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An Apology to the F&SF Community, and Particularly to Those who Look to Me for Leadership

So let me start out by saying I screwed up, and in a way that I should have known better than to do. The problem is that the Wayward Wormhole intensive writing workshop that I’m hosting is in one way absolutely not up to standard, and that is its lack of accessibility. This is particularly unacceptable given that I have called out inaccessible venues in the past.

I’ve also called out economically inaccessible stuff, and yet this workshop, unlike the other school efforts, does not have guaranteed scholarships in place to help make the workshop cost easier on anyone, although we’ve structured fees to try to fund at least two scholarships this year.

I made this poor choice in part because ““ while this is not an excuse ““ 2022 was the year of the biggest changes of my life (the end of a 20+ year partnership and a cross-country move) and I just let the wheeeeee castle vibe carry me along past any thoughts other than how do I make spending my birthday in a Spanish castle a reality? And when the voices in my head stopped saying that and one in the back nervously raised its hand and said hey what about accessibility, I told myself we’d addressed that by making sure there was a virtual version.

Except now that I’ve thought about it, that’s not enough, because the virtual version lacks some features that the on-location includes. So I apologize to the community for setting a bad example. I apologize to my teachers for having involved them in this ethical lapse. And I apologize, abjectly, to my students for having let them down in this regard.

Given that I have already made a substantial down payment that is nonrefundable and which I can’t afford to lose, what are the material steps I can do to show I understand I fucked up and mean to make it right?

  1. The first is already done. The location we have for next year is fully accessible physically, and that is a requirement for all future locations.
  2. The second is that we will be providing a yearly full scholarship in memory of Vonda N. McIntyre.
  3. The third is that a quarter of my profits from this year’s workshop will be donated to a charity that advances accessibility issues, like the American Association of People with Disabilities. (I want to research the best choice here.)
  4. The fourth is that I have learned from it and, as the friend I was talking to about it put it, gained a point in humility, so I can do better going forward and not let whee castle override the let’s look this over before agreeing notion.

So. There you have it.

Best,
Cat

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Cyber Monday 2025

Cyber Monday Deals

It’s Cyber Monday and so I’ve put together a list of deals! These prices are good through the end of the year, but some items are limited.

  • Class Discounts
  • BOGO deal on Patreon Memberships
  • Editing Services
  • Query Letter Services
  • Coaching Sessions

To keep things interesting, I included images from my early November travels.

Images from a recent trip to Spain, scouting Wayward Wormhole locations. Here’s street art in Valencia.

Class Discounts

Here are the upcoming classes. Book them now and save as follows:

  • $10 off any and all single session classes
  • $25 off any and all three session classes
  • $50 off any and all six session classes

Upcoming by Date:

Classes are held online via Zoom and are recorded for participants. They consist of lecture, discussion, and in-class writing exercises; six session classes include some homework and critiquing fellow students’ stories.

To register for a class or classes, mail me at cat@kittywumpus.net and include the name of the class(es) and how you would prefer to pay (Venmo, Paypal, check, or some other alternative.) If you support me on Patreon, mention that so I know to give you the Patreon price.

If the cost is prohibitive, remember there are full and partial scholarships available for all classes. The Plunkett scholarships are need-based. If you could not otherwise afford the class, but feel it would help you with your writing, you should apply. I particularly urge QUILTBAG and PoC writers to apply; the third slot is specifically reserved for such a candidate, although all three are open to them.

To apply for a scholarship, mail me at cat@kittywumpus.net with the details of which class or classes (up to 3) you wish to attend, 2-3 sentences about why you would like to take it, and whether you are requesting a full or partial scholarship. That’s it. Please include whether or not you’d also like access to the chat server community. You are requested to limit your application to three scholarships total per quarter; it is okay to list alternates.

Here’s more from Valencia, including some plants from the Botanical Gardens there. I never like to miss a garden and this one was both extensive and well-tended.

Buy-One-Get-One Deal on Patreon Memberships

Curious about my writing community, which offers weekly Zoom events, a Discord server, market news, and mutual supporter, and want to check it out with a friend? When you sign up, drop me a note at cat@kittywumpus.net with the name and e-mail address of your friend, and I’ll send them a three month membership at the same level you’ve joined at.

What is Patreon? It’s a platform that allows you to connect with creators. Mine is the Rambo Academy for Wayward Writers, a community for new, emerging, and established fantasy, horror, and science fiction writers focused on craft and encouragement. Weekly and monthly Zoom events and a lively Discord server allow you to connect with awesome fellow writers. Find more details here.

Some street shots from Alicante including an amazing building with a living facade, delicious gelato, and flamingos in the Valencia Aquarium.

Editing Services

I do developmental editing for short stories and novels.  Right now I’m offering a story edit/query letter bundle – 10 for $450, which allows you to buy 9 and get one free  Each edit is good for a story or chapter up to 5k words, a query letter, or a synopsis. Turnaround is 2 weeks. Mail me at cat@kittywumpus.net and I can provide more details. Limited amount.

If you’d like to see some testimonials, here’s a page of them.

Delicious paella from our last night, a menu detail, doorway, and graffiti from Alicante. I should have taken shots of the sangria that became a group favorite; we certainly drank enough of it.

Query Letter Services

I will critique your query letter for $50 for the initial version and $25 for subsequent versions.

Or buy the $100 query letter bundle and get three 30-minute Zoom sessions in which we plan, write, and refine your query letter as well as discuss comps and talk about how to approach agents. Limited amount.

Mail me at cat@kittywumpus.net to set up your appointment in 2026.

