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Guest Post: Historical Fiction Requires Research: Including Pop Culture! by Elizabeth Guizzetti

Thank you for having me today!

I love writing about vampires because of the historical research. One question I always ask when doing this research is: what would someone of that era know?

My latest novel, Accident Among Vampires (Or What Would Dracula Do?) is set in 1951-52. The protagonist is Norma Mae Rollins, a 14-year-old girl who is learning to survive as a vampire. Before she was transformed, she spent many Saturday afternoons and evenings in her small hometown theater.

Going to the movies was a different experience than it is today. The movie started with not just trailers, but also newsreels, cartoons.

The movie palaces of this era often showed first run movies, but small theaters often showed older movies. Some B films were made to be the less publicized of a double feature, but before television, cable, and streaming services, movie studios sold second run movies to drive-ins and smaller theaters in bundles who played them as double features or as the B showing with a newer film. This is why Norma would have likely seen movies such as Dracula, 1931 though she wasn’t born until 1938.

I also used these films to ensure my speech patterns felt correct as I used a few archaic words in dialogue: may’ve, shall, and shan’t. Norma doesn’t call adults by their given names without permission. Other than close relations, Norma calls adults: ma’am, Madame/Lady, sir, Sir, or honored ancients/one. She calls her creator Mr. Caruso, until he said “Call me Bill or even Dad”¦”

I will offer a warning: modern audiences delving into classic American theater will find plenty of cringe-worthy moments. For most of these films, the Hayes Code was in effect. A woman’s innocence was generally their ticket to life; conniving women were killed. In Dracula’s Daughter, the love interest (human) talks about shooting women as a joke. Son of Dracula has racist depictions of minorities: Black and Roma characters. You will, and should be, offended by certain spoken lines or things you see in these old movies.

This list is not by any means extensive, I watched close to a hundred movies for this book alone, but this list is the vampire-specific films I watched to prepare me to know what Norma knows about vampires in 1951. She thinks about what hurt (and didn’t) the vampires from films and books constantly. She asks adult vampires about scenes in many of these films. And she pretends to be Bill’s “sweet” daughter because as I said, sweet innocent women survive.

This list is in order of release. There are actors you will see again and again: Bela Lugosi, Lionel Atwell, Lon Chaney, as many of them were typecast into these roles.

Dracula, 1931, Universal Pictures (PRECODE)

This is the one with Bela Lugosi in the title role that everyone knows, loves, parodies, and quotes.

My Thoughts:

The first act follows the book, then it tells its own story with many of the book’s characters. If you haven’t seen it, it is a classic piece of cinema.

Helen Chandler plays lovely and sweet Mina but her near transformation scene when she wants take a bite out of Jonathan make the movie worth watching.

Dwight Frye as Renfield is the closest to the book character: always escaping his cell and very strong.

The Vampire Bat, 1933, Majestic (PRECODE)

Villagers start dying of blood loss and town leaders suspect a resurgence of vampirism.

Dr. von Niemann (Lionel Atwell) cares for the victims. He learns a patient, a kindhearted woman, Martha, was attacked by a bat. Another villager, Herman Glieb, claims he likes bats.  Soon the village thinks Herman is a vampire.

My Thoughts:

This movie felt original and fun. It is definitely worth watching. It is a mystery and a horror film. Plus there is a scientist.

The portrayal of women is straight out of Gothic Tropes 101. Fay Wray plays the good and clever ingenue, but there is also the foolish middle-aged hypochondriac, the kind-hearted villager, etc.

Finally, the expressions, general strait-laced manner, and mustache of the police inspector directly inspired the vampire Derrik Miller in my novel.

Mark of the Vampire, 1935, MGM

After a nobleman dies, his daughter is seemingly threatened by vampires and no one know if there is a connection.

My Thoughts: I enjoyed this movie, but as it is a murder mystery, I do not want to say too much.

Bela Lugosi plays a side-role of meta-vampire, Count Mora. Carol Borland plays another vampire, Luna, who draws your eye whenever she is on screen.

Many people hate the ending, because it was held together by a trope which was old-fashioned in 1935.

Dracula’s Daughter, 1936, Universal Pictures

A reluctant vampire, Countess Countess Marya Zaleska, believes that by destroying Dracula’s body, after his death, she will be freed of her vampirism. This fails, she turns to a psychiatrist and becomes obsessed with him.

My Thoughts:

If you watch any film on this list, please watch this one! This beautifully shot film plays with lights and shadows as if it were a film noir. The characters all feel important, nothing in the sets or onscreen feels wasted.

