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Watch Out for Parasitic Fairy Bites

A scene from early on, illustrating one of the dangers of the wilds near Tabat: parasitic fairy bites.

The next morning, Teo did not like the priest’s look. His hands were clammy but his face was red as though with blushes. His forehead under Teo’s hand was scorching hot. After a few minutes of hesitation, Teo examined the spot he thought might be a Fairy bite.

His suspicions were confirmed by the lump that lay under the surface. He’d seen the alta treat such injuries. That would be best if she did it, but he didn’t think there was time enough for that. The parasite would grow and begin to control its host’s nervous system, making it little more than an empty shell, moving about to suit the creature’s needs, until the fairy was finally born. It would not emerge from the wound that shifted under Teo’s fingers. No, it would burrow deep, then upward, till it found itself in its host’s brain, which it would devour until sated. Once it was ready, it would eat its way out through his eyes or the soft tissues of his mouth. No, it would have to be removed now, before it burrowed any deeper.

He built the fire as high as it would go, and put the wineskin from the priest’s pack to the side near it, where it could warm without burning. He took the tiny kettle and filled it with water before sifting in the mixture of dried fish and tea that was the last of the priest’s chal; this far on the journey, he’d nearly run out, and he’d confided in Teo that he was saving it for some special occasion, but it was the most sustaining and easily fed to a patient thing that Teo could find in the pack. For what he had in mind would definitely require sustaining.

He had not seen it done, but he had listened to stories. Everyone was taught the signs of a fairy bite early on, and what to do if caught away from the village with one.

He prayed the priest would stay asleep during the operation. That would make things easier. But as his knife poised above the mark, Grave’s eyes opened.

“I have to do this,” Teo said to him, afraid that the priest would take this as some attempt to escape. “You have a Fairy egg in you, and I need to take it out before it hatches and starts eating inward.”

Grave’s lids fluttered, but he said nothing. His forehead was red with fever, and Teo wondered if the man even saw him. How would he react when he felt the cut of the knife? Would he thrash around, or think himself attacked and attack Teo in turn? He hesitated, not sure what he should do.

The words were barely audible, like a breath of breeze escaping the priest’s dry lips. “Give me something to bite on, first,” he whispered. “I do not wish to crack a tooth as well.”

Teo took a piece of leather and rolled it into a tight cigar, putting it sideways between the priest’s lips. “This will hurt,” he warned, and felt the words’ foolishness as soon as they left his mouth. Of course the priest knew that this would hurt, otherwise he would not have asked for something to bite down on during the operation. Teo took his own deep breath, steeling himself, and cut.

It was not a simple job. Blood welled up in the cut, obscuring the flesh, and Teo had to keep pouring water over it to clear it, eliciting a hiss of pain from the priest each time. But otherwise he remained silent, jaws clenched around the piece of leather.

Gently Teo sluiced the wound again as he peered into it. There. As gently as he could, he eased the knife’s tip into the dark spot he could see. The flesh resisted for a moment “” he should have sharpened the knife even more beforehand “” before giving way with a tiny, delicate pop. The priest inhaled raggedly.

That would kill the egg, perhaps, but it was not enough. Left inside, the creature would rot and the flesh around it would follow its example until the priest would have to face the same choice Futu once had: to have the limb cut away or die.

Carefully, carefully, he used the thin tip to open the egg. Clear fluid drained out, and then there was something struggling at the end of the knife blade, bumble-bee big, fighting to preserve itself and burrow further.

He jammed the tip into it. Muscles spasmed in the priest’s face but he remained rigidly still. Teo hooked the loathsome thing out and took no time to contemplate it as it hung mewling and wailing on the end. He flung it into the fire as quick as thought and with a last whimper it curled into ash.

He washed the wound once more with water, checking to make sure there were no more traces of the creature. Then, taking the wineskin from where it lay near the fire, he directed the hot wine across the flesh to keep it from putrefaction. Tendons of agony twisted in Grave’s face; when Teo took the leather from between his lips, he saw that it had been bitten almost entirely through.

He took needle and thread from the priest’s kit and took four careful stitches in the skin, tying it back together to close that painful looking mouth of flesh. All the time the priest was silent and still.

