Five Ways
Subscribe to my newsletter and get a free story!
Share this:

Guest Post: Mark Engleson on When Lack of Social Grace Crosses the Line

When Lack of Social Grace Crosses the Line

An autistic responds to “The Shealy Logs” (Burgin Mathews, No Depression, Spring 2020)

In “The Shealy Logs,” Burgin Mathews relates the story of John Shealy, who created decades of logs of performances at the Grand Ole Opry. There’s a wrinkle: in 1999, police found that he’d “stalked, harassed, or bothered” 89 women. His lawyer obtained a psychological evaluation, and Shealy was diagnosed with Asperger’s Syndrome.

Engleson with three-time Grammy Award-winner and alt-country hero Steve Earle, after his performance at the Birchmere, 2018.

At the time, Asperger’s was diagnosed as a developmental disorder distinct from, but related to autism; the most recent edition of the DSM collapsed them into a single category, Autism Spectrum Disorder. As opposed to autism, in Asperger’s, per the Autism Society, “there is no speech delay.” The diagnosis also excludes intellectual disabilities. Some individuals with Asperger’s are profoundly gifted: Bill Gates, musician David Byrne (lead singer and songwriter for the Talking Heads), and the late Derek Parfit, one of the most prominent philosophers of the contemporary era, are prominent cases.

Recently, in an online forum for adult autistics, a young man posted about being kicked out of places for making women uncomfortable. As it turned out, this young man was looking up women he’d met on Facebook to make romantic overtures to them. I explained to this young man that what he’s been doing is cyberstalking.

This man found little sympathy from his fellow autistics. The responses, many of them from women””and female autistics, though less visible, very much exist””emphasized that it was his responsibility to understand what he’d done and correct his behavior. He protested that he can’t figure that out if no one will tell him what he’s doing wrong. Again, little sympathy: we emphasized that he just had to figure it out. I went so far as saying that, if he didn’t correct his behavior, he needed to curtail his interactions””up to the point of locking himself in at home.

“The Shealy Logs” also mentions that John would not accept his diagnosis. The article quotes him as writing, “There’s nothing wrong with me.” He then violated the no-contact list that was part of his release, trying to make personal apologies for his behavior.

Neither of these is acceptable. Refusing to take advantage of his diagnosis meant that Shealy also refused to investigate the resources that were available to help him learn about and improve his behavior. No disability, including autism, can excuse a failure to meet basic obligations to treat others in a respectful manner that recognizes appropriate boundaries. If autism makes it more difficult to do that, then the answer is that you work harder and find a way.

When I shared Shealy’s story in the same online forum, one response was that this stalking behavior can’t be related to his autism, that it would have to have been due to a comorbidity. I wish this were true, but it’s not. While this behavior is unusual and deeply aberrant even within the autistic community, autistics””especially autistic men””can be prone to violating social boundaries. Combined with the intensity of interest that autistics tend to develop, this can lead to some ugly outcomes.

As a child and teenager, I crossed that line three times. In grade school, I biked over to the house of a classmate in the next town after looking up her address in the phone book. My freshman year of high school, I put a friend up to calling a neighbor girl who I had a thing for. And my senior year of high school, I badgered a girl’s friends to give me her phone number.

The last two resulted in blowback that shaped me permanently. The neighbor girl’s mother came to my house and gave me a severe verbal lashing. The second incident followed a two-hour phone conversation that, had I not screwed up, was probably headed to me dating a girl I had a years-long crush on.

I learned hard, and I learned well. Like any other group, people on the autism spectrum have different capacities for learning. Mine is pretty good, and once a lesson is hammered into me, it sticks.

Even when I’m not violating social norms””and I’m pretty good about that””I can still make people uncomfortable at times during interaction. I speak too loudly, or I stutter, or I laugh like a hyena, or I am “making a face,” as my mother likes to say. My affect tends to read as “a coiled spring that did a giant line of coke.” Especially now that I’ve met other people like this, I realize just how very unsettling that can be. (I’m not sure if it counts as irony, but autistics can be put off by other autistics just as much as neurotypicals can.)

Engleson with author Lev Grossman at George Mason University, 2018.

I know that, despite my best efforts, I will make a mistake, and it will be some degree of spectacularly cringeworthy. I have a memory like the subject “The Shealy Logs,” so I know that, after it happens, I will never forget. This, as one might imagine, leads to fairly severe social anxiety. I’ve gone to parties and even spent entire days at conventions without having a conversation. I’m not good at knowing when people are approachable, and if I’m not certain it’s acceptable to approach, I don’t. For a few years, I came back from Capclave with many of the books I’d lugged around in my backpack unsigned, until I finally””maybe someone explained it to me””learned the etiquette around signing requests. (As it turned out, that there was a “mass signing” did not mean I couldn’t ask in other circumstances!)