Gloria Holden plays the Countess Marya Zaleska in a soft but deadly way. A direct sequel to Dracula, 1931, it said to be loosely based off Dracula’s Guest or the title character of Carmilla, but the plot has nothing to do with either story. The Countess’ preferred victims are women (she kills men too), and she is thought to be coded bisexual or lesbian which is the only tie it has to Carmilla.

Son of Dracula, 1943, Universal

Lon Chaney plays Count Alucard/Dracula who marries an American woman named Kay who loves all things morbid. She wants to gain eternal life. She is turned into a vampire when her ex-lover shoots her accidentally, he was aiming for Dracula.  Kay changes in unexpected ways.

My Thoughts:

This is a very good film and well-worth watching, but there are several racist depictions of minorities. One of the best parts about the film is everyone is acting pretty smart. Also it has the first on-camera transformation of a bat to vampire. (Earlier films were done with cutting, this is done with animation.)

In regards to my novel, this is the film which gives Norma daymares after she is transformed as a vampire for two reasons: Kay is the smartest one in the room and will do anything to get what she wants. Sometimes, Norma fears being a “bright girl” for this reason.  Though her death is offscreen, well the idea of it gives Norma daymares.

Dead Men Walk, 1943, PRC

A kindly small-town doctor Lloyd Clayton murdered his evil twin brother, because Elwyn practices the occult. However, Elwyn returns as a vampire and murders the villagers by draining them of their blood and leaves evidence The doctor, his niece, and her fiancé discover that Elwyn still lives.

My Thoughts: PRC is known for low budget B films. While this is an original story, it hits many of the same beats as Dracula especially in regards to the ingenue (Mary Carlisle) and her love interest. The lead dual role played by George Zucco is very campy (especially when he plays Elwyn) so if you enjoy that, you’ll enjoy this one.

House of Frankenstein, 1944, Universal

The first of Universal’s monster mash movies!

Dr. Gustav Niemann played by Boris Karloff escapes from prison along with his hunchback assistant, Daniel. To exact revenge on the man who had put him in prison, Niemann revives Dracula. Dracula, played by John Caradine, seduces Hussmann’s granddaughter-in-law and kills Hussmann.

Niemann causes the poor vampire to perish in the sunlight. Niemann and Daniel move on to the flooded ruins of Castle Frankenstein, where they find the preserved bodies of Frankenstein’s monster (Glenn Strange) and Wolfman/Larry Talbot (Lon Chaney).

My Thoughts:

I enjoyed all the monster mash-type films as did Norma. They are her favorites on this list.

House of Dracula, 1945, Universal

This is the sequel to House of Frankenstein Dr. Franz Edelmann is visited by Dracula and the Wolfman who are trying to cure their vampirism and lycanthropy. John Carradine, Glenn Strange, and Lon Chaney reprise their roles from The House of Frankenstein.

My Thoughts:

The sequel is even more wonderful monster mashup film. It has all the wonderful tropes of the era. There is one thing that always strikes me as unintentionally funny–a very polite mob.

I love this movie and it is also Norma’s favorite on the list. She questions the older vampires about things she witnessed in this movie.

The Return of the Vampire, 1943, Columbia Pictures

Bela Lugosi is a vampire named Armand Tesla who is thwarted over the course of two wars by a doctor, Lady Jane Ainsley, played by Frieda Inescort. Lugosi basically plays the same characterization as Dracula, but due to copyright issues, he is Aramand Tesla.

My Thoughts: 

This is another movie I really enjoyed. Inescort plays an educated doctor who is also a successful, loving mother. Obviously, she is a privileged woman, but it’s always nice to see an educated adult woman, who raised a son on her own, being the smartest one on the screen. Her aging makeup was well-done and restrained.

Other than a few moments of overacting at the first death of Tesla, the werewolf character, Andreas, is another standout. His acting is subtle even through his wolf makeup, and there are so many moments the audience feels for him.

The Vampire’s Ghost, 1945, Republic Pictures

John Abbot plays Webb Fallon, a nightclub owner and occult expert who offers advice on some murders. He falls in love with the ingenue. Loosely based on the 1819 short story “The Vampyre” by John Polidori.

My Thoughts:

The film hits several ingenue threatened by vampire stuff, but I felt this movie was somewhat forgettable and had very little tension. Even when the scene was supposed to be tense.

Abbot and Castello Meet Frankenstein, 1948 Universal Pictures

This is the last vampire Bela Lugosi played, but the first of several films in which the comedy duo, Abbot and Costello, meets classic Universal’s monsters and characters from their films. They and their friends encounter an evil doctor, Dracula, Frankenstein’s monster, and the Wolf Man.

My Thoughts:

The chemistry between Abbot and Costello makes for good comedy, even if the comedy itself isn’t evergreen. The actors who play monsters play their roles straight from their respective films. There is also an uncredited cameo of Vincent Price as the voice of the Invisible Man.


