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An Apology to the F&SF Community, and Particularly to Those who Look to Me for Leadership

So let me start out by saying I screwed up, and in a way that I should have known better than to do. The problem is that the Wayward Wormhole intensive writing workshop that I’m hosting is in one way absolutely not up to standard, and that is its lack of accessibility. This is particularly unacceptable given that I have called out inaccessible venues in the past.

I’ve also called out economically inaccessible stuff, and yet this workshop, unlike the other school efforts, does not have guaranteed scholarships in place to help make the workshop cost easier on anyone, although we’ve structured fees to try to fund at least two scholarships this year.

I made this poor choice in part because ““ while this is not an excuse ““ 2022 was the year of the biggest changes of my life (the end of a 20+ year partnership and a cross-country move) and I just let the wheeeeee castle vibe carry me along past any thoughts other than how do I make spending my birthday in a Spanish castle a reality? And when the voices in my head stopped saying that and one in the back nervously raised its hand and said hey what about accessibility, I told myself we’d addressed that by making sure there was a virtual version.

Except now that I’ve thought about it, that’s not enough, because the virtual version lacks some features that the on-location includes. So I apologize to the community for setting a bad example. I apologize to my teachers for having involved them in this ethical lapse. And I apologize, abjectly, to my students for having let them down in this regard.

Given that I have already made a substantial down payment that is nonrefundable and which I can’t afford to lose, what are the material steps I can do to show I understand I fucked up and mean to make it right?

  1. The first is already done. The location we have for next year is fully accessible physically, and that is a requirement for all future locations.
  2. The second is that we will be providing a yearly full scholarship in memory of Vonda N. McIntyre.
  3. The third is that a quarter of my profits from this year’s workshop will be donated to a charity that advances accessibility issues, like the American Association of People with Disabilities. (I want to research the best choice here.)
  4. The fourth is that I have learned from it and, as the friend I was talking to about it put it, gained a point in humility, so I can do better going forward and not let whee castle override the let’s look this over before agreeing notion.

So. There you have it.

Best,
Cat

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Why Podcast? Reasons For Writers

Picture of Cat Rambo with a dragon on her shoulder
The human associated with this fine dragon is Goldeen Ogawa (http://www.goldeenogawa.com/).
This Sunday, Folly Blaine and I are teaching another podcasting class. Here’s the description:

Podcasting Basics
Podcasts, both audio and video, are an increasingly popular way to reach an audience. In this two hour session, learn what you need to know to record and edit your own podcast, how to promote your podcast, and what equipment and software to use. As Folly Blaine, Christy records and acts as Podcast Manager for Every Day Fiction, and has also recorded podcasts for Beneath Ceaseless Skies, Wily Writers, and This Mutant Life; Cat is the former fiction editor of Fantasy Magazine and has recorded podcasts for Clarkesworld, Beneath Ceaseless Skies, and Fantasy Magazine. Limited enrollment ““ reserve a slot now!
Sunday, 9:30-11:30 AM PST, February 9
$99

Why might you be interested in podcasting and learning to do your own? Here’s a few reasons:

  • It’s a good way to reach a new set of readers. Many of the people who listen to podcasts prefer that to finding your stuff in text form inline. They’ll listen to your story in the car, while exercising, while working, and other places where text isn’t convenient. And they’re always looking for new, good stuff.
  • It’s a great way to polish your reading aloud skills. As a writer you’ll need to do readings. We’ll give you some tips in the class, but the best way to get better at it? Practice.
  • It makes you comprehend your work in a new way. I always read aloud stories as a last step in polishing them. Combine that with recording a podcast and you’re examining your work in order to figure out how it sounds.
  • Last week, my agent told me that authors who record their own books see a significant bump in sales, but that publishing houses don’t like to have them do it, because they’re unsure of the quality. If you can point to previous podcasting experience, you can back up the suggestion that you read your own work and even have samples of what you can do.

When publicizing “Five Ways to Fall in Love on Planet Porcelain,” I made sure it was available in audio form. Did that help earn it a Nebula nomination? I don’t know, but it certainly didn’t hurt.

Enjoy this advice for writers and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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