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Guest Post: Roxanne Bland on Living in the Underground

“This is the weirdest book I’ve ever read.”

That’s what one woman wrote in her pre-release review of my paranormal urban fantasy/romance/science fiction hybrid The Underground. What a fabulous compliment! I wasn’t going for weird when I wrote the story but that’s the way my mind works so I’m happy to know my weirdness shone through. Still, I wonder what it was about the novel she found strange. Could it be The Underground is the story of an alpha werewolf and an interstellar assassin who fall for each other? Hm”¦maybe it was the sex. It’s not every day one snags a ringside seat at the Bedroom Olympics where one of the partners is an eight-foot wolf.

I’ve been asked how I came up with an outlandish tale like The Underground. Well, it’s like this. One oppressively hot and humid afternoon, I was sitting in a city bus with no air conditioning, sweating buckets in my vinyl seat and breathing car exhaust from outside the open window. Between the heat and the pollution, I was close to fainting. I didn’t want that to happen because the bus people the city where I lived were notorious for swiping your stuff if you fell asleep or died or something. So I started playing the “what-if” game. The game starts with a question, and then I keep asking questions about whatever topic I’m exploring until I’ve spun it out to it’s logical””or not-so-logical””conclusion. It’s not that much different from a teaching tool called the Socratic method, a sick, twisted version of the what-if game professors play with their innocent students.

Sweltering in that uptown bus, I asked what would it take for a werewolf to survive in today’s world?

I flung myself down that rabbit hole with glee, envisioning various rural and urban scenarios, the problems they present and how our werewolf could successfully deal with them. I was noodling my way through a complication when it struck me that a werewolf trying to lead as normal a life as possible in his world where he is marginalized and hunted by those in power wouldn’t be that much different from someone trying to lead a normal life in our world where he is marginalized and hunted by those in power. People die every day because of their skin color, sexual orientation and identity, belief systems, and whatever else the various human tribes, being the xenophobic and murderous lot they are, find unacceptable. To live, a werewolf would have to spin a web of lies and keeping track of them all would be a Herculean task. Then there’s having to live in a constant state of hyperawareness, knowing every person who crosses his path is a potential enemy. Surviving the human horde would be like walking a tightrope a hundred feet above the ground without a safety net. What a hard and exhausting way to live. But how much different really, is the werewolf’s life from his real-world counterparts””those who can’t escape the closet, who can’t break out of the egg, or who can’t bear living life as a second-class citizen? I didn’t create a world for The Underground“”it’s our world.

That’s not quite the end of it, though. I was in the middle of an explanation about The Underground world to a friend (and potential reader) when she interrupted me and said, “so why the space alien?” First, let me tell you that rabbit hole took me to some mighty strange places. While I was rooting around down there, I began thinking about how someone from another planet might be treated by society’s outcasts if they discovered her. All things being equal, would they embrace her otherness, recognize her as kindred and hide her amongst themselves? Or, like humans, would they reject her, seeing her as a threat and betray her presence to the larger world? I had no answer. But the question intrigued me so I decided to explore it. If you want to know how it worked out, buy my book.

So the trials faced by werewolves and other paranormals trying to survive in a fantasy world where exposure means certain death aren’t much different than the those faced by any other persecuted people in the real world. Which led me to a final question: What would happen in The Underground’s world””or in this one””if the downtrodden reached the breaking point and decided they wouldn’t take their lot anymore? History tells us the answer. Oppress people long enough and hard enough, they will eventually rise up. And the results won’t be pretty.

About the author: Award-winning author Roxanne Bland was born in the shadows of the rubber factory smokestacks in Akron, Ohio but grew up in Washington, D.C. As a child, she spent an inordinate amount of time prowling the museums of the Smithsonian Institution. She also spent an inordinate amount of time reading whatever books she could get her hands on, including the dictionary. A self-described “fugitive from reality,” she has always colored outside the lines and in her early years of writing, saw no reason why a story couldn’t be written combining the genres she loved, and did so despite being told it wasn’t possible.

Today, she writes stories that are hybrids of paranormal urban fantasy, romance, and science fiction. She is enamored of Great Danes and has been owned by several. She lives in Maryland with her current owner, Daisy Mae. Discover more at http://www.roxannebland.rocks, or follow her on Twitter as @RoxanneBland2.

