I’ve got a sick cat that I’m anxious about at the vet today so it’s hard to write. I’ve been picking away at what I can and started jotting down some stuff for a piece of the trilogy that’s excerpts from a guidebook to Tabat. I’d realized something about the morphology of the name when I was on the bus and I was riffing on it, including quotations from fictitious historical accounts, when it came to me that one of the more important historical characters that I’d thought in my head was male should be female instead.
Weird little things happen like this when you’re working on something big. It’s like a lens clicks into place and you perceive a section better. And that perception spreads out, affects the view you have of the overall piece, the unruly profusion of plot lines, each with its flowers of action scenes and climatic moments, that will become the lavish bouquet of the book’s world.
So, to the very few of you who know what I’m talking about: Verranzo’s shadow twin is female. All the shadow twins are the opposite gender of their counterpart. Why? I don’t know. It just makes better sense in my head that way and lets me do some additional interesting things.
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I had a moment like that when I realized that an important secondary character (who drove events in the past) was angry with his mentor, and why. Suddenly, the entire THEME of a trilogy I’ve been working on for years clicked into place. Huzzah!
And I hope your kitty gets better. I know how upset and anxious I feel when my cat isn’t feeling well.
The daemons in His Dark Materials are (all, mostly?) opposite gendered. I loved that subtle cue to the fact that we are complex beings. And yeah, I love it when you realize something true about your work and it starts to gel.