There are books I may never get signed because I wasn’t willing to go out on a limb. I’m fine with that. I’ve accepted that I will miss some opportunities because I’ve chosen to act with an abundance of caution. I exclusively try to meet potential dates online, because I don’t trust myself to work out what’s acceptable IRL (in the last 13 years, I’ve broken this rule once, but only after a woman clearly indicated her interest by striking up a conversation). The equation here is I’m that losing out on far fewer real opportunities than I am preventing someone being made uncomfortable.

Most people on the autism spectrum will never engage in any kind of stalking behavior, and we overwhelmingly do not accept autism as any kind of excuse for that behavior. Unfortunately, like autism itself, there is a whole spectrum of bothersome behavior, which can range from barraging people with undesired (but, honestly, mine are HILARIOUS) puns to genuinely creepy behavior (had I gone through with my idea of hiding in the dark basement outside my roommate Gennady’s room, waited for him to come out, and hissed, “I’m the leprechaun, don’ ye steal me pot o’ gold”). These can be hard things for some autistics to get their head around, because they inherently rely on someone else’s subjective state of feeling bothered or threatened. But””to hammer home a point””the autistic community overwhelmingly believes that it’s on us not to make others feel bothered or threatened.


Author cuddling with his sister’s dog Ollie, who is objectively the best doggo ever.

BIO: Mark Engleson is a hunchbacked, autistic aspiring fiction writer and former stand-up philosopher who works as a technical writer/government consultant in Arlington, Virginia, leeching off the bloated carapace of America. He regularly posts on Twitter as @MarkJEngleson, providing updates on his life, which he describes as “a stack of flaming tires in a trolley in a collapsing mine shaft.” His music criticism can be found at ParkLifeDC and Lyric Magazine.


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

This was a guest blog post.
Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
  • A recipe or description of a meal from your upcoming book
  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
  • Women, PoC, LGBT, or other wise disadvantaged creators in the history of gaming, ranging from very early times up to the present day.
  • F&SF volunteer efforts you work with

Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.

Show more

Leave a Reply

Your email address will not be published. Required fields are marked *

Get Fiction in Your Mailbox Each Month

Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

You may also like...

Guest Post: Kyle Winter on The Power of Passive Representation

Treading the waters of diversity is tricky because we never want to disrespect the struggles that women, people of color, the LGBTQ community, or others have had to endure. As writers, we often want to include people like this in our stories because their stories are powerful and can make a difference. This sometimes manifests itself as ‘the gay friend’ or ‘the black friend’ or if you’re really batting for a home run ‘the gay black friend’. This character is great for diversity. He shows that those people exist and that we shouldn’t be afraid of them. But over time, if we see the gay black friend over and over it creates a subliminal message that all gay black men behave a certain way, and that can damage the community. I think we should allow those characters to break the mold and keep it to themselves.

Gender identity, skin color, and sexual orientation don’t affect your ability to do things. Period. There’s no reason a gay man can’t be a hardened combat veteran and there’s no reason a straight man can’t enjoy ballet. The fact that we use these stereotypes reflects our perceptions of society. It acts as a shorthand for the reader / viewer to go “Oh, he’s the gay guy, I get it!” and we can immediately paint a picture of who that person is without digging any deeper. While it’s great to include someone like this in your story, you may actually do more harm than good by treating them this way. Why? Because you’re adding to society’s confirmation bias. If every time someone sees a gay man on TV or reads about them in a book and they behave like a giddy teenage girl, then we will continue to think that’s how all gay men behave. Not that there’s anything wrong with a flamboyant personality, but it can be an oversimplification of the gay community.

What if, instead, we put a gay man in a position of power? The NBC show Brooklyn 99 does this with the character Captain Raymond Holt. He’s a stoic, calculating man that comes off cold but everyone loves him anyway. Just because he lacks flamboyance doesn’t make him any less gay. He still has a pride flag on his desk and there are many episodes with his husband, but he’s not treated any different because of his sexual preference. Yes, there are some episodes about his struggles as a gay black man in the NYPD because that is a story worth telling, but his skin color and sexual orientation never interfere with his ability to perform his duties. That’s because they literally have no bearing on his performance, and his entire team treats him the same as they treat everyone else. Imagine the impact that has for people who have never met a gay man like him. For some people, it never occurs to them a gay man could behave that way. For some people, that character is eye-opening and possibly life-changing.

Wizards of the Coast, a gaming company that owns Dungeons & Dragons and Magic: The Gathering (among others), often portrays people of color as their flagship heroes. They even have several prominent non-binary characters, which they’ve supported despite friction from some members of the community. Imagine the impact when someone who’s never played one of these games, in an industry that has traditionally been dominated by white dudes, thumbs through one of the rule books and sees a heroic character that looks like them. The imagination stirs as we consider the possibilities of being that character. It makes us feel like we could be part of that adventuring group, part of the epic story that will be written as a legend in years to come. All because of some simple artwork!

Placing these characters front and center, without necessarily making their differences the focus of the narrative, can have a profound effect on society. By having these characters represented in our stories we are saying, “This is how life is, these people exist and they don’t need to be treated any different than you or I.” This silent diversity becomes powerful representation for these communities. It reinforces the idea that we are all equal. If a child sees a hero that looks like them on the cover of a book, or on a movie poster, it tells them they could be that hero. It tells them there are other people with their unique traits in the world and that those people can accomplish great things. It tells them they aren’t alone.

