I try to post on at least a weekly basis, and to include snippets of what I’m working on. In March, I’m bringing back the story discussion group and adding one to look specifically at books on writing craft. Those events are recorded on Zoom, and the story group has been a lot of fun, particularly when we’ve had the authors in to talk about the stories as part of the discussion. I’ve tried all sorts of things over the years: weekly AMAs, recipes, serial fiction (still need to finish that one up!), etcetera, and my patrons have been patient with the various convulsions over that time.

Currently Patreon provides me somewhere between $1400-1500 per month, depending on monthly fluctuations (I am on the Premium plan, rather than the free version, which means Patreon takes less.) Some of that incoming money then flows out to pay guest teachers, depending on which classes people sign up for. Here’s the list of what’s coming up, and you can see it’s 50% guest teachers, 50% my own classes. But it ends up being a nice chunk of money that helps stabilize an income that can be pretty erratic otherwise, and which comes primarily from writing and teaching.

That money doesn’t magically fall out of the sky, though. (Alas!) It’s not a question of someone happening to read one of my stories and thinking “I loved that” and searching me out on the Internet to find out if I’ve got a tip jar on my website. That would be lovely, certainly. But it takes a level of fame and exposure I, and most writers, lack.

Plus that’s not really how tipping works, people dumping money in random containers without much reason. You have to give people something in exchange for that, even if it’s a fleeting experience. It doesn’t have to be carefully composed and polished — sometimes a random picture of a pet being cute will turn out to be one of the most popular things you’ve ever done. Authenticity is one of the best things you can give. I often provide snippets of what I’m working on, or take a look at something that I want to think about, like examining a paragraph of description to see how it works.

The most important thing that I can tell you is that Patreon or other crowd-funding efforts require work. That’s something that you have to factor in when you want to start one up. You need to figure out how to provide value for your patrons in a way that works for you. For me, hooking it into my online school was a terrific fit.

Patreon provides the tools I need, although I will continue to gripe about not being able to find old posts easily. More than anything else, I make use of the Discord server that Patreon provides me. They handle getting patrons on there, but one time out of twenty or so, I end up having to troubleshoot. The Discord server also hosts a number of students, friends, other Rambo Academy Faculty, etc, and is the place where a lot of activity gets coordinated. We’ve finally achieved enough of a critical mass that it’s a lively and entertaining community, with channels devoted not just to writing stuff, but community exchange like pet pictures and such. While on the road right now I haven’t been able to access the server and I have been sorely missing checking in.

There are a number of extra benefits like that when creating a Patreon campaign. I focused on growing that community when the pandemic started, and it’s one of the things that kept me sane and productive in the last couple of years. It’s been a great thing seeing so many students and mentees publishing in recent years, and it feels important to be making a contribution to the F&SF community not just in terms of “here’s my content, enjoy” but helping drive events and gatherings.

I think of Patreon as a side-gig, one of the freelancing projects that make up my work flow. Like any side-gig, you want to not let it derail you from the most important stuff, nor do you want to get overly dependent on it. One of the best things you can do as a writer is cultivate those small springs where you can, doing things like sending out reprints, getting speaking engagements, etc. Patreon can become a pretty good source of revenue, but it takes time, thought, and effort.

I recently did the Patreon Creator survey and that made me aware I’m not promoting mine quite as heartily as I should be, and that I’m not using every aspect. For one, I will confess that I do not look at the exit surveys when someone decides to stop, even though I really should. That’s because I had someone say something hurtful enough in one few years back that I made the conscious choice to just assume everyone’s doing it for financial reasons and just not worry about it anymore.

And that’s another thing about Patreon that I need to underscore – it can be a source of incredible encouragement, but it can also be a place — most particularly when you start out — where you feel like you’re howling into the void without anyone answering back. That one step forward, two steps back feeling can really start to come into play if you get a few people dropping off at a bad time. Build in some armor for yourself, however you need to, and remember this is your campaign. You get to do it the way that works for you, and it’s okay to experiment.

Overall, writing is a sporadic and inconsistent financial existence. One month you’ve got a hefty advance check and then the next it’s just a handful of things like that 2.23 royalty from Smashwords. A Patreon or other crowdfunded campaign can be incredibly helpful in evening some of that out — but it’s not a magic fix that will do it effortlessly.

...

So Long, and Thanks For All The Salmon

Things are shaking out and it looks like we’re headed out next Tuesday morning and leaving Seattle for six months! It should be interesting. Among the places planned on the itinerary are (en route to the East Coast) Couer d’Alene, Yellowstone, Utah, Colorado, Kansas, Chicago, Indiana, Pennsylvania, Baltimore, and NYC. Later on there are more nebulous plans involving other continents. Back come January, with plenty of stories.

The remodel is almost completely done; I’ll post pics Thursday.

Wayne sent me this. I thought it a lovely way to celebrate what I’m leaving.

...

Skip to content