This was a guest blog post.
Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
  • A recipe or description of a meal from your upcoming book
  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
  • Women, PoC, LGBT, or other wise disadvantaged creators in the history of gaming, ranging from very early times up to the present day.
  • F&SF volunteer efforts you work with

Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Guest Post: N.J. Schrock on Writing Misterioso

In my backyard, I have a tree whose fruit is colored bottles, and it serves a useful purpose. The bottles trap and kill evil spirits. During the night, evil spirits wander into the bottles, and they can’t find their way out””basically like a lobster trap for spirits. Then, when the morning sunlight hits the bottles, the evil spirits, which don’t like sunlight, are burned away. Poof!

Skeptical? Where’s your sense of mystery? The bottle tree legend is believed to have originated in Africa and been brought to the states with African slaves, which is why you’re more likely to see one in the South. Being a transplanted Yankee, I’d never seen a bottle tree until I experienced one years ago at The Antique Rose Emporium in Brenham, Texas. It was a thing of beauty, and a sign nearby explained the legend. I thought the idea was so cool that I wanted to have one, but I needed the right structure. Some people use welded metal rods, but I wanted something more organic. So, when our Majestic Indian Hawthorn tree died last year, I saw an opportunity to have a bottle tree although I knew it would take some work.

With its dry, rust-colored leaves and green lichen, the tree still had a unique beauty, but it wouldn’t have lasted. Something needed to be done. I could have cut it down and planted something else, but the surrounding live oak trees had caused this area of the yard to become too shady for most trees to grow. I think the shade is what killed this one. But every morning, sunlight climbs over our fence, around a large magnolia, and underneath the branches of the live oak, and it illuminates the dead tree for at least an hour. The morning sunlight may have been what spawned my idea of turning it into a bottle tree. I saw an opportunity to take a dead thing and turn it into””I hoped””an attractive lawn ornament. And maybe, I thought, I might even eliminate some evil spirits wandering around the neighborhood””at which point, my left brain started screaming at me, “Are you #$%&ing kidding me? Evil spirits? What is this? Pre-enlightenment?” To which, my right brain answered, “Really? Every culture has stories of good and evil spirits, so how do you know that they don’t exist?” I imagine my left hand went up to rub and soothe my left temple.

Seriously, as a scientist turned fiction writer and visual artist, my left brain and right brain war with each other constantly. My left brain would like to think that we live in a world where physical phenomena can be explained, and we humans are in control of our destiny. And then my right brain feels trapped and constrained. It asks why we have crowded out life’s mysteries with data and facts, and it points to the many, many things we don’t know and can’t explain. It liked a book I read recently called We Have No Idea: A Guide to the Unknown Universe, by Jorge Cham and Daniel Whiteson, which is about the physics of the universe and what we can’t explain. My right brain is also currently having fun reading a couple of fantasy books: D. L. Jenning’s Gift of the Shaper, and Cat Rambo’s Hearts of Tabat. Both of these books have taken me to places and given me adventures that I wouldn’t have imagined. My right brain also points to the classics in metaphysics, told through mythos, because this is the language that explains our major religions, which all wrestle with the clouds of unknowing and mysteries larger than ourselves. I have come to realize that this war in my brain is why I like to write and read science fiction. I get to use both sides””when they cooperate with each other. Good sci-fi and fantasy books build worlds believable within the texts, yet either delve into or create their own mysteries, things not known or understood. Yet this exploration of and embracing of mystery is not for everyone.

I recently wrote a blog post about reading the literary great Flannery O’Connor’s book Mystery and Manners: Occasional Prose. In it, she discusses her thoughts on writing fiction, and one of her themes is the role of mystery in fiction. She says, “It is the business of fiction to embody mystery “¦ and mystery is a great embarrassment to the modern mind” (p. 124). It can be an embarrassment because we humans labor under the delusion that we can know all things if we can just construct a predictive model and work out the mathematics. This premise has worked well for us in the past and brought us pharmaceuticals, electronics, spaceships, and smart phones. But, in the absence of a grand unified theory of matter after decades of trying, some scientists are beginning to wonder if mathematics has its limits. Are there things it can’t do? The answer to this question brings me back to the evil spirits that I’ve been trapping in my colored bottles.

