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An Armload of Fur and Leaves

In the last year or so, I found a genre that hadn’t previously been on my radar, but which I really enjoy: furry fiction. Kyell Gold had put up his novel Black Angel on the SFWA member forums, where members post their fiction so other members have access to it when reading for awards, and I enjoyed it tremendously. The novel, which is part of a trilogy about three friends, each haunted in their own way, showed me the emotional depth furry fiction is capable of and got me hooked. Accordingly, when I started reviewing for Green Man Review, I put out a Twitter call and have been working my way through the offerings from several presses.

Notable among the piles are the multiplicity by T. Kingfisher, aka Ursula Vernon, and two appear in this armload. Clockwork Boys, Clocktaur War Book One (Argyll Productions, 2017) is the promising start to a fantasy trilogy featuring a lovely understated romance between a female forger and a paladin, while Summer in Orcus (Sofawolf Press, cover and interior art by Lauren Henderson) is aimed at younger readers and will undoubtedly become one of those magical books many kids will return to again and again, until Vernon is worshipped by generations and prepared to conquer the world. Honestly, I will read anything Kingfisher/Vernon writes, and highly recommend following her on Twitter, where she is @UrsulaV.

Huntress by Renee Carter Hall (Furplanet), which originally appeared in 2015, and whose title novella was nominated in the 2014 Ursa Major Awards and Cóyotl Awards, is a collection of novella plus several shorter stories. I’d love more in this fascinating and thought-provoking world, particularly following the novella’s heroine, the young lioness Leya, and the sisterhood of the huntresses, the karanja.

Always Gray in Winter by Mark J. Engels (Thurston Howell Publications, October, 2017) demonstrates one of the difficulties with furry fiction, which is the reader’s uncertainty where to site the fact of furry characters, primarily whether to take them as a given or have some underlying science to it, such as bio-modified creatures. Here Pawly is a were-cat, but the unfamiliar reader is forced to spend so much time figuring out whether this is something people take for normal or not that the story sometimes gets confusing, and with multiple POV shifts, the reader keeps having to re-orient themself. It’s tight, sparse military SF that readers familiar with the conventions of the genre will find compelling, entertaining, and quickly paced; newer readers may find themselves floundering a bit.

The Furry Future, edited by Fred Patten (Furplanet, 2015) is a solid and entertaining anthology that showcases how widely ranging the stories that use the rationale behind the existence of anthropomorphic beings as part of the narrative can be. Authors in the collection include Michael H. Payne, Watts Martin, J. F. R. Coates, Nathanael Gass, Samuel C. Conway, Bryan Feir, Yannarra Cheena, MikasiWolf, Tony Greyfox, Alice “Huskyteer” Dryden, NightEyes DaySpring, Ocean Tigrox, Mary E. Lowd, Dwale, M. C. A. Hogarth, T. S. McNally, Ronald W. Klemp, Fred Patten, and David Hopkins with illustrations by Roz Gibson and cover art by Teagan Gavet. This book is one that scholars writing about furry fiction will want to be including on their reading lists for reasons including its focus, its authors, the snapshot of the current furry fiction scene that it provides, and the variety of approaches to anthropomorphic body modification.

Along with the furry fiction, I wanted to point to an indie humorous horror collection that is one of the most specifically themed I have yet encountered, Ill Met by Moonlight by Gretchen Rix (Rix Cafe Texican, 2016), which features evil macadamia nut trees, including “Macadamias on the Move,” “Ill Met by Moonlight,” and “The Santa Tree” in a lovely sample of how idiosyncratic a sub-sub-niche can get. The production values of this slim little book show what a nice job an indie can do with a book and include a black and white illustration for each story.

You can read this review at http://thegreenmanreview.com/books/armload-of-fur-and-leaves/

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Media Consumed in August

I had plenty of travel time in August, so yay for reading. My primary focus this month was to read as many of the Dragon Award nominees as I could before voting, but there were a number I just didn’t get to or did not finish. I had read some before, luckily, and am particularly pulling for D.B. Butler’s Witchy Eye, which I loved.

Works that are bolded are ones I found particularly outstanding or otherwise remarkable and would recommend.