Altered America: Steampunk Stories

Steampunk fans will rejoice in the appearance of Altered America: Steampunk Stories, collecting Nebula and World Fantasy Award-nominated author Cat Rambo’s steampunk fantasies, including “Clockwork Fairies,” “Snakes on a A Train,” and “Her Windowed Eyes, Her Chambered Heart,” into a single book. Rambo’s wry humor, precise and evocative descriptions, and ability to create a world with a few deft touches are showcased in these ten tales.

Includes “Clockwork Fairies,” “Rare Pears and Greengages,” “Laurel Finch, Laurel Finch, Where Do You Wander?”, Darrell Award nominated “Memphis BBQ,” “Rappacini’s Crow,” “Her Windowed Eyes, Her Chambered Heart,” “Snakes On a Train,” “Web of Blood and Iron,” “Ticktock Girl” and “Seven Clockwork Angels.”

And the Last Trump Shall Sound

“In a moment, in the twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed.”—First Corinthians 15:52

From New York Times bestselling author, Harry Turtledove, critically-acclaimed novelist, James Morrow, and Nebula Award winner, Cat Rambo, comes a masterful anthology of three sensational novellas depicting a dark fictional future of the United States.

And the Last Trump Shall Sound is a prophetic warning about where we, as a nation, may be headed. Mike Pence is President of the United States after years of divisive, dogmatic control by Donald Trump. The country is in turmoil as the Republicans have strengthened their stronghold on Congress, increasing their dominance. And with the support of the Supreme Court, more conservative than ever, State governments become more marginalized by the authoritarian rule of the Federal government.

There are those who cannot abide by what they view as a betrayal of the nation’s founding principles. Once united communities break down and the unthinkable suddenly becomes the only possible solution: the end of the Union.

The authors’ depiction of a country that is both unfamiliar and yet unnervingly all too realistic, make you realize the frightening possible consequences of our increased polarization—a dire warning to all of us of where we may be headed unless we can learn to come together again.

Eyes Like Sky and Coal and Moonlight

This debut solo collection Eyes Like Sky And Coal And Moonlight brings together twenty stories from the extraordinary talent of fantasy author Cat Rambo. Here are tales from seaport city of Tabat, both before and after the sorcerous wars that destroyed the Old Continent. Here are alchemical explanations for failed blind dates. Here you’ll find a dryad, the last great elephant, and an uneasy blur of humanity. Cat Rambo doesn’t simply amaze and delight, she restores wonder to her readers with every page. You won’t simply believe that pigs can fly, you’ll question why you ever doubted the premise at all.

If This Goes On

Some of today’s most visionary writers of science fiction project us forward to the world of the future; a world shaped by nationalism, isolationism, and a growing divide between the haves and have nots. This anthology sits at the intersection of politics, speculative fiction, and American identity. The choices we make today; the policies of our governments and the values that we, as people, embrace are going to shape our world for decades to come. Or break it.

Cat Rambo invites you to worlds very like this one― but just a little different. Including:
-“Green Glass: A Love Story” by Lily Yu, Hugo and World Fantasy Award nominee, and winner of the 2012 John W. Campbell Award for Best New Writer, filters the future of now through a wholly relatable lens: relationships and marriage.
-Hugo-winning editor Scott Edelman’s “The Stranded Time Traveler Embraces the Inevitable” expertly employs an age-old -science fiction convention to tell a deeply human tale of love, loss, and desperate hope.
-Streaming our everyday lives has become commonplace, but in “Making Happy” Zandra Renwick examines a very uncommon consequence of broadcasting your every experience.
-Former Minnesota Viking and noted equal rights advocate Chris Kluwe’s “The Machine” deals with one of the most important and hotly contested questions of the day: what truly defines citizenship and American identity?
-Nebula winner Sarah Pinsker’s “That Our Flag Was Still There” uses possibly the most powerful symbol in American iconography to create a frightening and darkly illuminating vision of freedom of speech.
-NAACP Image Award winner for Outstanding Literary Work Steven Barnes offers up the consequences of integrating technology and surveillance into our daily lives with his detective story “The Last Adventure of Jack Laff: The Dayveil Gambit”

The Surgeon's Tale and Other Stories

(co-written with Jeff VanderMeer) In a world where magic is fading and science begun to ascend, a young surgeon in medical school experiences an obsession so forbidden that its realization will change him forever. “She looked as if she were asleep, still with that slight smile, floating on the thick sargassum, glowing from the emerald tincture that would keep the small crabs and other scavengers from her. She looked otherworldly and beautiful.” Sometimes life is not enough. Also including five more stories of dark wonder from Rambo and VanderMeer, from “The Dead Girl’s Wedding March” to “The Farmer’s Cat.” Enter a world of rat suitors, severed arms, and Fungi Et Fruits de Mer, served up with prose both appetizing and uncanny. Dark fantasy has never been quite so decadent . . .