I don’t expect an evidence that I’m reducing the evil spirits in our neighborhood. If I could show evidence, I’d lobby to install several in Washington D.C. But then, the tree would have to be the size of the Rockefeller Plaza Christmas tree in order to accommodate the five-gallon jugs required to haul in the spirits that cause discord, the unwillingness to compromise, and lack of empathy. The last spirit is particularly polarizing and, coincidentally, something that good fiction can address.

Recent Trends in Cognitive Science published a study a couple of years ago showing that people who read character-driven fiction are more empathetic. Reading and understanding stories helps people imagine other worlds and other consciences. And these other-person experiences are part of the mystery of good fiction, and in particular good science fiction and fantasy. Experiences and the meaning of those experiences are different for everyone who reads a story or novel. We all as readers ascribe our own meanings to a text.

This experienced meaning is, I think, the reason why I’ve had a hard time reducing my novel Incense Rising to a movie-trailer synopsis. When asked what it’s about, I usually say the genre is speculative fiction or science fiction””but not like Star Wars””and the plot is around a scientist who becomes a fugitive to save a scientific theory; however, in a deeper sense, it explores the commercialization of our humanity. I felt bad about my shortcomings around writing a good elevator pitch until I read O’Connor’s view of experienced meaning in novels: “The meaning of a story has to be embodied in it, has to be made concrete in it. “¦ When anybody asks what a story is about, the only proper thing is to tell him to read the story. The meaning of fiction is not abstract meaning but experienced meaning, “¦” (Mystery and Manners, p. 96). Yes! The mystery of fiction is in the experienced meaning, the many experienced meanings. We authors take readers on journeys, and they end up somewhere different from where they started. I’ve come to understand something of this mystery of fiction and why we like it and why we should read more of it, but I never expected that creating a bottle tree would relate to any of these insights on why I write.

Creating the bottle tree itself was a journey. I started sometime last November by sawing off small or weak branches, removing leaves, and scraping off the lichen. Then I began collecting different colored bottles with openings large enough to fit over the branches. I took pictures of the bottles in the sunlight, moved them around, discovered what they do collect””spider webs, an occasional bug, and condensation””and I even installed a birdhouse. And, somewhere between creating a bottle tree and reading Flannery O’Connor’s Mystery and Manners, I had an epiphany about the value of nurturing life’s mysteries, why I like to read and write science fiction, and why more people should read fiction. We all need some mystery, empathy for others, and maybe even a bottle tree.



Nancy’s most recent book is Incense Rising, a near future SF thriller set in a world where consumerism and politics have merged,

Author bio: I have been writing all my life although I began trying to publish my fiction only recently. My story ideas usually start with a “what if?” question. For example, what if we encountered alien life forms with a copper-based oxygen transport instead of hemoglobin? The result: “The Silver Strands of Alpha Crucis-d,” published by The Magazine of Fantasy & Science Fiction, Mar/Apr 2016.

I may have taken a convoluted path to arriving at writing speculative fiction, but now that I have, I can’t believe I didn’t do this sooner because I’m having so much fun!

Asking “what if” questions is an important part of engaging in scientific research, which is what I did for many years. After earning a Ph.D. in organic chemistry from the University of Illinois, I went to work for a large chemical company and spent twenty-five years engaged in research. In 2012, I earned a master’s degree in English from the University of West Florida (UWF), and I’ve been writing fiction, creative nonfiction, and poetry ever since. I teach classes in organic chemistry and writing for STEM majors as an Adjunct Instructor at UWF. When I’m not writing or teaching, I like to do artwork. I’m a member of Quayside Art Gallery in Pensacola, where I work two days a month.

Find Nancy’s website at https://njschrock.com or follow her on Twitter.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

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Guest Post: Comedy Is a Ninja by Noah Sturdevant

Things are tense these days. I hope I’m not shocking anyone by saying that. There’s a lot of negative emotions going around, and people deal with them in different ways. One of the healthier ways is to engage with a good movie, game, book, or other form of media and get lost in a story. As a person empathizes with characters, they achieve catharsis as they experience their emotional journey together with the characters they empathize with. People enjoy dramas to release their sadness, they enjoy action to feel power over a world which often shows them to be powerless. Some enjoy horror for the endorphin rush, or to release pent up negative emotions in a more healthy way than going to the hardware store and looking for a chainsaw that’s light enough to chase someone with, yet not so light that it can’t get the job done.

