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Teaser: More from Laurel Finch

Illustration to accompany steampunk snippet by speculative fiction writer Cat Rambo
Interested in learning how to get opportunities to interview writers and publish the results as well as has to conduct yourself in an interview? I've got a one hour class coming up on just that, on February 19, 7-8 PM PST.
This is the steampunk world (Altered America) I’ve been writing in lately, and I’m pleased to say Beneath Ceaseless Skies just took another of the stories set in it, “So Little Comfort.” The title of this story is “Laurel Finch, Laurel Finch, Where Do You Wander?”

She was awake. She jolted upright, disturbing Laurel, who said something drowsily. Jemina stroked her hair with her right hand, settled the child back into her lap. Her heart still hammered uncomfortably.

She looked out the window into the darkness and could see only the reflection of the car’s interior for a moment. Then as her eyes picked out detail, she saw the stars hanging far overhead, the blaze of the Milky Way, a curdle of starlight spilling over the plains that rolled out as far as the eye could see.

Chuggadrum, chuggadrum, the sound of the wheels underfoot, the everpresent vibration working its way through her body as they hurtled through the night towards Seattle.

They’d promised her a laboratory of her own. A budget. Assistants.

Things she could do without interference. That was worth a lot, for a woman in a field that held so few other of her sex.

“I have nightmares sometimes too,” Laurel said.

Jemina’s hand sleeked over the curve of Laurel’s skull, cloth sliding over glossy hair.
“We all do.”

“What are yours about?”

“The war. What about yours?”

Laurel lay silent so long that Jemina thought she had gone back to sleep. But finally she said, “How my parents died.”

Jemina’s fingers stilled as though frozen. She waited.

“We were in the house and they came,” Laurel said. “My uncle said they were supposed to stay on the battlefield and no one knew they went the wrong way.”

Her voice was subdued, thoughtful.

“It would have been all right, but papa heard them at the door and he went and opened it. That was how they got in.”

Jemina saw in her mind’s eye, despite her attempt to force it away, the scene: the man mowed down, devoured with that frightening completeness that zombies had, before they moved on to the rest of the house…

“How did you get away?” she asked.

“I jumped out the window and ran away. I tried to get my brother first, but it was too late, so I ran.”

“Your brother?”

“He was just a baby. He couldn’t run.” Laurel moved her head in slow negation. “Too late.”

Jemina closed her eyes, feeling the story wrenching at her heart.

These things happened in war. They were sad, yes, but unavoidable.

The wheels screeched as the train unexpectedly slowed. Both of them sat up to look out the window.

“Whose are those men?” Laurel asked.

“I don’t know.” But she suspected the worst, given the fact that the group had their bandanas tugged up around their faces, that many had pistols or Springfield rifles in their hands.

“They’re bandits!” Laurel’s voice was excited.

“Yes,” Jemina admitted.

They waited. Around them, everyone was abuzz, but stayed in their seats.

The front door of the car swung open and two men entered, both holding pistols, red cloth masking everything except their eyes. Both were hatless, their stringy hair matted with dust and sweat.

“We’re looking for a fellow name of J. Iarainn,” one called to the car at large. “You here, Mr. Iarainn? If not, I’m going to start shooting people one by one, cause according to the manifest, you’re in this car.”

Jeminia held up a hand. “I am Jemina Iarainn.”

Her gender astonished them. They squinted at her before exchanging glances.

“You’re headed to Seattle and the War Institute to work? Some kinda necromancery?”

“Yes to Seattle, yes to the War Institute. No to necromancy. I hold joint degrees in medicine and engineering, specializing in artificial limbs.”

Exasperation kept her calm. Why should these dunces not believe a female scientist could exist? And necromancy — she was, by far, tired of that label. She worked with devices for the products of such technology, but she wielded the forces of science, of steam and electricity and phlogiston.

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The next class coming up is Cassandra Khaw’s Writing Better Food (http://www.kittywumpus.net/blog/how-to-write-better-food-with-cassandra-khaw/) on Saturday, May 12, followed by Ideas are Everywhere with Rachel Swirsky (http://www.kittywumpus.net/blog/ideas-are-everywhere-with-rachel-swirsky/) the following day on Sunday, May 13.

Scott H. Andrews has kindly agreed to give his Short Story Openings workshop (http://www.kittywumpus.net/blog/short-story-openings/) again for people who missed the first version, this time on June 16. A recent addition is a workshop with Doug Smith on July 14 on story rights and reprints. Keep an eye out for it or drop me a drop to go ahead and preregister; usual price.

Find out about all current classes here (http://www.kittywumpus.net/blog/academy/) .
If you enjoy gaming, check out Cat in Esper Genesis (https://www.twitch.tv/videos/252653827) – D&D5E in space — in which Cat runs Petra Cinis, a woman with a Very Large Hammer.

...

Documents of Tabat: Street Foods of Tabat
abstract image
What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for web-use. I hope you enjoy this installment, but you’ll have to read Beasts of Tabat to get the full significance. -Cat

An Instructive Listing of the Street Foods of Tabat, being Pamphlet #5 of the first series of “A Visitor’s Guide to Tabat,” Spinner Press, author unknown.

The visitor to Tabat will find themselves faced with a multitude of new things, and the food of the city is no exception. Carts and food stalls in particular supply many of the daily food needs of the populace.

No matter where you go in the city, you will find the bakery carts. Most belong to the Figgis Bakery, but you will also see some from smaller and independent bakeries. They sell a multitude of breadstuffs, including several pastries unique to the city: two and twos, large flatbreads which are half one color, half another; hyacinth cookies with their distinctive purple icing; and jelly cups.

Close to the docks, particularly around the Fish Market, vendors sell all varieties of sea food, cooked on the spot and fresh from the boats that have just brought it in. Many of these use the seaweed spices Tabat is famous for: ironbite with its metallic peppery taste; summer salt; and the mix of dried fish and seaweed that forms the basis of chal. Look for kerik, the sweet purple nodules of seaweed that are harvested in late summer, for a particularly exotic treat.

Sweets are usually flavored with honey from bees or Honey-mothers, or a touch of Fairy honey for those with more expensive tastes. Of late, though, the Southern Isles have been sending sugar to Tabat, expensive and rare, and a dusting of such atop a pastry or cake is considered to render it the height of culinary sophistication.

***
Love the world of Tabat and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.

#sfwapro

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