I’m headed into the city this evening to hear John Scalzi read from Fuzzy Nation. I’ve loved the Little Fuzzy books (and I’ll note that there’s a bunch of his stuff free for e-readers) since discovering them as a teenager and found a book club edition of the first two this weekend at the thrift store. I’d forgotten what a tear jerker the first one is, and the anti-corporate message seems even more timely than usual. I haven’t read Fuzzy Nation yet, but I’m picking it up today and looking forward to it. I’m also fascinated by the idea that Scalzi’s written fan fiction – it opens up some interesting questions about that debate.
I recommend the first book for people working on learning how to create emotional depth, which a couple of writers have mentioned to me lately. Any book that has me welling up with tears is doing its job right in that regard. I’m taking my Writing F&SF class to this reading so they can be inspired by seeing a writer in action – maybe Scalzi will get them to cry (in a good way).
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
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You Should Read This: The Serial Garden by Joan Aiken
While the stories deal with the members of the Armitage family, a wide cast of characters floats in and out of the stories: visiting wizards, fairy godmothers, a stray unicorn, mischievous cousins and envious witches.Joan Aiken is most familiar to readers for her children’s novels such as The Wolves of Willoughby Chase and Black Hearts in Battersea. But she was a talented story writer as well, producing Dahl-esque modern day stories that often rely on supernatural elements.
What: The Serial Garden: The Complete Family Armitage Stories by Joan Aiken is a collection of children’s stories written by Aiken. The Armitage family moves through a landscape reminiscent of the England of the Pevensies or Would-Be_Goods and they have the same, non-cloying sweetness to them.
Who: Read this if you’re a MG or YA author looking for inspiration. Or if you’re a parent looking for some solid reading to share with your children..
Why: Read it because Aiken knows how to construct a short story. Look at how deftly she weaves in elements, tying them all up in endings that are unpredictable but ineffably right.
When: Read it in the evenings, as befits fairy tales.
Where and How: Read it if you’re in the mind for a little gentle silliness and the ghost of a governess conducting midnight lessons.
Charlotte Perkins Gilman was an American editor, writer, and lecturer whose short story “The Yellow Wallpaper,” about a woman’s descent into madness, is often revisited in college literature classes. She was a single mother who supported herself by writing — no small accomplishment today, let alone at the time she was doing so, the late 19th and early 20th centuries.
Herland is often treated as though it stands alone, but it’s actually the middle volume of a trilogy, preceded by Moving the Mountain in 1911 and followed by With Her in Ourland in 1916. The work was originally published as a serial in a magazine called The Forerunner that Gilman edited; it did not appear as a complete book until 1979, when Pantheon Books published it.
Herland is a utopian novel, in which three men, Vandyk (the narrator), Terry, and Jeff stumble across a civilization where the women reproduce asexually and there are no men. This turns out to lead not to a perfect civilization, but certainly one that seems more appealing than the one Gilman found herself in. Gilman uses the book as a device with which to explore constructed ideas of gender. It is an appealing society in many others; in others, it’s a bit cold and calculating. Girls who are overly rebellious or mouthy, for example, will not be allowed to reproduce.
One of the things that’s refreshing about the book is that it’s not written as though the lack of males is a deficit that warps society. Instead, it’s simply the way things are, and the Herlanders seem capable of getting along quite well without it.
Gilman was one of the important suffrage speakers of her time and a bit of a polymath. If you want to go further into her writing, I suggest a piece of nonfiction, her work on economics, Women and Economics: A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution, which originally appeared in 1898.