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Chandra Clarke on the Importance of Not Giving Up in the Face of Big, Intractable Problems

It’s so easy to feel overwhelmed by”¦ everything right now.

Climate change, the rise of authoritarianism, the economy, systemic racism, a global pandemic. Social media (which arguably has never been a showcase for the best humanity has on offer) has become a doom scroll. The news headlines aren’t comforting either, obviously, as that’s not their job, but feel even less so this year.

Meanwhile, Life with a capital L keeps happening. We all still have to keep a roof over our heads, some of us have kids to feed and prepare for whatever the hell it is that lies ahead, or parents to support in their old age, or maybe even both. An appalling number of us have to fight daily just for the right to exist.

And worst of all, I think, is that it is the year 2020. There’s something extra galling about the fact that we’re nearly a quarter way through the 21st century and we literally have access to the sum total of the world’s knowledge in our pockets”¦ and yet we seem to be inundated with both egregious ignorance and aggressive gullibility. Never mind a jet pack, I’d be happy just to get everyone on the same damn page: Clean air good, pollution bad.

Cover of PUNDRAGON by Chandra Clarke.On my darker days, I tend to turn to accounts from other people who lived through uncertain or frightening times. Victor Frankl’s Man’s Search for Meaning comes to mind, or going further back, something like Pandaemonium by Humphrey Jennings. An obvious place to look for historical parallels right now is back to our most famous pandemic, even if our perception of those times isn’t entirely accurate. These books and essays don’t offer answers, per se, but they do provide that all important connection: other people have been in a crucible and survived, and maybe you can too.

But what can you do beyond just get by? These problems we’re facing seem so big and intractable. You’re just one person, right?

Listen: One person can make a difference.

Here’s how I know. On May 16th, 2020, more than 5000 volunteers in my community, following physical distancing protocols and wearing masks, collected at least 678,200 pounds””yes pounds, and no that amount is not a typo””of food, donated by residents who had been asked to leave a non-perishable item on their porch or front step for collection.

The goal was to restock local food banks, because donations had tailed off due to the pandemic lockdown. Organizers called it the May 16th Miracle, and the whole effort was put together in less than three weeks via social media and the now ubiquitous Zoom.

The Miracle”¦ was just one person’s idea.

It was not a government initiative, it wasn’t put together by a big non-profit organization, and it had no budget for publicity. One person saw that others were hurting, reached out to a few other people who would be able to recognize the same need, and this small group of people then put out the call to the community at large. And wow, did the community respond.

Even better, a neighbouring community was so inspired by the effort that they organized their own miracle and brought in even more donations for their food banks.

I took part in the May 16th Miracle as an area “˜captain,’ and the experience of collecting bag after bag of goods from my neighbours, and then joining the huge convoy en route to a makeshift warehouse has sustained me ever since. I’ve started noticing quiet success stories all over the place: the Facebook gardening group members giddily sharing pictures of the monarch caterpillars they’re now seeing in the gardens they’ve overhauled to include native species; the grassroots pressure that forced universities and other institutions to divest from oil and gas holdings; the proliferation of Pride rainbow crosswalks in even those most conservative of towns; colonial-era statues finally, finally coming down.

Yes, it’s 2020. No, we shouldn’t have to still be fighting these fights. But what you’re doing, however big or small your contribution, is working. Indeed, there wouldn’t be so much pushback if it weren’t.

Keep going. Double down if you can. It matters.

You matter.


Author photo of Chandra Clarke.BIO: Chandra Clarke (she/her) is the author of the Pundragon (available August 10), a cli-fi book disguised as a humorous fantasy. You can find her blog at www.chandrakclarke.com or say hi on Twitter at @chandraclarke.


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Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

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Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
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  • Your favorite kitchen and a recipe to cook in it
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Guest Post: Brian McNett Serves Up Colorful Purple Wheat Noodles

A bit of a preamble. I often say things which are completely true, only to be confronted by people who flat out claim that I’m only making it up. That I *must* be making it up. There’s no way the very true thing I just said is true.

I’ve learned to cite my sources. So, before we begin, a word about the color purple. Not the movie, although it was good. Very good. Alice Walker’s novel won the Pulitzer in 1983, and went on to become both a hit musical, and the film starring Whoopi Goldberg in her debut as an actress. It might have been something far less in the hands of a director other than Steven Spielberg. But no, not here to discuss film. Here to discuss food, so:

Anthocyanins! Water-soluble, vacuolar, pH-sensitive pigments! Part of a parent class of molecules known as ‘flavonoids’. Mostly 3-glucosides of the anthocyanidins… The important bit is that under the right conditions, they make plants PURPLE.