Accident Among Vampires or What Would Dracula Do?

By Elizabeth Guizzetti

Issaquah, Washington, USA, 1951

My name is Norma Mae Rollins. I’m fourteen and an illegal vampire. I miss my mom, but new ghoulish appetites force me to remain with my creator.

Bill didn’t mean to transform me. At least, that’s what he claims. His frightening temper, relentless lies, and morbid scientific experiments makes it hard to know what to believe. However, someone snitched about Bill’s experiments to a nearby coven. Now both of our corpses will burn.

Bill won’t run. He is curious what happens to a vampire after final death. I don’t want to die again. It hurt so much the first time. Bill thinks his vampire boyfriend might shelter me. I must brave an eternal existence with elder vampires and other monsters who don’t think I ought to exist. Oh and figure out who I am allowed to eat.

A vampire’s reality is nothing like the movies.

Available on Kindle and Paperback


BIO: Much to her chagrin, Elizabeth Guizzetti discovered she was not a cyborg and growing up to be an otter would be impractical, so began writing stories at age twelve. Three decades later, Guizzetti is an illustrator and author best known for her demon-poodle based comedy, Out for Souls & Cookies. She is also the creator of Faminelands and Lure and collaborated with authors on several projects including A is for Apex and The Prince of Artemis V. To explore a different aspect of her creativity, she writes science fiction and fantasy. Her debut novel, Other Systems, was a 2015 Finalist for the Canopus Award for excellence in Interstellar Fiction. Her short work has appeared in anthologies such as Wee Folk and The Wise and Beyond the Hedge. She loves vampires and after writing Immortal House, she has written”‹ several other vampire stories in the same universe. Guizzetti lives in Seattle with her husband and two dogs. When not writing or illustrating, she loves hiking and birdwatching.


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

This was a guest blog post.
Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
  • A recipe or description of a meal from your upcoming book
  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
  • Women, PoC, LGBT, or other wise disadvantaged creators in the history of gaming, ranging from very early times up to the present day.
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Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

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Guest Post: Michael R. Underwood on Five Tips for Cultural Worldbuilding Without Building a World Bible

Cover of science fiction novel ARIA by Underwood.Worldbuilding can be an intimidating part of writing science fiction/fantasy, whether it’s an epic fantasy or a distant far-future space opera.

There are many ways focusing on worldbuilding first can go awry, chief among them the possibility that worldbuilding becomes such a focus that the writer never moves on to the writing.

If you want to strike a balance between strong worldbuilding and not getting bogged down, here are some tips from my decade of experience writing novels and degrees in Folklore and Mythology before that.

1) Do I Have to Start with Mythology?

Culture is made out of small pieces and big pieces. And most of the big pieces are made out of small pieces. How people greet one another is a part of power dynamics. Formality, gendered language, social context, and more.

Thinking about everyday life can be a great way to start creating the small pieces that will make up the big piece OR small pieces that reinforce the big ideas you’ve already created. If you have a culture that worships a benevolent sun god, think about how little things in daily life reflects that practice. They’re likely to see the daytime as the time of goodness. Which may mean that breakfast and lunch are framed as more important meals because they’re done under the watchful eye of the sun. Or maybe weddings are always conducted in the morning to represent rebirth alongside the sunrise.

2) How Does the Tale of Prometheus Relate to Greek Conceptions of the Nature of Humanity?

Few cultural elements are created in a vacuum. Folklore about medical practice likely developed alongside folklore about agricultural practice. How are they interconnected? How do the hero legends of the culture reflect its ideas about what heroism means and what important technologies/blessings the culture needed to become who they are?

The Greeks tell the story of Prometheus stealing fire from the gods and giving it to humanity””an essential blessing. But they also tell of Prometheus facing eternal punishment for that theft. What does that say about how the ancient Greeks viewed humanity’s relationship with the gods?

Thinking about what elements of culture should resonate with one another and which elements make sense to be in tension can help develop a world that feels real.

3) How Do Different Forms of Power Intersect?

One of the best pieces of advice about worldbuilding that I can give you is to think about power. Who has power, who doesn’t, how people navigate the systems of power to achieve what they want when they have access to power and especially when they do not.

Cover o BORN TO THE BLADE by Underwood.It makes sense when worldbuilding to think about what groups within a nation or culture have greater access to power and which are excluded from holding or wielding power. And there’s a good chance that not all of the types of power are wielded by the exact same group. So sometimes you’ll have a character that has access to some power but is disempowered along another axis. An influential member of a minority/marginalized religion. A superhuman on the run from the law in a society where superpowers are outlawed. A male anti-imperial freedom fighter in a patriarchal society.

