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Guest Post: Writing and Organization

I remember being in middle school and how easy it was to for me to keep my writing organized. I had this blue and white composition notebook which I wrote in every night. Middle school me filled that whole notebook with a story that eventually would evolve into a book I started writing in the beginning of high school.

The more ideas I had made organizing my writing more difficult than it already was. Of course I had journals, but I’d end up only writing a couple pages and forget about the journal and let it collect dust in my drawer. I’d write during passing time in school on sheets of paper which would either end up staying up in my school notebooks or in my pencil case. I could be turning to a new page in my calculus notebook and  then suddenly stumble upon a future chapter of my story. Or, I could be digging around in my backpack for a pencil and instead of my led pencil, I find three folded up pieces of paper of chapter ideas.

I can’t quite say if this disorganization is because I’m forgetful or if this is just one of the perks of being a young writing. If I really wanted to put my disorganization to blame, I could pin the blame on juggling school and writing. The most organized with my writing I have ever been was when I put my ideas in piles of which story they belonged to. My disorganization hasn’t always been an annoyance. The first book that I wrote and self-published was written completely in random notes I’ve written in between classes. But, when you’re working on a chapter for a novel and can’t remember where you placed your notes, that becomes a problem.

The thing is, every writer has their own process. Mine involves writing chapter ideas on loose leaf paper and then losing the paper in my backpack only finding them randomly. Some may use notebooks or journals, binders, folders or even keep ideas written on their phones. I can’t say that there is an ideal way to organize for writers. Everyone is entitled to their own opinion. I can’t stand in the snack aisle at the store and preach about how Nacho Cheese Doritos are the superior Doritos. It’s the same thing with writing. I can’t march into someone’s office and demand that they write a certain way because it’s the superior way to write.

In school, we were taught what the teachers would call the right way to write. We had to do the writing process in their way and not our own. You feel connected to your writing when you create your own writing process. I certainly do. In the end, it doesn’t so much matter how you organize your writing or what process you have.

I could send email blasts and direct messages in all caps to all my favorite authors saying: “HOW DO YOU DO IT?!” If I did do that however, my writing process wouldn’t necessarily be my process. It would be whoever’s process I used. Not everyone else writes the same either. So, yes, I’m disorganized. But, I somehow, out of some random act of God, create something I am proud of. Maybe disorganization does help after all. But, who am I to say. I don’t stand in aisle at the store preaching about what Doritos to buy.

Molly Baumgardner is a young writer and cat enthusiast. You can read her work at https://www.wattpad.com/user/awesomewriter65

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

This was a guest blog post.
Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
  • A recipe or description of a meal from your upcoming book
  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
  • Women, PoC, LGBT, or other wise disadvantaged creators in the history of gaming, ranging from very early times up to the present day.
  • F&SF volunteer efforts you work with

Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Guest Post from Karen Heuler: Let's Be Brutally Honest Here

Photograph of Karen HeulerSo, how many people have you killed?

I mean, characters.

And how long have you been doing it?

I have to confess: It was hard for me to kill my first character, but after that it got easier. I actually stopped noticing how many there were or who they were.

I occasionally killed a major character, at the end, but even before I got to the end it was possible for me to kill minor characters as if they were placemats. I even people killed people I wanted readers to love. If it bumped up the plot, I was all for it.

And then I suddenly realized that I had gotten used to killing characters. I was killing them without remorse.

How many, I wondered, had I killed?

Ah. I didn’t want to go back and count. It was like going back and counting calories after an expensive dinner out. Why ruin it?

More than ten? Of course. Hundreds? Possible. Thousands?

Well, actually, even more than that. Like a great many writers these days, I’d killed off a proportion of the planet for an apocalypse that caught my fancy. It was a particularly lovely apocalypse. It would make a wonderful, visual, stunning movie. Not your usual, squishy, guns and guts and screams and hands-smashing-through-glass kind of movie, either. A grand and glorious apocalypse with lots of people dying in a very artistic way.

See? Even now I’m proud of it.

I remember being outraged by how easily Orson Scott Card got Ender to destroy a whole civilization and then absolved him of responsibility. Nope. Own up, Ender! Responsibility exists!

And yet.

And yet, I kill people.

How long will it go on? Will I ever grow tired of it? Will I switch to stories where no one dies; where, in fact, people fall in love and have babies? They could be strange new babies; I could, conceivably, do that.

Because even though I feel no guilt, I feel that I should feel guilt. It somehow isn’t right to say these weren’t really people and I didn’t “really” kill them.

Besides, I’m sure that the idea of killing is not a slippery slope. It isn’t, is it?

Just because I can write about it so easily doesn’t mean I’d ever actually do it, right?