Neither Here Nor There

Cat Rambo’s newest collection of fantasy fiction contains both work original to the collection as well as work from Beneath Ceaseless Skies, Tor.com, and other leading fantasy fiction magazines. The work is presented in the same double-sided format as Rambo’s previous collection, Near + Far, of which Don Sakers of Asimov’s said, “If you want some really excellent stories, get the e-book. If you also want a physical object to warm the heart of any print-book collector, go for the paper version.”

Neither Here showcases alt-world fantasy, including stories set in Tabat, the world of her first novel Beasts of Tabat, while Nor There features stories set in our own world, including “The Wizards of West Seattle,” original to the collection. In their starred review, Publishers Weekly said, “This double collection showcases Rambo’s versatility within the fantasy genre. Find out Ursula Vernon called Rambo “one of the brightest talents in the field,” Jodi Lynn Nye said, “Rambo has a gift for immersing her reader into a vivid universe full of adventure, sensuality, wit, and poignant observation,” and NY Times bestselling author Kevin J. Anderson simply advised, “Cat Rambo is endlessly innovative, ingenious, and just plain entertaining. Read her stories.” “

The Reinvented Detective

(co-edited with Jennifer Brozek) What happens when time and technology change the definition of crime and punishment?

Science fiction often focuses on future technology without considering the society housing it. Social norms may change as tech changes — or not. What will criminals, investigators, judges, and juries look like in a complicated future of clones, uploaded intelligences, artificial brains, or body augmentation? What stories emerge when we acknowledge the possibilities of new laws, new police methods, and the birth of sentient Artificial Intelligence, as well as all the ways they can clash or combine?

The Reinvented Detective presents stories that complicate law and order as well as the concept of criminals, detectives, punishment, and justice for all by showing how shifting technology, the rise of sentient AIs, and shifting social attitudes may affect what is not only acceptable, but expected, within both real world and digital communities—and everything in-between. These stories reinvent detective and true crime tropes, recasting them for the 21st century, and above all, experimenting, astonishing, and entertaining.

Includes stories and poetry by Premee Mohammed, Harry Turtledove, Jane Yolen, Peter Clines, Lisa Morton, Rosemary Clarie Smith, and more!

The Reinvented Heart

(co-edited with Jennifer Brozek) What happens when emotions like love and friendship span vast distances — in space, in time, and in the heart? Science fiction often focuses on future technology and science without considering the ways social structures will change as tech changes — or not. What will relationships look like in a complicated future of clones, uploaded intelligences, artificial brains, or body augmentation? What stories emerge when we acknowledge possibilities of new genders and ways of thinking about them?

The Reinvented Heart presents stories that complicate sex and gender by showing how shifting technology may affect social attitudes and practices, stories that include relationships with communities and social groups, stories that reinvent traditional romance tropes and recast them for the 21st century, and above all, stories that experiment, astonish, and entertain.

Carpe Glitter

Nebula Award-winning novelette from Cat Rambo, author of You Sexy Thing and the Tabat Quartet. What do you do when someone else’s past forces itself on your own life? Sorting through the piles left behind by a grandmother who was both a stage magician and a hoarder, Persephone Aim finds a magical artifact from World War II that has shaped her family history. Faced with her mother’s desperate attempt to take the artifact for herself, Persephone must decide whether to hold onto the past–or use it to reshape her future.

Moving from Idea to Finished Draft

Find multiple ways to take a story idea and flesh it out into a complete draft, looking at different ways in which ideas may manifest, such as plot, character, literary device, theme, scene, title, prompt, historical moment, collaboration, tribute to another writer, and more. Each section discusses a specific way an idea can appear, what that provides the writer, pitfalls to watch out for, and possible next steps, along with writing exercises designed to let the reader test each technique and idea and one of Rambo's stories that started in that way.

