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Guest Post: Juliet Kemp On Writing as Play

Book with balloons and the words "Writing as Play"I admit to being a sucker for the Ticky Box. Which is to say, I am perhaps excessively motivated by having Lists and Ticking Things Off Them. I like setting goals for myself, and I’m good at breaking those goals down into smaller steps, rewarding myself for them, all that sort of self-management stuff. I’m keen to write, to write more, to write better; so I use my goals to manage all those things. And as far as it goes (and for as long as it works), that’s great.

The trouble is that sometimes all those lists and goals instead get me stuck in fear: fear of not meeting the goals, fear of not improving “˜enough’, fear of not writing the book of my glorious imaginings. (Spoiler: I am never going to write “˜the book of my glorious imaginings’, because my glorious imaginings are a cloud of inchoate vibes, not a collection of real actual words, and a book is a collection of real actual words, not a cloud of inchoate vibes. The best I can do is to approximate it.)

Fear is not good for creativity.

Play, and freedom: those are good for creativity.

So I’ve been working, lately, on freeing myself (somewhat) from the tyranny of the Ticky List and the goals and all of that, and to find ways to engage in writing as play. For me, this still has to go along with a certain amount of structure ““ “˜pissing around on the interwebs for the morning’ is also bad news at least for my creativity (I know people who get inspiration that way, which is awesome; I just get my brain jammed up with everyone else’s thoughts). But it’s structure of the “˜put the internet down’ variety, not structure of the “˜achieve this, that, and the next thing’ variety.

So, here’s some of the things I’ve been trying lately to get my brain playing instead of freaking out. I can’t imagine they’ll all work for everyone, or every time, but hopefully they’ll spark further ideas to go along with them.

Alright, the first one is a bit of a cheat as it isn’t exactly “˜play’, but for me, morning pages or something along those lines (a stream of consciousness onto the page for 5 minutes or 15 minutes or 3 pages or whatever is feasible for you) does a great job of freeing up my brain before I start anything.

Multi-coloured pens! I have a lot of fountain pens with a lot of different inks (not to mention a pack of glitter pens); writing a line in each different colour is ridiculous and time-consuming; and looks REALLY PRETTY and makes me laugh. Win.

Try spending a few minutes before you pick up pen or keyboard on something creative that isn’t writing: drawing, colouring-in, knitting or crochet, whatever. Bonus points for being really bad at it. (Drawing, I can confirm, is most certainly not my strong point.) Embrace being bad at it, and lower the stakes for your creative brain.

I recently received the Story Engine deck, and I’ve been loosening up by pulling a set of cards as a prompt, then writing a paragraph story outline (taking no more than five minutes, and without stressing about how well it works) for each one. The idea isn’t to come up with Your Next Story, the idea is to let the idea-muscles have a bit of unweighted fun.

Try five minute writing challenges: challenge yourself to describe the scene outside (or the passer-by, or the coffee shop) with only concrete nouns (or abstract, which is trickier); or describe a colour without using any colour words; or describe your current situation as if you were in an epic fantasy or a hard SF story; or anything else that feels entertaining. I find that especially with that last one, it pays to remind myself that no one will ever read this, and throw myself into it as thoroughly and dramatically as possible.

Get one of your characters (or someone else’s, if you don’t have an active project or am super stuck on the active project) going on a good dramatic internal monologue. Personally I do rather love a good internal monologue, but often at the edit stage have to administer some cuts. This, however, isn’t the edit stage. This is a time to hang out in a character’s head and be really OTT and self-indulgent. A bit like morning pages, but for someone else’s consciousness.

Make a list of your favourite tropes and do five minutes of your characters (or, again, someone else’s) using each of them. This can be super sketchy / outline-y; I usually start off with bullet points, then get some dialogue popping up, then a bit of description, and sometimes it turns into a “˜real scene’ as I go. But it doesn’t matter if that happens or not; the point is to let yourself go on something purely enjoyable.

Write fanfic, of your own stuff or of someone else’s, as you prefer. (Writing fanfic of your own stuff can be surprisingly enjoyable.) Again, this is about being wildly self-indulgent. Lean hard into your favourite tropes, AU settings, vibes, anything like that. Keep it brief and sketchy; or get stuck into masses of dialogue and detailed description; do whatever feels like fun in the moment. This really is just for you.

In a similar line, you can dive into writing only the bits of your current project that really call to your id, without worrying about creating a Proper Scene or whether it needs any connective tissue. If you do need connective tissue, you can sort that out later. Maybe you won’t need it!

If you’ve got any further ideas for writing as play, share them in the comments! This whole thing is, after all, supposed to be fun. At least some of the time. Embrace the play.


BIO: Juliet Kemp (they/them) is a queer, non-binary, writer. They live in London by the river, with their partners, kid, and dog. Their most recent book, The City Revealed, the final book in the Marek Series, is out now; and their short fiction has appeared in venues including Analog, Uncanny, and Cast of Wonders. When not writing or
child-wrangling, Juliet knits, indulges their fountain pen habit, and tries to fit an ever-increasing number of plants into a microscopic back garden. They can be found at https://julietkemp.com, on Twitter as @julietk, or on Mastodon as @juliet@zirk.us


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

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Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
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  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
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Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.

