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Guest Post: Finding Your Heroes and Yourself by Elle E. Ire

Threadbare, the first novel in my Storm Fronts series, gets a mass market edition and hits physical bookstores this month. It’s the realization of a lifelong dream, to see my work on an actual shelf in an actual store, to pull it from the others and turn it face out so everyone can see this thing I’ve created. Every time I walk into a Books-A-Million or a Barnes & Noble or some wonderful independent bookseller, I’ve imagined being able to point at a novel’s spine with my own name on it and say, “Look at this! I made this! I’m the person whose name is on this cover!”

And with this moment fast approaching, I’ve been doing a lot of thinking about the influences on my work and how Threadbare and the other novels in the series came to be, and specifically all the pieces and parts that went into the protagonist, Vick Corren. Vick is a lot of kickass and a lot of emotional hot mess with some identity crises and self-esteem issues thrown in for good measure. Add in her bisexuality and there weren’t a lot of characters I could draw from as templates, at least not when I was growing up.

I’m dating myself, but when I was a preteen and teenager, finding strong female role models was a challenge, and finding ones who weren’t heterosexual much more so. There were competent, intelligent, accomplished women on TV, but they generally weren’t the leads. So the rare shows like The Bionic Woman and Wonder Woman were eye-opening. And when Princess Leia snatched the blaster away from Han Solo during her own rescue and got all of them out of that Death Star corridor by blowing a hole in the trash chute and demanding that Han get inside, well, I knew I wanted to write women just like that””women who could rescue themselves, with some help on occasion, but still, women who acted rather than reacted, women who didn’t sit around helplessly awaiting the hero but rather women who were the heroes.

This was where my character, Vick Corren, got her roots. If you read Threadbare you will absolutely see the influence of Jamie Sommers and Leia Organa. Vick has an AI in her head, a sentient computer that makes her stronger, faster, and a lot more resourceful than the average human, much like Sommers’s bionics. But she’s also got Leia’s attitude. Don’t mess with Vick. She’s definitely no-nonsense.

However, I also wanted her to have a softer side. It’s important to me that my characters not seem too impervious, too perfect, too invulnerable. Vick might look like she has it all together when she’s on a mission for her organization of mercenary soldiers, but when the battle ends, when the action stops, when she starts having feelings for someone beyond friendship, she’s just as insecure and confused as anyone heading into their first real romance.

Who could I draw from for those character traits? Well, Leia again, for one. Her resistance to (and inevitable falling for) Han Solo are still some of my favorite scenes to watch over and over again. Battlestar Galactica had some wonderful episodes in which Athena and Cassiopeia put Starbuck in his place. (Yes, his. The original Starbuck was male””dating myself again.) And much like Leia, Colonel Wilma Deering of Buck Rogers fame was another great character displaying both professional competence and romantic insecurity, especially when it came to her relationship with Buck.

Not to say all my influences were from television and film. I was an avid reader from a very young age, and it didn’t take me long to gravitate to the female protagonists of books by Anne McCaffrey, Elizabeth Moon, and Tanya Huff, to name my favorites. These amazing authors showed me how to write characters who could be both strong and sensitive, not necessarily at the exact same time, but at just the right moments, with a balance of each.

And yet, Vick Corren still felt to me as if something was off.

I wrote an entire novel for her, Assassin’s Nightmare. It earned me my first agent representation, but don’t go looking for it in bookstores. It never sold. And I firmly believe the reason for this is that the character was trying to not only tell me something about herself, but teach me about my self as well. Vick Corren is bisexual. So am I.

It took me way too long to figure that out about both of us, but once I did, things really took off. I set Vick aside for a while and wrote my first published novel, Vicious Circle, featuring a bisexual female protagonist. By now, I’d discovered Xena: Warrior Princess, and that was a game changer. Here at last was a character who was obviously bisexual, whether the network executives wanted to state it openly or not. Here was a character with significant flaws striving to redeem herself and admit to herself that she was worthy of love. If you read Vicious Circle or Threadbare, you will definitely see that influence in both main characters. We even marketed Vicious Circle as “Xena: Warrior Princess in space with the subtext as the main text.”

Shortly thereafter, another major influence, author J.A. Pitts, and his Sarah Jane Beauhall series beginning with Black Blade Blues proved that a lesbian blacksmith protagonist for a series could sell to a major New York publisher. (There were probably others, but that’s the one I was aware of in 2010. Got recommendations for me to read? I’m all ears. Toss them in the comments!) With that discovery, I was ready to give Vick Corren another chance, and another novel””Threadbare. No, I didn’t crack New York publishing, but it’s out there in the world, one more book for women who share my orientation and interests to find themselves in, one more role model proving that women can lead adventures of their own.