All plants have some anthocyanins in them; in the stems, the leaves, the fruit, or the flowers. So, finding a natural variety of say, wheat, with a particularly high anthocyanin content in the grain is, in fact, entirely expected. This is what we find: Ethiopian Blue-Tinged Emmer. It is a cultivar selected in (obviously) Ethiopia by Dan Jason of Salt Spring Seeds, who brought back two blue-tinged seeds from a trip to Ethiopia in 1993.

“Purple grain colour is caused by anthocyanins in the pericarp whereas blue colour is caused by anthocyanins in the aleurone layer. Purple grains occur in tetraploid wheats from Ethiopia, and in one bread wheat accession apparently native to China.” –Zeven, A.C. Euphytica (1991) 56: 243. https://doi.org/10.1007/BF00042371

Tetraploid wheat. Not diploid like commercial wheat. Wouldn’t it be fun to cross a tetraploid wheat with rye? You’d get tetraploid triticale. And if you used an anthocyanin wheat, you’d have Anthocyanin Quadrotriticale! Super-hardy, purple, grows-almost-anywhere wheat, and the Klingon Empire would kill to get this stuff. And Guinan would advise Picard to keep it away from the Ferengi. Hey, there’s Whoopi Goldberg again!

But, I’m supposed to be cooking, aren’t I? I’m getting to it, really I am.

Hagos Hailu Kassegn has done a full determination and analysis of the proximate bioactive compounds in anthocyanin wheat. Total anthocyanin content (TAC) in anthocyanin-colored purple wheat was found to have a mean value of 197.4 mg/100 g. — Hagos Hailu Kassegn & Fatih Yildiz (2018) Determination of proximate composition and bioactive compounds of the Abyssinian purple wheat, Cogent Food & Agriculture, 4:1, DOI: 10.1080/23311932.2017.1421415

Purple wheat is a very real thing. Its Abyssinian origins have been known for over 100 years.

It only stands to reason, therefore, that there must be purple wheat products. I don’t have to invent imaginary purple wheat noodles. There are real purple wheat noodles out there. Let’s go find some.”¨”¨Hans Lienesch, runs a blog called “The Ramen Rater” from his home in Edmonds, WA. Not too long ago, he rated Purple Wheat Noodles from Koka in Singapore.

https://www.theramenrater.com/2014/01/11/1282-koka-purple-wheat-noodles-aglio-olio-flavor/

Ta-da! There they are. A purple wheat product. Made slightly MORE purple by the addition of some blue corn.

What are we going to do with these purple wheat noodles? We’re not making ramen, that’s certain. Anthocyanins are water soluble, didn’t I say so? They’ll turn the broth purple. Totally not fun. Indeed the package of Agilo-olio flavor Purple Wheat noodles is labeled “Dry Noodles.” Not technically ramen, but intended for stir-fry dishes.
So”¦

Where to find purple wheat noodles? It just so happens that I spent the first six months of 2018 across from the coolest multi-ethnic supermarket in the known universe: Saars. It’s kinda like H-Mart only more or less regional to the Seattle area (sorry, entire rest of the planet). Imagine that the very best Asian market and the finest Mexican market fell madly in love with each other (apparently this story is best told by Chuck Tingle), and eloped to Las Vegas for an impromptu wedding complete with Elvis impersonator. Saars is their love-child.”¨So here we are in my kitchen with a FIVE-PACK of Koka Purple Wheat Noodles, some onion, bell peppers, and thin slices of beef.

This next bit is really simple. Prepare the noodles to package directions and set aside. Sauté the beef and set aside. Slice the onions, and peppers and sauté. Reintroduce the beef to the pan, add in the noodles, and plate in shallow bowls. Yes, I know. This is nearly 800 words just for a single paragraph of not really recipe.

Top with mixed crushed nuts, fried onions, and sesame-seed furikake. This is a delightful meal and multi-colored to boot. Whether or not anthocyanin actually have any real dietary impact is an exercise best left to a nutritionist.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

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Guest Post from Raven Oak: Linguistics in Fantasy"”To Thee or Not to Thee
Raven Oak discusses linguistics in fantasy.
Raven Oak discusses linguistics in fantasy.

“Since your book’s technological advances place it during the Renaissance, your characters are wrong because they should be speaking like Shakespeare.”

Imagine my surprise when a friend and avid fantasy reader said this to me. I can’t remember the last time I met someone who believed that level of linguistic authenticity necessary in a fantasy world. While I love Shakespeare, if every fantasy novel I read was written with historically and culturally accurate language, I’d go mad. I don’t speak German any more than I speak Old English. Egad! Not even the people of Shakespeare’s time spoke like Shakespeare.