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Guest Post: What Happened to Sabrina?

As I drank my morning coffee and scrolled through Twitter one morning, I stumbled upon a preview for the Chilling Adventures of Sabrina. At first, I didn’t quite realize where it was from. The name sounded familiar, them it hit me! It was a reboot of Sabrina the Teenage Witch. I was instantly intrigued. I thought, if the executive producers of Riverdale worked on it, it must good right?

Sabrina from the Chilling Adventures of Sabrina.
Before I get into talking about the gritty Chilling Adventures of Sabrina, I should start at the roots. Now, I understand comparing a sitcom to a gritty satan loving Netflix original is quite silly, but hear me out.

I am one for originals so let me start with Sabrina the Teenage Witch. Of course I had watched the new version first, but for the sake of old times, I revisited the original. And may I say, it was everything I missed. Hilda and Zelda’s relationship was like every sister’s relationship. They would get on each others nerves but in the end they always looked out for each other. Sabrina was also their pride and joy and would do anything for her!

Hilda, Zelda and Sabrina from Sabrina the Teenage Witch.

Sabrina, in the sitcom, I found to be very brave and thoughtful. The moment she found out she was a witch, she used her magic for her friends and yes, sometimes her uses could be selfish. However, all of her uses of her magic, no matter what it was used for, came from the heart. Especially when it came to Harvey, who as you may know is her soulmate. Despite him being her boyfriend throughout the series, it never stopped Sabrina from pursuing her dream. Sabrina had also always been passionate about her studies and succeeding. This is part of the reason why I have always loved her as a character.

Salem takes the cake though. He is a comedic gift from the Gods. I mean it when I say Salem is the best character on the show. As most of you probably know, Salem is their family cat and has been with Hilda and Zelda for years. Salem is their familiar, but Salem has a backstory which is undeniably hilarious. Salem was originally a witch, but after attempting world domination, he was sentenced to hundreds of years of being a cat. Despite him being a cat, that doesn’t stop him from causing tons of shenanigans throughout the series. This just gives him more character.

Salem from Sabrina the Teenage Witch.

Yes, it may be goofy and yes, it may not be gritty, but it’s lighthearted. Sometimes, you just need a little laugh.

Now that I have clearly state my love for the 90s sitcom, I should state my thoughts on the Chilling Adventures of Sabrina.

Now, in this series being a witch is no surprise for Sabrina unlike in the Sitcom. She has known she was a witch since she was little and in this series, her parents have passed leaving Hilda and Zelda (including her cousin Ambrose, who was not in the sitcom) to take care of her. In the sitcom, Sabrina isn’t allowed contact with her mortal mother or her mother will be turned into a ball of wax. Her father, in the sitcom, was out traveling and working. The way they approached her parents in the Netflix series was just rather bleak.

Salem the cat in the new series, does not talk. He also does not have his awesome backstory not to mention that Sabrina attains Salem by summoning her own familiar. I would have nothing against this way of approaching introducing Salem. In fact, it is more or less that I’m angry that Salem doesn’t talk. He doesn’t bring anything to the table in the new series. Salem, in fact, is hardly shown in the show despite him being very important in the sitcom version.

Salem from Sabrina the Teenage Witch.
You may say that it’s petty of me to be upset about a cat, but Salem is apart of the Spellman family, so to not include him in the new series seems ridiculous to me.

Now, let’s talk about Harvey. This is something that I hold a lot of thoughts on. In the sitcom Harvey is a doof. He’s goofy and somehow never found out that Sabrina was a witch for years. Netflix must’ve upped Harvey’s IQ because he does not skip a beat in the new series. Not to mention the fact that despite Harvey being Sabrina’s boyfriend, he was always sort of a side character.

In the Netflix series, you are introduced to Harvey’s family. Of course, you’ve had some backstory for Harvey in the sitcom. You knew his parents were together, he had sibling and his dad worked as an exterminator. In the Netflix series, Harvey has a brother and a dad, and his dad works in a mine. His dad, in the Netflix series, is rather aggressive and abusive, which was never established in the sitcom.

My final comparison about Harvey comes to his reaction to when he finds out that Sabrina is a witch. In both series Harvey is clearly did not handle Sabrina being a witch very well. In the sitcom Harvey ends up breaking up with Sabrina for a very short moment. Towards the end of the series, Harvey ends up patching up things with Sabrina. In fact, they end up becoming very good friends like they did in the beginning of the sitcom. In the Netflix series, Harvey wants to end all ties with her. He acted like being a witch was the equivalent of being a monster. In fact, even when Sabrina tries to patch things up and help Harvey, he still treats her like a monster.

Harvey and Sabrina from Sabrina the Teenage Witch.

This leaves me to my final thoughts. I would like to end this post talking about how the two series deal with the topic of witches. In the sitcom, they treated witches differently than in the Netflix series. In Sabrina the Teenage Witch, all the witches lived harmoniously. They had their own government, The Witches Council, and lived in what they called the Other Realm. However, some witches chose to live in the mortal realm, which is earth.

