Five Ways
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The classes have filled up quickly and I’m going through things today and writing up the first e-mail.

Because so many people had problems with East Coast timing, I’m going to open up one more workshop, on Thursday evenings, at 4 pm PST, which should be 7 pm EST. If you commented, e-mailed me, or otherwise contacted me about the class (or are one of the people who got shut out of one of the other sessions), I’ll give you the $149 price, otherwise it’s $199, and the same six-week deal mentioned here, with meeting dates on 12/15, 12/22, 12/29, 1/5, 1/12, and 1/26 (I need to miss the 19th) and an optional session at the end for people that had to miss a class.

I’m also writing up a separate notice for an editing service for peeps who don’t know what to do with their mass of writing now that NaNo is over, will add details soon!

4 Responses

  1. I am definitely interested in the Thursday class! I was one of the folks who commented on the first classes being in a bad time frame for me. Please contact me if you have room left.

    1. Rosalind, I thought I had mailed you, but it’s been a little hectic. If you’re still interested, drop me a line at spezzatura AT gmail.com?

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Teaser: More from Laurel Finch

Illustration to accompany steampunk snippet by speculative fiction writer Cat Rambo
Interested in learning how to get opportunities to interview writers and publish the results as well as has to conduct yourself in an interview? I've got a one hour class coming up on just that, on February 19, 7-8 PM PST.
This is the steampunk world (Altered America) I’ve been writing in lately, and I’m pleased to say Beneath Ceaseless Skies just took another of the stories set in it, “So Little Comfort.” The title of this story is “Laurel Finch, Laurel Finch, Where Do You Wander?”

She was awake. She jolted upright, disturbing Laurel, who said something drowsily. Jemina stroked her hair with her right hand, settled the child back into her lap. Her heart still hammered uncomfortably.

She looked out the window into the darkness and could see only the reflection of the car’s interior for a moment. Then as her eyes picked out detail, she saw the stars hanging far overhead, the blaze of the Milky Way, a curdle of starlight spilling over the plains that rolled out as far as the eye could see.

Chuggadrum, chuggadrum, the sound of the wheels underfoot, the everpresent vibration working its way through her body as they hurtled through the night towards Seattle.

They’d promised her a laboratory of her own. A budget. Assistants.

Things she could do without interference. That was worth a lot, for a woman in a field that held so few other of her sex.

“I have nightmares sometimes too,” Laurel said.

Jemina’s hand sleeked over the curve of Laurel’s skull, cloth sliding over glossy hair.
“We all do.”

“What are yours about?”

“The war. What about yours?”

Laurel lay silent so long that Jemina thought she had gone back to sleep. But finally she said, “How my parents died.”

Jemina’s fingers stilled as though frozen. She waited.

“We were in the house and they came,” Laurel said. “My uncle said they were supposed to stay on the battlefield and no one knew they went the wrong way.”

Her voice was subdued, thoughtful.

“It would have been all right, but papa heard them at the door and he went and opened it. That was how they got in.”

Jemina saw in her mind’s eye, despite her attempt to force it away, the scene: the man mowed down, devoured with that frightening completeness that zombies had, before they moved on to the rest of the house…

“How did you get away?” she asked.

“I jumped out the window and ran away. I tried to get my brother first, but it was too late, so I ran.”

“Your brother?”

“He was just a baby. He couldn’t run.” Laurel moved her head in slow negation. “Too late.”

Jemina closed her eyes, feeling the story wrenching at her heart.

These things happened in war. They were sad, yes, but unavoidable.

The wheels screeched as the train unexpectedly slowed. Both of them sat up to look out the window.

“Whose are those men?” Laurel asked.

“I don’t know.” But she suspected the worst, given the fact that the group had their bandanas tugged up around their faces, that many had pistols or Springfield rifles in their hands.

“They’re bandits!” Laurel’s voice was excited.

“Yes,” Jemina admitted.

They waited. Around them, everyone was abuzz, but stayed in their seats.

The front door of the car swung open and two men entered, both holding pistols, red cloth masking everything except their eyes. Both were hatless, their stringy hair matted with dust and sweat.

“We’re looking for a fellow name of J. Iarainn,” one called to the car at large. “You here, Mr. Iarainn? If not, I’m going to start shooting people one by one, cause according to the manifest, you’re in this car.”

Jeminia held up a hand. “I am Jemina Iarainn.”

Her gender astonished them. They squinted at her before exchanging glances.

“You’re headed to Seattle and the War Institute to work? Some kinda necromancery?”

“Yes to Seattle, yes to the War Institute. No to necromancy. I hold joint degrees in medicine and engineering, specializing in artificial limbs.”

Exasperation kept her calm. Why should these dunces not believe a female scientist could exist? And necromancy — she was, by far, tired of that label. She worked with devices for the products of such technology, but she wielded the forces of science, of steam and electricity and phlogiston.

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Documents of Tabat: An Auction Handbill
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What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for web-use. I hope you enjoy this installment, but you’ll have to read Beasts of Tabat to get the full significance. -Cat

A flyer, kept carefully folded, in the top drawer of Bella Kanto’s dresser. Dated some twenty-five years earlier, the paper crumbling and worn, and never looked at since being placed there.

VALUABLE GROUP OF ASSORTED BEASTS AND ANIMALS

Trained by Renowned Beast Trainer Jolietta Kanto, Her Estate

Will Be Sold At Auction

On the 12th Day of Autumn, at the Black Dome

At 2nd Afternoon Bell

***

Two serviceable male Minotaurs, of approximately 25 years, trained in simple guard duties and of proven loyalty and good breeding.

One stout Satyr, capable of gardening and light field work.

One hearty Centaur female, trained in cookery and housekeeping.

One Oracular Pig, of unremarkable accuracy.

Two hands of small hunting dragons of good bloodline and health, with two females currently in brood.

Brace of Riddling Deer, elderly.

One Dog-Man, incapable of breeding but trained for fugitive-hunting.

***

Sold For No Fault; With The Best City Guarantee

Sale Positive And Without Reserve

Terms: CASH

***
Love the world of Tabat and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.

#sfwapro

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