Guest Post: Juliet Kemp On Writing as Play

Do you like getting high sometimes? Do you like writing? Have you always suspected that these two activities would go really well together but didn’t know how?

Well, here’s how.

I’m going to share my favorite buds to write with and also leave you with some tips on how to find your own favorite.

For the purpose of clarity, assume that you will be consuming dried cannabis flower. If smoking or vaping dried flower is not possible or desirable for you, there will be more near the end about edibles, oils, etc. But for now, continue as though smoking isn’t a problem for you. Not all strains are available in forms besides dried flower. The industry is still young. And still, disappointingly, subject to prohibition laws in some places.

If you’re new to cannabis, it can be hard to know where to begin. Same if you’re new to buying legal weed. In like, a store.

Some of us have spent years consulting little more than a “˜field’ or a ‘dealer‘; neither of whom care whether they’re giving you indica, sativa, or a hybrid.

Broadly speaking: indica gives you a “˜body-high’ and sativa a “˜brain-high’. You might assume that since writing is a creative activity, you’d always be looking for sativa. But don’t sleep on indica. Remember: you will be physically using your body to write your story. We haven’t evolved into a singularity yet.

My preferred strains for a solid, two-hour writing session in the morning or afternoon are all hybrids. My favorite two are Jack Haze and Mac-1.

Jack Haze is more sativa-tending and Mac-1 is more indica-tending. Jack Haze is available from 7 Acres, which is an easy to find brand.

Mac-1 was bred by Capulator’s Cut and is only available to companies that meet their conditions for cultivation. The easiest way to find a store selling Mac-1 in your area is to use Leafly. The Mac-1 I smoke is by Edison.

Both strains provide an uplifting, energetic boost, propelling you through ultra-clear thoughts as though you’re taking the greatest shower you’ve ever had. If your brain is bushed from storming for your WIP, it will suddenly alight with suggestions.

However Mac-1 also has more of the physical effects you might look for in an indica. This can be helpful if one of your writing barriers is anxiety.

The Science is still catching up to the generations of wisdom from the consumers on this, but I believe indica targets more of the body’s CB2 cannabinoid receptors. CB2 receptors are abundant in the gastrointestinal tract.

With indica, the effects on the vagus nerve in our tummies is immediate. And anxiety treats our vagus nerve like a punching bag.

My favorite straight-up anti-anxiety strain is Sensi Star, which is widely available. I’ve had the 7 Acres and Spinach brand Sensi Stars and they’re both great. If I’m having more anxiety than usual, I might sprinkle a bit in with my Jack Haze or Mac-1.

If physical pain is a barrier for you, I recommend a more potent indica such as I.C.C. (aka Ice Cream Cake), or Wappa 49. I also recommend you see a medical professional and look into medical cannabis.

If neither anxiety nor pain are a barrier to you, and you’re someone who would be too easily distracted by, for instance, how good it feels to wiggle your toes right now, you might do better with a sativa. Your CB1 receptors are most abundant in our brains and Cannabis sativa aims right for them. There are literally too many good sativas to recommend. The easiest thing would be just to try them all.

Keep in mind that brainy sativas are more likely to give you paranoia. If you suspect paranoia would be a writing barrier for you, choose a low THC% strain, or a strain with a more balanced ratio of THC:CBD, or avoid sativa altogether.

If you don’t like to smoke but still want to give writing with cannabis a try, edibles and edible oil are a nice way to go. A cheap way to explore this is to buy an indica oil, a sativa oil, a CBD oil, and find a combination that works best for you. The cheapest brand I’ve found anywhere is Soleil.

If you’ve never taken edibles before, you need to approach with caution. Smoking gives you the peak of a high immediately. Whereas with edibles, you will be high for 2-4 hours before you even reach the peak. And you will be stuck at that peak for another couple of hours.

And some effects of a dried flower will be heightened. Indicas will have your skin feeling tingly for longer. And sativa will give you a prolonged change in your perception of time.

For some, 8 hours is too long a time for time not to exist. For me, it’s perfect.

If you find a strain you like in dried flower like but don’t like smoking, and you also perchance enjoy baking, you can get a butter infusion kit. A homemade cookie is actually my favorite way to consume.