Ad Astra: The 50th Anniversary SFWA Cookbook
Ad Astra: The 50th Anniversary SFWA Cookbook

(co-edited with Fran Wilde) The 50th Anniversary SFWA Cookbook features dishes as creative and varied in taste as the authors who shared them. (Please do not eat actual authors.) From Alien Scones to At the Fruitcake of Madness, DOOM Cookies, Falling Cloud Cake, and Miss Murder’s Black Forest Trifle, these recipes will help you prepare the perfect celebratory spread, no matter who—or what—you’re feeding!

All proceeds from this project will go to SFWA’s Legal Fund, which was established to create loans for eligible member writers who have writing-related court costs and other related legal expenses.

Near + Far

Whether set in terrestrial oceans or on far-off space stations, Cat Rambo’s masterfully told stories explore themes of gender, despair, tragedy, and the triumph of both human and non-human alike. Cats talk, fur wraps itself around you, aliens overstay their welcome, and superheroes deal with everyday problems.

Rumor Has It

Coming September 24 - the third book of the Disco Space Opera.

Devil's Gun

Life’s hard when you’re on the run from a vengeful pirate-king…

When Niko and her crew find that the intergalactic Gate they’re planning on escaping through is out of commission, they make the most of things, creating a pop-up restaurant to serve the dozens of other stranded ships.

But when an archaeologist shows up claiming to be able to fix the problem, Niko smells something suspicious cooking. Nonetheless, they allow Farren to take them to an ancient site where they may be able to find the weapon that could stop Tubal Last before he can take his revenge.

There, in one of the most dangerous places in the Known Universe, each of them will face ghosts from their past: Thorn attempts something desperate and highly illegal to regain his lost twin, Atlanta will have to cast aside her old role and find her new one, Dabry must confront memories of his lost daughter, and Niko is forced to find Petalia again, despite a promise not to seek them out.

Meanwhile, You Sexy Thing continues to figure out what it wants from life—which may not be the same desire as Niko and the rest of the crew.

You Sexy Thing
Just when they thought they were out…

TwiceFar station is at the edge of the known universe, and that’s just how Niko Larson, former Admiral in the Grand Military of the Hive Mind, likes it.

Retired and finally free of the continual war of conquest, Niko and the remnants of her former unit are content to spend the rest of their days working at the restaurant they built together, The Last Chance.

But, some wars can’t ever be escaped, and unlike the Hive Mind, some enemies aren’t content to let old soldiers go. Niko and her crew are forced onto a sentient ship convinced that it is being stolen and must survive the machinations of a sadistic pirate king if they even hope to keep the dream of The Last Chance alive.

At the Publisher’s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Farscape meets The Great British Bake Off in this fantastic space opera You Sexy Thing from former SFWA President, Cat Rambo.

2022 Dragon Award — Nominee

2022 Locus Award — Nominee

Exiles of Tabat

Revolution.

Riot.

Enslaved magical creatures and an exiled, reluctant hero.

Bella Kanto finds herself aboard a hostile ship bound for a frontier town. When she encounters an old lover along the way, she has a chance to escape—but does she really want to take it?

Meanwhile apprentice Lucy and her friend Maz have been kidnapped from Tabat and taken to the Southern Isles in search of ancient magic. They fear what will happen when they get there, particularly when their kidnapper realizes he’s wrong about Lucy’s identity.

Return to a world where magical creatures fight for their right to be free in a system that makes use of their work and sometimes their very bodies in a city full of revolution and riot, ready for the return of its lost champion: the reluctant Bella Kanto.

Hearts of Tabat

Fireworks, riots, and rousing speeches all mark the vast societal upheavals taking place in the city of Tabat. But personal upheavals reflect the chaos. Adelina Nettlepurse, noted historian and secret owner of Spinner Press, watches the politics and intrigue with interest, only to find herself drawn into its heart by a dangerous text and a wholly unsuitable love affair with a man well below her station.

The match offered by Merchant Mage Sebastiano Silvercloth would be much more acceptable, but Sebastiano is hampered by his own troubles at the College of Mages, where the dwindling of magical resources threatens Tabat itself. And worse, his father demands he marry as soon as possible.

When Adelina’s best friend, glamorous and charming gladiator Bella Kanto, is convicted of sorcery and exiled, the city of Tabat undergoes increasing turmoil as even the weather changes to reflect the confusion and loss of one of its most beloved heroes.