Final thoughts? Whatever it is you want to write, write it. Listen to your heart. If you write from there, the emotions will come across on the page, and your writing will find its market. Keep hunting until you find your role models. Learn from those who have come before you, the ones who make you feel. And finally, if you can’t find what you’re looking for on bookstore shelves… go create it, so that your work will be there for the next reader who feels just like you.


Bio: Elle Ire writes science fiction novels featuring kick-ass women who fall in love with each other. Her first novel, VICIOUS CIRCLE, released from Torquere Press in November, 2015, and was rereleased in January, 2020, by DSP Publications. Her second novel, THREADBARE, the first in the STORM FRONTS series, was released in August, 2019, by DSP Publications followed by the sequels PATCHWORK and WOVEN in 2020. Her work is represented by Naomi Davis at the Bookends Literary Agency.

Chat with her on Twitter: https://twitter.com/ElleEIre or Facebook: https://www.facebook.com/ElleE.IreAuthor/

Learn more at her website: http://www.elleire.com.


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

This was a guest blog post.
Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
  • A recipe or description of a meal from your upcoming book
  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
  • Women, PoC, LGBT, or other wise disadvantaged creators in the history of gaming, ranging from very early times up to the present day.
  • F&SF volunteer efforts you work with

Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

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Guest Post from Karen Heuler: Let's Be Brutally Honest Here

Photograph of Karen HeulerSo, how many people have you killed?

I mean, characters.

And how long have you been doing it?

I have to confess: It was hard for me to kill my first character, but after that it got easier. I actually stopped noticing how many there were or who they were.

I occasionally killed a major character, at the end, but even before I got to the end it was possible for me to kill minor characters as if they were placemats. I even people killed people I wanted readers to love. If it bumped up the plot, I was all for it.

And then I suddenly realized that I had gotten used to killing characters. I was killing them without remorse.

How many, I wondered, had I killed?

Ah. I didn’t want to go back and count. It was like going back and counting calories after an expensive dinner out. Why ruin it?

More than ten? Of course. Hundreds? Possible. Thousands?

Well, actually, even more than that. Like a great many writers these days, I’d killed off a proportion of the planet for an apocalypse that caught my fancy. It was a particularly lovely apocalypse. It would make a wonderful, visual, stunning movie. Not your usual, squishy, guns and guts and screams and hands-smashing-through-glass kind of movie, either. A grand and glorious apocalypse with lots of people dying in a very artistic way.

See? Even now I’m proud of it.

I remember being outraged by how easily Orson Scott Card got Ender to destroy a whole civilization and then absolved him of responsibility. Nope. Own up, Ender! Responsibility exists!

And yet.

And yet, I kill people.

How long will it go on? Will I ever grow tired of it? Will I switch to stories where no one dies; where, in fact, people fall in love and have babies? They could be strange new babies; I could, conceivably, do that.

Because even though I feel no guilt, I feel that I should feel guilt. It somehow isn’t right to say these weren’t really people and I didn’t “really” kill them.

Besides, I’m sure that the idea of killing is not a slippery slope. It isn’t, is it?

Just because I can write about it so easily doesn’t mean I’d ever actually do it, right?

Right?

Bio: Karen Heuler‘s stories appear in literary, fantasy, and science fiction magazines regularly. Her 2014 novel, Glorious Plague, was about a strangely beautiful apocalypse, and her second story collection, The Inner City, was chosen as one of the best books of 2013 by Publishers Weekly. She lives in New York City, where murder never happens and rents are extremely low.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

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Guest Post: Juliet Kemp On Writing as Play

Book with balloons and the words "Writing as Play"I admit to being a sucker for the Ticky Box. Which is to say, I am perhaps excessively motivated by having Lists and Ticking Things Off Them. I like setting goals for myself, and I’m good at breaking those goals down into smaller steps, rewarding myself for them, all that sort of self-management stuff. I’m keen to write, to write more, to write better; so I use my goals to manage all those things. And as far as it goes (and for as long as it works), that’s great.

The trouble is that sometimes all those lists and goals instead get me stuck in fear: fear of not meeting the goals, fear of not improving “˜enough’, fear of not writing the book of my glorious imaginings. (Spoiler: I am never going to write “˜the book of my glorious imaginings’, because my glorious imaginings are a cloud of inchoate vibes, not a collection of real actual words, and a book is a collection of real actual words, not a cloud of inchoate vibes. The best I can do is to approximate it.)