One site I always have to visit in Barcelona is La Sagrada Familia, the church designed by Antonio Gaudi, which has been in the process of construction for 100+ years now. The light there is extraordinary; it’s one of the world’s wonders.

Coaching Sessions

I offer coaching sessions, which can be done as one-offs or scheduled meetings. Some clients come for motivation or encouragement on a regular basis while others seek help with a specific project like finishing a novel, planning a book release, or learning how to create a newsletter.

Lock in a monthly 30-minute coaching session (normally $100 per session) be prepaying $1000 for 12 sessions. Mail me at cat@kittywumpus.net to set up your first appointment in 2026.  Limited amount.

Happy Cyber-Monday and remember to support small business owners whenever possible!

peace,

Cat

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Writing Steampunk That's More Than A Glint Of Gears: Resources for Finding the Other In Steampunk and Weird Western

One of my projects this year has been fleshing out the on-demand version of the live class I teach, “Hex Engines & Spell-Slingers: Writing Steampunk and Weird Western.” I recently finished up the project and wanted to share some of the results.

Here’s the sections and the suggested reading lists.

Problematic aspects can — and often do — appear when working with the steampunk genre, primarily because of the typical setting of the Victorian era. One thing you want to remember about the Victorian era is that during this time the British Empire is exactly that – it’s an empire. At this time the British Empire is working to control the territory it already has and expand into the territory it does not yet control. It has a lot of colonies, and many explorers who want to find new lands to add to those colonies. England’s not alone in this. Many of the explorers being sent out are bent on conquering in some way. Coupled with that is the fact that the lands they are entering are in fact not uninhabited, but are often occupied by civilizations older than England’s.

Looking at the history of this time period, brutal stories are told over and over again – there’s a lot of economic oppression and sometimes the removal of legitimate governments. So when you write in this era, you will want to consider issues of colonialism (control of dependent countries) and imperialism (the policy of expanding an empire through the establishment of colonies and conquering other countries). It is important to remember that for many people, especially those who are “othered” in some way, the Victorian era is not a pleasant one. It is an era of tremendous racial discrimination and attempts to legitimize that discrimination in any way possible. One in which white women are struggling to get the right to vote, homosexuality is illegal, and society in general is incredibly repressive to the point where furniture legs are covered to avoid their suggestive nature. You will also want to think about how industrialization affects the poor. London fog for example doesn’t have to with the weather, but rather all the factories that are churning out coal smoke.

Representation and diversity has not been steampunk’s strengths in the past. Today more and more writers are trying to change this and writing steampunk stories featuring characters who are people of color and using them very effectively to confront a lot of these issues.

Supplemental Resources

Essays:

Websites:

Fiction:

When it comes to problematic history, steampunk isn’t alone. Weird Western also has its own issues. Just as Victorian England had an imperialistic approach to the world, the western expansion of the United States into the already inhabited territory of the “Wild West” was accompanied by its fair share of atrocities. Native Americans were displaced and often killed, and their land given to white settlers.

The latter half of the 19th century is marked by the American Indian wars – constant battles, massacres, and overall brutal savagery on the part of the settlers expanding into the frontier. Reading the history of this time period is both intensely saddening and informative as well as something you will want to have a working knowledge of if you are writing Weird Western.

One thing I suggest doing when you are writing Weird Western is to figure out the actual date of the story. Since you are writing alternative history, it may be slightly different, but chances are these wars will be going on unless you have compensated for them in some way. And in turn, those events will be having an influence in the world you are creating.

One of the big issues we have when writing Weird Western and dealing with the Wild West in general is we have an impression that has been supplied by the mainstream media, particularly Hollywood. This version has been incredibly whitewashed compared to historical reality. Despite what we see in movies and television, the first cowboys weren’t early John Wayne prototypes, but actually Hispanic vaqueros, who spread northward from Mexico into the United States (as well as south into Argentina).

Many Hispanic cowboys in the Wild West were ones who chose to remain in the United States at the end of the Mexican-American War in 1848, when the land they were living in, which had previously belonged to Mexico, became the American territory of California. They soon discovered that the citizenship they had been granted didn’t protect their land from white settlers. At the same time laws were passed that were intended to discourage them, such as laws preventing traditional celebrations on Sundays for being “too loud” and other laws known as “greaser laws” which permitted the police to arrest and imprison Mexican Americans on vagrancy charges if they were unemployed.

Something that has been usually overlooked in media depictions of the Wild West was that one in four cowboys were black. In fact, the historical inspiration for the Lone Ranger was a fascinating man named Bass Reeves – a former slave who was a U.S. Marshall for 32 years. In 1860 1/3 of the population of Texas were slaves that had been brought by settlers to Texas to maintain their herds and ranches.

Another group that gets introduced to the American West to serve as labor are the Chinese, who are brought to America and the west not just to work on the railroads, but also in the gold mines. In fact in the latter half of the 19th century, most of the larger towns contained a “Chinatown.” There was a very pronounced gender imbalance in these communities, which contained less than 5% women. Once again, much like the Hispanic population in California, as the Chinese population grew, laws were passed to limit them, such as the Chinese Exclusion Act of 1882, which restricted immigration from China for 10 years.

All sorts of diverse and interesting figures abound in the real life stories of this time period. Some of these are also women passing for men, or else carving out their own space, like Calamity Jane or Belle Starr. When you are writing your Weird Western stories, don’t write just a version of that generic Hollywood vision, but instead use the fact that the Wild West was far more diverse, complex, and interesting to give your writing those qualities as well.

Supplemental Resources

What to check out the full version of the class? You can find it here. Or if you’d prefer the live version, here’s details for that.

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