Um, for example.

You get the idea. Engaging with stories in all of these genres help emotions to be released, and these genres are taken more or less seriously as their own entity. They win awards, they get critical acclaim. People feel like they can discuss them as art.

Cover of QUICK DRAW: FAST AND FUNY FICTIONBut what about comedy?

Comedy provokes laughter, which is a way to achieve catharsis, too. Laughter is a bonding experience. Laughter allows us to cope with horrible situations. Laughter is, well, fun. Yet, somehow comedy doesn’t get the respect it deserves.

What is the last purely comedic book you read? Not the action-comedy, horror-comedy, romantic comedy, etc. It might be hard to remember.

It seems most times comedy is only accepted when it tags along with another genre. If genres were families, comedy would be the little brother that horror, action, romance, mystery, westerns, science fiction, fantasy, and drama are forced to drag along with them if they want to go out and play.

If you look at Amazon, or any other place to buy books, you’ll probably notice the comedy/humor section is dwarfed by the other genres. In fact, it’s lumped in with crosswords and other puzzles in some stores.

Why is that? Probably because comedy doesn’t sell. Somehow comedic novels don’t get the same attention as other genres, which is why they have to piggy-back onto them. It’s hard to figure out why. On the surface, comedic novels have the same elements as other genres. They have a beginning, middle and end. They have a plot and they have characters.

Maybe that’s where things start to fall apart. People read books for the plot; they read a series because of the characters. As the purpose of a comedy is to laugh, it’s often true that comedic novels don’t have the level of character development that other genres have, and the stakes aren’t often that high. And that’s where the trouble really lies. People need to care what happens in a book for it to grab their attention for long. Sure, some comedic books have deep characters and intricate plots, but chances are that it’s going to get a hyphen with some other genre coming first added to it to sell more copies.

So, wait. Maybe comedy novels are more popular than they first appear. True, the “pure” comedy book isn’t in fashion at the moment, but that doesn’t mean the genre is failing. On the contrary, comedic novels are doing better than ever, thanks to the expectations of modern-day readers.

Unlike in other eras, readers don’t want just one thing. No, they want at least a little of many things. Hybrid genres keep emerging constantly. Weird West, GameLit, and other genre blending categories give people more of what they want, before they even knew they wanted it. And do you know what? I bet they’ve all got a few jokes in them, too. Really, the hyphen is a friend. It’s the hook that gets comedy into your books, into your hands, and into your head.

By latching onto a larger genre, like a parasite, comedy sneaks into your favorite genres without you even noticing. Or like ninjas. Let’s say comedic books are giggle ninjas instead of parasites. Still sneaky, but less slimy. The point is, that fantasy book that made you laugh more than want to swing a sword around was a comedy novel. The horror story that made you chortle with almost shameful glee every time someone bit the big one was humor in disguise.

Comedy doesn’t have an ego. It doesn’t care if it gets second billing. No, comedy is flexible. It adapts to survive, to thrive. Like a thief in the night, comedy comes, does what it set out to do, and leaves. The hero still defeats the evil mastermind, the prince still wins the heart of the prince, princess, or whoever they’ve been trying to win over, and so on. They just do it with a little snark, a bit of whimsy, and the occasional laugh out loud moment.

Comedy never left, and it isn’t going anywhere, even if you can’t quite see it at the moment.


BIO: Noah Sturdevant is a man of many secrets. Granted, most of his secrets involve lost socks and conspiracy theories about otters, so it’s probably better not to probe too deeply. Noah is originally from the U.S.A., and currently lives in Thailand with his wife and daughter. Noah never really knows what’s going on and isn’t sure why he’s writing about himself in the third person, but he hopes you enjoy his books, which you can find on Amazon.

Quick Draw! is an anthology of humorous flash fiction, with some of the biggest names in speculative fiction. In times like these a quick laugh is something we could all use. All profits from the sale of this anthology go to True Colors United, which helps homeless LGBTQ+ teens.


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

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