Robert Aickman, Cold Hand in Mine
Peter S. Beagle: Summerlong

Betsy Cornwall: Mechanica. I wanted to like steampunk Cinderella, but it didn’t feel very new.
Nathan Crowder: Ride Like the Devil (lots of fun for fellow Seattleites)
Pippa DaCosta, The Heartstone Thief
Robert Dugoni: The Trapped Girl (could have done without the complaints about the various restrictions the legal system places on police officers)
Patrick Edwards: Space Tripping
A.W. Exley: Ella the Slayer (I really did not expect to like Cinderella + zombies).
Kate Elliott: Court of Fives, The Poisoned Blade
Ruthanna Emrys: Winter Tide. If you like Lovecraft novels, you need this one.
Carrie Fisher: The Princess Diarist
Eric Flint: 1636: The Ottoman Onslaught
Amy S. Foster: The Rift Uprising
Theodora Goss: The Strange Case of the Alchemist’s Daughter FABULOUS and is the 19th century equivalent of Cat Valente’s The Refrigerator Monologues)
Brian Guthrie: Rise
Renee Carter Hall: Huntress (loved this, but book is structured in a frustrating way)
Elizabeth Hand: Aestival Tide, Icarus Ascending
Faith Hunter: Blood of the Earth
Shirley Jackson: Let Me Tell You: New Stories, Essays, and Other Writings. Not enough writing on craft, but what there is, is solid.
Dennis Lehane: Prayers for Rain
Alison Littlewood, The Hidden People
Gabrielle Matheiu: The Falcon Flies Alone. Modern melodrama that pulls from all over the place in a way that is unexpected.
Robert McCammon: Gone South. McCammon is the frickin’ BEST at this sort of novel. Delicious.
Brian Niemeier, The Secret Kings
Richard Paonelli: Escaping Infinity
Lucian Randolph: The God in the Clear Rock (has my vote for most attention paid to a point of view character’s breasts in a book)
Delia Sherman: The Porcelain Dove (very pretty, but the structure makes it feel as though the book evaporates away just as you hit the end)
Shayne Silvers: Beast Masters
Dale Ivan Smith: Empowered: Agent
Safari Spell: Long Live Dead Reckless
Arkadi and Boris Strugatski: The Dead Mountaineer’s Inn
Anne Tyler: A Spool of Blue Thread
R.R. Virdi: Dangerous Ways
Martha Wells: The Edge of the World

Stuff I’m Watching: Big Brother (yes that’s my guilty pleasure and I don’t know which I loathe more, Josh or Paul), The Defenders, Orphan Black Season 5, Rick and Morty. Watched BRILLO BOX (3¢ OFF), which was an intriguing documentary if you have any interest in Warhol. Also Extraordinary: The Stan Romanek Story, which I thought was pretty silly.

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On Writing: Can You Do It Wrong?

Picture of a page of writing
Your motives do not matter. Your method does not matter. What matters is that you are writing.
Are you putting words on the page? Then you are doing it right.

You may not be creating publishable words. You may not be creating amazing words. You may not be creating words you like. But by creating words, you are doing something actual, tangible, verifiable. And that puts you ahead of all the people who aren’t writing.

Someone once said to me at a party, “I would write, but I need to conquer some inner demons first.” And honestly — in my opinion, that’s bullshit unless he was talking about the inner demon of procrastination and not just being a pretentious jackass. Because, come on – who says that kind of thing and takes themself seriously?

Writers just fucking write.

Do you need to send stuff out? Do you need to polish what you’ve produced? Do you need to promote your writing? Yes, and yes, and yes, but all of those things are dependent on having written.

Let me reiterate this, because it’s important. Writing always comes first.

When I teach, we do a lot of writing exercises. And I hear people say, just before they read what they’ve produced, “I’m not sure I did this right.” And then they go on and read me something wonderful. Maybe it’s not exactly what I was envisioning when I came up with the exercise. Maybe they’ve turned the exercise on its head and done something completely different. But that’s okay. The only way they could do the exercise wrong, in my opinion, is to not do it.

I have seen stories workshopped that were…sometimes difficult to say much about. Some are seared on my memory; others kept me up at night trying to figure out what to say. Some were politically a bit problematic. But you know what? At least they got written.

If you are writing, you are being a writer. If you keep at it — and think about writing and getting better — you will get better. There are things you can do that will help you get better faster, but all of them depend on…well, you should know what I’m going to say here by now….writing.

If it’s fear of getting it wrong that’s stopping you, then knock it off. Here’s the reassurance you need. You cannot do it wrong.

Now go write some words.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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