Imagine if The Lord of the Rings trilogy were written like this:

When Mister Bilbo Baggins of Bag Endeth announc’d that he wouldst shortly be
celebrating his eleventy-first birthday with a party of special
magnificence, thither was much talketh and excitement in Hobbiton.

Or like this:

Hwanne Dryhten Bilbo Baggins of Faetels Ende abeodan se he dulmúnus aer gebréfan beon he endleofan-fyrest ongean a gebéorscipe fram déore, þider beon fela acwepan end onwæcenness in Hobbiton.

Not so bad in Shakespeare’s tongue, but how enjoyable would the reading be in Old English?

It’s a common misconception that all fantasy is based upon medieval Europe, and everyone talks like they’re in a Shakespeare play.

One reason I call shenanigans on this misconception is that when the day is done, it’s fantasy. It’s up to the author to build a believable world however they wish. That’s not to say that linguistics doesn’t play a crucial role in world building, but as the author, you have some wiggle room in how you develop your world or universe.

bookcover_abIn my fantasy novel, Amaskan’s Blood, the world of Boahim consists of twelve kingdoms. Each one has their own culture that I built from a mixture of Earth cultures. But at its core, Boahim is a fantasy world that doesn’t exist on planet Earth and never did. I can set their scientific advances to be comparable to Middle Ages France, and yet, use magic to control indoor plumbing if I wish.

But what about linguistics? More specifically, word choice? If a kingdom is based on Renaissance France, must I write the novel in Old French? Tolkien certainly didn’t, and he was a linguistics master.

Yet Linguistics is more than word choice. It’s phonetics, morphology, syntax, semantics, pragmatics, and the order of parts of speech. (You can read more on each of these here.) These are all elements an author must consider as they write a story in a fantasy world.

Rather than dealing with absolutes, writers should consider linguistics as an essential piece of world building. You would no more have a character in Renaissance France talking about gigabytes or than you would a scullery maid speak with a refined and educated diction.

So how do we find balance with our linguistics?

  1. Your language must be believable. It should fit the time period and culture of the society, unless it has a strong reason not to do so.
  2. Don’t overdo it with newly invented words. If I need a glossary at the end of the book to translate all your made up words, I’ll be sucked out of my enjoyment to do “homework.” Harry Harrison’s West of Eden comes to mind. I made it twenty pages in before the chore of translation drove me to toss the book in the “donate” bin.
  3. Don’t overdo dialects. Dialects are also indications of language and cultural status, and should be used sparingly. If over used, it can fatigue the reader. (You can read more about dialect here.)

While Tolkien sprinkled bits of Sindarin, Khuzdul, and the Black Speech throughout his trilogy, he did so sparingly enough that it became flavor text””enrichment to his world building rather than a stopping block for the reader. That should be the author’s goal as well””enrichment.

While revising my fantasy novel, I kept a running list of terms that felt modern or out of place as I reread the novel. Then I used the Online Etymology Dictionary to look up the offending words. (There were over 300 of them, but it was well worth looking them up to ensure a good reading experience.)

For example, the word faux pas, French for false-step, dates back to 1670. In Boahim, one kingdom’s culture is heavily influenced by Renaissance France. It made sense in my timeline and culture for the word faux pas to exist. All that was left was double-checking whether a particular character would know and use the word. Word choice is as much a part of who your character is as the culture in which they belong.

If the time period or culture had been wrong””say from the 1800’s””it’s my job then to research why/how the word came about. I would have to make the ultimate choice on whether that word fit into the world I’ve established and the character using it.

Ultimately, it is up to the writer to build their world and decide what the characters would and would not know. Do your homework with your world building, and we’ll gladly follow the characters on their journey.

Bio: Raven Oak is the author of the bestselling fantasy novel, Amaskan’s Blood, and the upcoming sci-fi novels, Class-M Exile and The Silent Frontier. She spent most of her K-12 education doodling stories and 500 page monstrosities that are forever locked away in a filing cabinet.

She lives in Seattle, WA with her husband, and their three kitties who enjoy lounging across the keyboard when writing deadlines approach.

For more information and excerpts, visit http://www.ravenoak.net

Raven can also be found on the following sites:
Twitter: @raven_oak
Facebook: http://facebook.com/authorroak
Goodreads: https://www.goodreads.com/raven_oak
Google+: https://www.google.com/+RavenOak
YouTube: https://www.youtube.com/user/kaonevar/

Want to write your own guest post? Here’s the guidelines.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

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