Finally, take your time. And don’t be intimidated by all the choices and the jargon. Not all weed jargon is necessary to enjoying weed.

Don’t worry about “˜terpenes’, ‘tasting notes’, or any of that. That’s just pothead stuff. And potheads like me fetishize pot. How it smells or tastes has no bearing on how it makes you feel. Or in any case, the causal links are too acute for beginners””or even some seasoned potheads””to discern.

As a final note, I just want to add that if your area is still under prohibition laws, or if it only recently became legalized, please consider donating to a local marijuana legal defense fund. No one on Earth should be serving a prison term for cannabis.

Derek Nason lives and writes in Saint John, New Brunswick, Canada, where he owns and operates a special care home for men with mental illness. His speculative fiction has appeared in Fusion Fragment, Abyss & Apex, and anthologies by Gehenna & Hinnom and Belanger Books. He can be found on twitter @dereknason.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

Whenever I ask the question “How shall I live?” I always look to literature for the answer. But this time the answer came in a dream.

The dream took place in an auditorium, an old one, like the Century movie theaters in San José: a huge domed room, with plush maroon carpet that matched the seats. Some of the seats held members of my writing group. We were there because our fellow member Anthony Francis was going to read an excerpt from his novel, and I was supposed to introduce him.

I was standing on a wooden stage, behind a podium. This was a writing conference, titled The Real Life of Fiction.

I had notes, but they didn’t help. I babbled. I forgot the title of the novel. I forgot the name of the conference. At one point, through the haze of my stammering incompetence, I saw clearly for a moment: in the front row, a woman with the curly hair and Coke-bottle glasses that could only belong to one of my favorite authors: Oh no, I thought, not only am I messing up, but Connie Willis is seeing it.

The microphone was from the 1930s. Its metallic workings distorted my voice. The audience stared at me. Connie Willis’s glasses stared at me. I kept talking, even though I had forgotten the name of the conference and the title of the novel. Then I remembered to say that Anthony writes like the cinema.

I tried to explain what that meant, and my words made no sense. But I realized that since Anthony was about to read from his novel, I didn’t have to explain. I said, “You’ll see in a minute anyway. I don’t have to tell you.” I stepped down as Anthony stood up. I walked toward the seats as he made his way to the podium, a twin copy of the novel in his hand. He smiled and thanked me as we passed.

I’d done a terrible job, but I was happy, because it was the best I could do.

I’d babbled and stammered, but I’d said what mattered: that the conference was important, and that Anthony writes like the cinema. And that we work together in our writing group. After I sat down, I remembered I was supposed to have said more about the writing group, that someone had told me I should use this opportunity to advertise it. Oh well, I thought, next time.

What is “the real life of fiction”? Here is my answer: I am not content to read fiction or even to write it. I will not be satisfied unless I live it. I want my life to be a story, which means I have to transcend myself and do what matters in the critical moment.

But there is no shortcut, and sometimes you can’t do what maybe you should do, or what you see other people can do. At my writing group, I see Betsy just do things she thinks might work, like run a crowdfunding campaign; I see David just write novel after novel as though he has every right to do it. I even see myself posting videos that I hope no one will watch, but that a year ago I wouldn’t have even dared to record. Sometimes your skills aren’t where you wish they were, sometimes you don’t know the story you’re living, but that is not an excuse to avoid action.

You have to do what you can, because that is the only way ever to be able to do something that matters. The videos I make next year will be better, but only if I make these videos now.

There is a connection here to literature, to mythology, to Orpheus and Odysseus and Leopold Bloom, because we are all just trying to do something that matters, and we can’t do it most of the time. But still, sometimes we can, and that’s the part that all the other times are for. That’s the part that makes our life a story.

What is the real life of fiction? It’s the real life of the times when we can. It’s the times when we can’t, all condensed into a single scene; it’s the maroon carpet seats in the dome theater and the echo of an old microphone. It’s everything you do so that you can do the one thing that matters; it’s the one thing shining and then passing away.

Do what you can, and do it now. The real life of fiction is the real life of real life.

“”An essay from Your Writing Matters: 34 Quick Essays to Get Unstuck and Stay Inspired by Keiko O’Leary

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!