Meanwhile the Beasts of Tabat — magical creatures such as dryads, minotaurs, and centaurs — are experiencing a revolution of their own, questioning a social order that holds them at its lowest level. But who is helping the Beasts in their subversive uprising?

In the second book of the Tabat Quartet, award-winning author Cat Rambo expands the breathtaking story from Beasts of Tabat with new points of view as Adelina, Sebastiano, and others add their voices. Tabat is a world, a society, and a cast of characters unlike any you have read before

Beasts of Tabat
Mythical beasts. Legendary gladiators. The fate of a boy entwined with epic revolution.

When countryboy Teo arrives in the coastal city of Tabat, he finds it a hostile place, particularly to a boy hiding an enormous secret. It’s also a city in turmoil, thanks to an ancient accord to change governments and the rising demands of Beasts, the Unicorns, Dryads, Minotaurs and other magical creature on whose labor and bodies Tabat depends. And worst of all, it’s a city dedicated to killing Shifters, the race whose blood Teo bears.

When his fate becomes woven with that of Tabat’s most famous gladiator, Bella Kanto, his existence becomes even more imperiled. Kanto’s magical battle determines the weather each year, and the wealthy merchants are tired of the long winters she’s brought. Can Teo and Bella save each other from the plots that are closing in on them from all sides?

a fascinating world of magic, intrigue, and revolution.”—Publishers Weekly

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Snippet: Villa Encantada

Parking lot and vegetation
Yellow lines stretched across the parking lot, marking out the zones of the Great Game.
Excerpt from Villa Encantada (working title), an urban fantasy short story set in Villa Encantada, a condo complex on Lake Sammamish. For those familiar with “Eagle-haunted Lake Sammamish” or “Legends of the Gone,” it’s the same complex.

The doorbell rang as soon as Simone’s hands were covered with dirt from repotting primroses. That was how it always was lately. She wiped her hands on a dish towel, regretting the dark smears as soon as she saw them. The dish towel landed in the sink; she hurried to the door.

As abrupt and perfumed as a magazine advertisement thrust in her face, a broad-toothed woman in red polka-dots that shouldn’t be chic, but were, atop a teeter of matching red heels.

Presenting her hand in a direct overhand shake, “I’m Cherry Abramson, Unit #8.”

Simone wished she’d washed her hand instead of just wiping it, but she shook anyhow. Cherry’s face remained set in the same smile, but somehow Simone was sure the other woman had noted the half-moons of dirt underneath her fingernails, the scatter of dirty dishes visible in the sink, the cloth across them like a soggy wick.

She squared herself in the doorway. No way was she asking this woman in for coffee. She didn’t want that appraising blue eye noting the stack of boxes, the unfolded laundry heaped on the sofa, already marked with a cat-shaped divot.

“I’m still in the middle of unpacking,” she said.

“I saw you out on the balcony on my way over,” Cherry said. “Of course, you want to make sure they all have saucers or some other water catching dish underneath them,” she said. “Otherwise you’ll get marks and the Board will fine you.”

Her tone was edged with unfriendliness. It surprised Simone and she hovered in the doorway at a loss for words. Then Cherry’s smile re-shuttered her face. “I’m sure you will, but I’m on the Board and need to mention things like that.”

“Sure,” Simone said.

“I wanted to invite you to our next board meeting. We always need new voices in the community. You’re an owner, right? Not a renter?”

“That’s right,” Simone said. “Got a good price and it seemed like time to settle down.”

Cherry nodded in tight satisfaction. “That’s what I thought.” She looked at the hallway mirror past Simone’s shoulder. “Well, I see you’ve got plenty of work to do.” She turned and trotted down the stairs.

Simone felt the bounce of her steps. The two-story building was several decades old; you could always tell when someone was coming or going via the cement planks leading down to the courtyard between buildings.

“Bitch,” she said, half to herself as she closed the door. Turning, she stooped to pet the cat winding itself around her knees pretending not to be investigating the door’s opening.

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Opinion: Chan Culture and Good-Faith Arguments

photo of Cat Rambo
Getting ready for the New Year.
I wrote a piece, #PurpleSF, about feminism and SF for Clarkesworld. It was in part stirred up by the convulsions of the Gamergate controversy, which has continued to provide plenty of food for thought (and probably will continue to do so).