In the Chilling Adventures of Sabrina, they use cliche witch backgrounds. They make them seem quite evil when they really are not. Of course I am not saying there aren’t any witch stereotypes in the sitcom. In the sitcom, they have their familiars and also make potions in cauldrons, however, those do not compare to the stereotypes portrayed in the Chilling Adventures of Sabrina. In the Chilling Adventures of Sabrina, they portray witches like every media platform does. This bothered me the most.

From the Chilling Adventures of Sabrina

I love the sitcom because it is not full of stereotypes. It doesn’t make witches out to be Satan loving monsters. Not all witches, in my opinion, are Satan loving monsters. I understand they wanted to make a gritty remake, but what made the sitcom so original to me was how lighthearted it was, even if they did touch up on difficult topics.

The way Netflix portrayed witches to me was something that I’ve seen so many times before. Making witches Satan worshippers is so. . .overused and not at all true. Today, there are people who identify as witches who do not worship Satan. I find the use to having a “dark baptism” and celebrating their “lord Satan” in the Netflix series is stereotyping and frankly, rude.

From the Chilling Adventures of Sabrina
I’m not saying the Netflix series is all bad. There are aspects of the show that are enjoyable. However, it was not my favorite. I found there to be a lot of things I did not enjoy. Not to mention, there are things I would definitely tweak, but overall, the editing was well done and I believe it was well produced. Although, I’d take a goofy talking cat in a silly sitcom any day.

Lou is a writer of rom coms, eater of pizza, lover of 90s boybands and cat enthusiast. You can follow her on Twitter at @aweosmewriter.

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If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

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Guest Post: TJ Kahn Reveals the Unheard of in Fantasy

The Unheard of in Fantasy: Advocacy for the Deaf and Hard-of-Hearing in fantasy and science-fiction

Imagine that you are a huge fantasy or science-fiction fan. You’ve watched every Game of Thrones episode. You own all of the merchandise. You’ve seen the “Lord of the Rings” and “Star Wars” trilogies so often your friends never need to ask what gifts you want for the holidays. Even your cat is named “˜Aragorn’.

Now picture the next big movie you’re excited about is announced. You watch all the actor interviews, cling to every spoiler and hint dropped by the studios, and the week before the premier you have your head shaved to carve your favorite clan symbol into your left temple.

Except when the movie comes out, you can’t watch it. It’s in a foreign language and the only way for you to enjoy it is with a small glass device attached to your chair that keeps slipping. You can watch the words or the action, but not both. At the end of the film all of your friends are going on and on about the wonderful fight scene with the main heroes but all you saw was your subtitles dropping away when someone bumped your chair going to the bathroom and you scrambled to put it back.

Oh sure, you could wait for it to come out dubbed in English, but you’ll have to wait for an entire week. A week of all of your friends ruining the best scenes because they’ve seen it already. Or avoiding all social media and TV because you don’t want to stumble on any spoilers. And when it does come out, you’ve scene all the best scenes already because it’s all people put on your fan sites since opening night.

Now imagine you’re Deaf.

There are two kinds of deafness in the United States: “˜small-d’ deafness and “˜large-D’. “˜Small-d’ deafness is the result of hearing loss. Advancing age, congenital hearing loss, or just too many rock concerts can all cause hearing loss.

Big-Deafness is a culture and history within the United States that communicates with American Sign Language, cherishes Deaf History, and fights for equal access to things like captioning for new movies. Deaf, Hard-of-Hearing, and Children of Deaf Adults can all identify with the Deaf Community, and several more like this author work or live with them as friends or colleagues.

With advances in technology, cellphones and texting have vastly improved the access Deaf people have to everyday conveniences like calling the cable installer or booking a restaurant. FaceTime and video relay enable them to call anywhere and anytime for taxicabs or doctors’ appointments. There is so much access in fact, that places where they cannot have access have become the glaring exception.

Like captioning.

Deaf people buy manga and watch drone races. They buy Millennium Falcon replicas and write Elvish. They roll dice, draw orcs, dream about dragons and buy fantasy novels just the same as every other fan of the genre. The only thing they can’t do is hear.

In cultures defined by their ability to supersede reality, shouldn’t all Fantasy and Science-Fiction be accessible? Shouldn’t conventions be close-captioned and panelists interpreted? Can’t more movies or television series use American Sign Language for their characters like The Dragon Prince show does with their Deaf General Amaya on Netflix? Productions that include Deaf and Hard-of-Hearing actors, even as extras, are still woefully small. Do you really need to hear to dress like a zombie and eat people? Or add shadows to an alien monster’s CGI graphics?

A person’s gender, sexual orientation, ethnicity or social class are not the only obstacles preventing brilliant and invested fans from reaching their ideal careers or childhood heroes. Let all people be Writers. Let them be Artists.

Let them be Dreamers.

Biography: TJ Kahn is an American Sign Language interpreter and retired hospital chaplain living in the San Francisco East Bay. A sci-fi/fantasy enthusiast and a devoted dog parent, he stays active supporting Podcasts and various artists, hoping to become a professional game designer himself someday.

Follow him on Twitter as Theopedes.

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