Does this mean you can’t tell a story about a person of color’s struggles? Of course not. Am I suggesting that a woman’s climb to the top of her field isn’t worth hearing about? No. I’m saying that if we fast-forward through the struggles these people face every day and portray them as successful heroes then maybe society will treat them like heroes. In the end, we all want equality. We want a world where our gender identity, skin color, sexual preference or any other part of our being is accepted without a second thought.

Why not nudge society in that direction by telling stories where that is already true?


Headshot of Kyle WinterBIO: Kyle Winter is an author who is terrible at writing about himself, especially in the third person. He considers himself a genre-fluid author, dabbling in science-fiction, fantasy, pulp and others. He is an avid gamer, whether it be video games, tabletop RPGs, miniatures, board games or card games nothing is safe. For the past nine years he has routinely gotten beat up at his Brazilian jiu-jitsu classes and enjoys every second. You can visit his website www.TheKyleWinter.com or connect with him on Twitter @TheKyleWinter.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

...

Guest Post: RecipeArium by Costi Gurgu

GOURMET RECIPE: VERMIH IN PLABOS SAUCE

There are three complementary sides that determine a phril personality: gastronomy, politics, and romance. The rest represents salads or pickles to fill the mundane.
I will start naturally, with food for the gourmet side of the phrilic spirit, presenting to you, my dear reader, an absolutely genuine Recipe.

INGREDIENTS:
Mature vermih ““a crawler from the land-worm family, having its vital organ””the sufleida””in the middle of its spindle-shaped body. This in turn is protected by a circular stomach layer, where the ingested food is stored, preparatory to being assimilated after fermentation.
Swamp Plabos Sauce““for plant and insect broths, in a suckitori base.
Sequ-tulapa flavoured oil ““ with hot spices, preferably from Blood-Moth’s wings.

PREPARATION:
The fragrant vermih should be left to rot alive only under the light of the Three Daughters of the Sky. The diffuse light drives it mad and the cool night air makes its stomach layer tremble. The trembling forces its membrane to enlarge to several times its usual size, preparing for future storage. If it doesn’t scream for mercy, it means it has not putrefied enough. However, while it is rotting, ensure it is protected from fright, to avoid wrinkling its flesh.

When it has reached the desired level of putrefaction, immediately place the gluttonous and shivering animal on the sweet maidenly leaf of the moamoam. The two beings will intertwine and the juice of pleasure will flow from the vermih, imbuing the fluffy layer of the maiden moamoam. The vermih, driven by overwhelming hunger, will then devour the leaf. Because its stomach membrane is enlarged, it will not be satisfied with only one leaf. Continue this process with another leaf, luring it by way of the gnawed stem to where the Swamp Plabos Sauce boils vigorously. I have specified that the sauce be flavoured with suckitori. The steam from the boiling sauce will penetrate the vermih’s stomach wall, moistening the ingested moamoam leaves before the vermih throws itself into the sauce, simultaneously ejecting one last fresh spurt of the bittersweet pleasure liquid.

The vermih will sink to the bottom of the pot of boiling sauce, allowing the Plabos liquor to penetrate it just short of its core. It is very important that the depth the crawler will sink and the thickness of the sauce be calculated exactly. Otherwise, the slightest contamination of its vital core with the liquor will cause a hideous death, which would thicken the vermih’s flesh.

As its stomach membrane tenderizes to a suitable degree of sponginess, and with its flesh flavoured by the Swamp Plabos Sauce, the crawler should fall free from the orifice in the pot’s bottom straight onto your plate, where it will spread into a well-blended and sparkling stew surrounding the sufleida, still pulsing within the protective layer of the bitter crystalline coating.

Combine the sequ-tulapa flavoured oil with hot spices, preferably brown butterfly wings, and heat it to boiling. Pour the hot oil over the crystalline coating of the sufleida. This will melt the covering and evaporate all trace of bitterness. Flavour to taste with a sprinkling of Night Daughters Flower pollen and serve with red wine for a truly gourmet meal.

(from The Gastronomic Teachingsof Master Recipear Plabos)

Costi’s scripts have been finalists and semifinalists in numerous competitions.

Costi’s fiction has appeared in Canada, the United States, and Europe. He has sold 3 books and over 50 stories for which he has won 24 awards. His latest sales include the anthologies Tesseracts 17, The Mammoth Book of Dieselpunk, Dark Horizons, Street Magick, Water, and Alice Unbound. His story Cosmoboticawas a finalist for Aurora Awards.

His novel RecipeArium is out from White Cat Publications and a 2018 finalist for the Aurora Awards.

To find out more about Costi Gurgu visit www.costigurgu.com
Recently, Costi started Games for Aliens, a tabletop games enterprise. His first two games are Absolutism (a dystopian scenario) and Carami (based on RecipeArium).

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines

...

Skip to content