Characters like these can display the tangled, interesting, and scary interconnectedness and tensions between systems of power, and a story can show how these interactions play out in material ways””how people can and cannot navigate through social systems and access to resources (material, social, etc.).

4) Do I Have to Get It Right the First Time?

I think it’s okay for a first draft to be really messy, to include contradictions and continuity errors. Editing is a really good time to put all your worldbuilding affairs in order. It’s possible to bake in a fundamental flaw to a work if you make a big enough mistake in the first draft, but for the textual worldbuilding””names of places, material culture that doesn’t serve as the backbone of the plot, the local festival going on while the characters visit the city””all of that is well within the range of things that can be reconciled and corrected in the editing stages of working on a novel.

5) What Else Can I Do?

When in doubt, set yourself up with more tools before you even begin. Read fiction set in real-world cultures written from an insider’s point of view or from that of a well-researched, respectful outsider. Read histories and books on mythology, folklore, linguistics, architecture, and more. Learn to see the choices made in fictional worldbuilding that would otherwise go unnoticed as “the default.”

The more you grew up with your identity centered by majority culture (in the USA that’s white, Christian, straight, cisgender, middle or upper class, etc.), the more important it is to cast your attention more widely and to escape the default thinking that presents the USA or the UK or other global colonial powers as the protagonists of history.

Another way to put this””if you’re designing an element of worldbuilding, it’s easier to do so when you already know ten different cultures’ analog of that element than if you only know three.

The wider your view of the world and the myriad ways that people live in it, the better-prepared you’ll be to apply that pattern recognition through extrapolation and interpolation with your own work. This is the work of a lifetime, but it’s worth doing, and not just to improve your writing.

Final Notes

As someone who studied world cultures and how to study cultures, I definitely get the impulse to spend a lot of time rounding out a bunch of details and laying a ton of groundwork.

But I’ve found that my desire to write and finish books has pushed me toward less exhaustive prep and more toward improvising in the moment, relying on my training and my judgment, and in the fact that I can come back and make sense of things later if I really need to.

Everyone’s process is different, but if you find yourself wishing you could spend a bit less time on worldbuilding before you start your draft, I hope these tips will be of use.


Author photo of Michael R. Underwood.Bio: Michael R. Underwood is the author of over a dozen books across several series. His latest book is Annihilation Aria. Mike lives in Baltimore with his wife and their dog. He is a co-host on the actual play show Speculate and a guest host on The Skiffy & Fanty Show.

Find him online on his website, Twitter, and Patreon.

Buy Links for Aria:


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

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Guest Post from Karen Heuler: Let's Be Brutally Honest Here

Photograph of Karen HeulerSo, how many people have you killed?

I mean, characters.

And how long have you been doing it?

I have to confess: It was hard for me to kill my first character, but after that it got easier. I actually stopped noticing how many there were or who they were.

I occasionally killed a major character, at the end, but even before I got to the end it was possible for me to kill minor characters as if they were placemats. I even people killed people I wanted readers to love. If it bumped up the plot, I was all for it.

And then I suddenly realized that I had gotten used to killing characters. I was killing them without remorse.

How many, I wondered, had I killed?

Ah. I didn’t want to go back and count. It was like going back and counting calories after an expensive dinner out. Why ruin it?

More than ten? Of course. Hundreds? Possible. Thousands?

Well, actually, even more than that. Like a great many writers these days, I’d killed off a proportion of the planet for an apocalypse that caught my fancy. It was a particularly lovely apocalypse. It would make a wonderful, visual, stunning movie. Not your usual, squishy, guns and guts and screams and hands-smashing-through-glass kind of movie, either. A grand and glorious apocalypse with lots of people dying in a very artistic way.

See? Even now I’m proud of it.

I remember being outraged by how easily Orson Scott Card got Ender to destroy a whole civilization and then absolved him of responsibility. Nope. Own up, Ender! Responsibility exists!

And yet.

And yet, I kill people.

How long will it go on? Will I ever grow tired of it? Will I switch to stories where no one dies; where, in fact, people fall in love and have babies? They could be strange new babies; I could, conceivably, do that.

Because even though I feel no guilt, I feel that I should feel guilt. It somehow isn’t right to say these weren’t really people and I didn’t “really” kill them.

Besides, I’m sure that the idea of killing is not a slippery slope. It isn’t, is it?

Just because I can write about it so easily doesn’t mean I’d ever actually do it, right?

Right?

Bio: Karen Heuler‘s stories appear in literary, fantasy, and science fiction magazines regularly. Her 2014 novel, Glorious Plague, was about a strangely beautiful apocalypse, and her second story collection, The Inner City, was chosen as one of the best books of 2013 by Publishers Weekly. She lives in New York City, where murder never happens and rents are extremely low.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

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