One of the many interesting (and sometimes positive) things that’s come out of that controversy has been a lot of examinations of Internet culture and many of its subsets. Before last year, I had only the vaguest idea what “chan culture” would be, so I found this piece really fascinating, particularly because questions about anonymity are (imo) going to continue to rear their heads whenever they bump into notions of transparency in coming years.

The full piece, How imageboard culture shaped Gamergate, appeared on BoingBoing. Its author has produced a lot of interesting pieces about Gamergate, usually composed as Storify pieces, such as these: Gamergate, Sexism, and Tribalism; Why I Oppose #Gamergate

The article is talking specifically about image boards, and here’s a chunk from it that describes the culture:

These anonymous imageboards have their own idiosyncratic culture, despite the lack of permanent identity. Posters call themselves anons, or occasionally channers. While anonymity is a core part of this identity, merely being anonymous does not make you an anon. Rather, it’s about identifying as a larger whole. Capital-A Anonymous, such as the Project Chanology protestors and the hacking/activist groups like @youranonnews, are anons, but most anons don’t think of themselves as part of Anonymous.

Without identity, every anon is whoever they want to be at the moment. It’s freeing! Anons exalt these imageboards as the only place people can truly be themselves, without being burdened by their identity or consequences. This includes genuinely awful or hateful opinions. Anons have a broad, often absolutist view of free speech, sometimes extending that so far as to include threats of violence or extreme pornography. Anons are extremely protective of their culture and this very broad view of free speech, because of both great faith in their ability to self-police argument and an unconscious, internal reliance on irony.

The atmosphere is that of a paradoxically jovial angry mob. Almost everyone sees their own point of view as the consensus, assuming that most people most people agree with them. Any possibly contentious statement is presumed to be ironic, told as a joke or to rile up people who disagree. Since everyone assumes that anyone who disagrees is arguing in bad faith and doesn’t mean what they’re saying, anyone who disagrees is a fair target for apparently hateful mockery. This basic assumption of bad faith applies even when arguments are long-lasting and well-known: for example, the console war arguments in /v/, 4chan’s video games sub-board. However, this mockery is defanged by anonymity and irony.

Everyone’s anonymous, so a poster can just join the winning side of an argument, cheerfully mocking their own older posts. One poster can even play both sides from the start. Every anon can choose whatever opinion they want to have on a post-by-post basis, so everything flows smoothly even as people hatefully attack each other for having the wrong opinion. Anons believe in this free marketplace of ideas: good ones survive the firestorm, while bad ones burn to ash as everyone dogpiles on mocking them.

Wayne and I were talking about this conception of discussion/argument today and I can at least partially understand how it’s shaped some of the conversation within Gamergate (the overall situation, not the group) and created many of the problems. (Anders Sandburg has an interesting piece about such culture clashes.) I think it’s important to look at the background people are coming from and the Internet etiquette norms that they’ve absorbed.

At the same time, bad faith arguments are something I don’t practice and I find trolls kinda appalling, because the idea of getting enjoyment from making other people angry, upset, or otherwise unhappy seems something only a retrograde would relish. I blogged about arguing on the Internet a while back and said I’d follow up and talk about bad faith argument, but I never have, because I find its habitual practitioners antithetical to the way I try to think.

Don’t get me wrong. I like debate, and life with Wayne is a lively series of conversations in which one or the other will often take the role of devil’s advocate just to see how sound or defensible an idea is. But that seems different to me than taking on the Internet identity of someone who believes something just to see if you can get other people riled up enough to waste time on composing eight page replies to your argument rather than something, I dunno, actually productive or enjoyable.

But, as Wayne can testify, I am painfully earnest about a number of things, including the idea that the human race should be advancing and that part of that advance is being fairer about our treatment of the people and world around us. The idea that love is both greater than and preferable to hate. That cruelty only creates more cruelty. That civility and an assumption of good faith should be the baseline, rather than the exception. And that we are fallible creatures who are nonetheless capable of learning from both experience as well as questioning ourselves.

Part of my plea in the Clarkesworld column is that we stop arguing in bad faith and lazy categories. It’s a Quixotic fight, but I’ll continue to carry its banner. And part of that banner is to argue in good faith, to ask questions and interrogate the world around me to see what blinders it’s imposing on me. That’s a vital part of making good art. And good conversation.

...

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