Right?

Bio: Karen Heuler‘s stories appear in literary, fantasy, and science fiction magazines regularly. Her 2014 novel, Glorious Plague, was about a strangely beautiful apocalypse, and her second story collection, The Inner City, was chosen as one of the best books of 2013 by Publishers Weekly. She lives in New York City, where murder never happens and rents are extremely low.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

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Guest Post: Kyle Winter on The Power of Passive Representation

Treading the waters of diversity is tricky because we never want to disrespect the struggles that women, people of color, the LGBTQ community, or others have had to endure. As writers, we often want to include people like this in our stories because their stories are powerful and can make a difference. This sometimes manifests itself as ‘the gay friend’ or ‘the black friend’ or if you’re really batting for a home run ‘the gay black friend’. This character is great for diversity. He shows that those people exist and that we shouldn’t be afraid of them. But over time, if we see the gay black friend over and over it creates a subliminal message that all gay black men behave a certain way, and that can damage the community. I think we should allow those characters to break the mold and keep it to themselves.

Gender identity, skin color, and sexual orientation don’t affect your ability to do things. Period. There’s no reason a gay man can’t be a hardened combat veteran and there’s no reason a straight man can’t enjoy ballet. The fact that we use these stereotypes reflects our perceptions of society. It acts as a shorthand for the reader / viewer to go “Oh, he’s the gay guy, I get it!” and we can immediately paint a picture of who that person is without digging any deeper. While it’s great to include someone like this in your story, you may actually do more harm than good by treating them this way. Why? Because you’re adding to society’s confirmation bias. If every time someone sees a gay man on TV or reads about them in a book and they behave like a giddy teenage girl, then we will continue to think that’s how all gay men behave. Not that there’s anything wrong with a flamboyant personality, but it can be an oversimplification of the gay community.

What if, instead, we put a gay man in a position of power? The NBC show Brooklyn 99 does this with the character Captain Raymond Holt. He’s a stoic, calculating man that comes off cold but everyone loves him anyway. Just because he lacks flamboyance doesn’t make him any less gay. He still has a pride flag on his desk and there are many episodes with his husband, but he’s not treated any different because of his sexual preference. Yes, there are some episodes about his struggles as a gay black man in the NYPD because that is a story worth telling, but his skin color and sexual orientation never interfere with his ability to perform his duties. That’s because they literally have no bearing on his performance, and his entire team treats him the same as they treat everyone else. Imagine the impact that has for people who have never met a gay man like him. For some people, it never occurs to them a gay man could behave that way. For some people, that character is eye-opening and possibly life-changing.

Wizards of the Coast, a gaming company that owns Dungeons & Dragons and Magic: The Gathering (among others), often portrays people of color as their flagship heroes. They even have several prominent non-binary characters, which they’ve supported despite friction from some members of the community. Imagine the impact when someone who’s never played one of these games, in an industry that has traditionally been dominated by white dudes, thumbs through one of the rule books and sees a heroic character that looks like them. The imagination stirs as we consider the possibilities of being that character. It makes us feel like we could be part of that adventuring group, part of the epic story that will be written as a legend in years to come. All because of some simple artwork!

Placing these characters front and center, without necessarily making their differences the focus of the narrative, can have a profound effect on society. By having these characters represented in our stories we are saying, “This is how life is, these people exist and they don’t need to be treated any different than you or I.” This silent diversity becomes powerful representation for these communities. It reinforces the idea that we are all equal. If a child sees a hero that looks like them on the cover of a book, or on a movie poster, it tells them they could be that hero. It tells them there are other people with their unique traits in the world and that those people can accomplish great things. It tells them they aren’t alone.

Does this mean you can’t tell a story about a person of color’s struggles? Of course not. Am I suggesting that a woman’s climb to the top of her field isn’t worth hearing about? No. I’m saying that if we fast-forward through the struggles these people face every day and portray them as successful heroes then maybe society will treat them like heroes. In the end, we all want equality. We want a world where our gender identity, skin color, sexual preference or any other part of our being is accepted without a second thought.

Why not nudge society in that direction by telling stories where that is already true?


Headshot of Kyle WinterBIO: Kyle Winter is an author who is terrible at writing about himself, especially in the third person. He considers himself a genre-fluid author, dabbling in science-fiction, fantasy, pulp and others. He is an avid gamer, whether it be video games, tabletop RPGs, miniatures, board games or card games nothing is safe. For the past nine years he has routinely gotten beat up at his Brazilian jiu-jitsu classes and enjoys every second. You can visit his website www.TheKyleWinter.com or connect with him on Twitter @TheKyleWinter.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

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