Fear is not good for creativity.

Play, and freedom: those are good for creativity.

So I’ve been working, lately, on freeing myself (somewhat) from the tyranny of the Ticky List and the goals and all of that, and to find ways to engage in writing as play. For me, this still has to go along with a certain amount of structure ““ “˜pissing around on the interwebs for the morning’ is also bad news at least for my creativity (I know people who get inspiration that way, which is awesome; I just get my brain jammed up with everyone else’s thoughts). But it’s structure of the “˜put the internet down’ variety, not structure of the “˜achieve this, that, and the next thing’ variety.

So, here’s some of the things I’ve been trying lately to get my brain playing instead of freaking out. I can’t imagine they’ll all work for everyone, or every time, but hopefully they’ll spark further ideas to go along with them.

Alright, the first one is a bit of a cheat as it isn’t exactly “˜play’, but for me, morning pages or something along those lines (a stream of consciousness onto the page for 5 minutes or 15 minutes or 3 pages or whatever is feasible for you) does a great job of freeing up my brain before I start anything.

Multi-coloured pens! I have a lot of fountain pens with a lot of different inks (not to mention a pack of glitter pens); writing a line in each different colour is ridiculous and time-consuming; and looks REALLY PRETTY and makes me laugh. Win.

Try spending a few minutes before you pick up pen or keyboard on something creative that isn’t writing: drawing, colouring-in, knitting or crochet, whatever. Bonus points for being really bad at it. (Drawing, I can confirm, is most certainly not my strong point.) Embrace being bad at it, and lower the stakes for your creative brain.

I recently received the Story Engine deck, and I’ve been loosening up by pulling a set of cards as a prompt, then writing a paragraph story outline (taking no more than five minutes, and without stressing about how well it works) for each one. The idea isn’t to come up with Your Next Story, the idea is to let the idea-muscles have a bit of unweighted fun.

Try five minute writing challenges: challenge yourself to describe the scene outside (or the passer-by, or the coffee shop) with only concrete nouns (or abstract, which is trickier); or describe a colour without using any colour words; or describe your current situation as if you were in an epic fantasy or a hard SF story; or anything else that feels entertaining. I find that especially with that last one, it pays to remind myself that no one will ever read this, and throw myself into it as thoroughly and dramatically as possible.

Get one of your characters (or someone else’s, if you don’t have an active project or am super stuck on the active project) going on a good dramatic internal monologue. Personally I do rather love a good internal monologue, but often at the edit stage have to administer some cuts. This, however, isn’t the edit stage. This is a time to hang out in a character’s head and be really OTT and self-indulgent. A bit like morning pages, but for someone else’s consciousness.

Make a list of your favourite tropes and do five minutes of your characters (or, again, someone else’s) using each of them. This can be super sketchy / outline-y; I usually start off with bullet points, then get some dialogue popping up, then a bit of description, and sometimes it turns into a “˜real scene’ as I go. But it doesn’t matter if that happens or not; the point is to let yourself go on something purely enjoyable.

Write fanfic, of your own stuff or of someone else’s, as you prefer. (Writing fanfic of your own stuff can be surprisingly enjoyable.) Again, this is about being wildly self-indulgent. Lean hard into your favourite tropes, AU settings, vibes, anything like that. Keep it brief and sketchy; or get stuck into masses of dialogue and detailed description; do whatever feels like fun in the moment. This really is just for you.

In a similar line, you can dive into writing only the bits of your current project that really call to your id, without worrying about creating a Proper Scene or whether it needs any connective tissue. If you do need connective tissue, you can sort that out later. Maybe you won’t need it!

If you’ve got any further ideas for writing as play, share them in the comments! This whole thing is, after all, supposed to be fun. At least some of the time. Embrace the play.


BIO: Juliet Kemp (they/them) is a queer, non-binary, writer. They live in London by the river, with their partners, kid, and dog. Their most recent book, The City Revealed, the final book in the Marek Series, is out now; and their short fiction has appeared in venues including Analog, Uncanny, and Cast of Wonders. When not writing or
child-wrangling, Juliet knits, indulges their fountain pen habit, and tries to fit an ever-increasing number of plants into a microscopic back garden. They can be found at https://julietkemp.com, on Twitter as @julietk, or on Mastodon as @juliet@zirk.us


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

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