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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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Documents of Tabat: An Auction Handbill
What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for web-use. I hope you enjoy this installment, but you’ll have to read Beasts of Tabat to get the full significance. -Cat
A flyer, kept carefully folded, in the top drawer of Bella Kanto’s dresser. Dated some twenty-five years earlier, the paper crumbling and worn, and never looked at since being placed there.
VALUABLE GROUP OF ASSORTED BEASTS AND ANIMALS
Trained by Renowned Beast Trainer Jolietta Kanto, Her Estate
Will Be Sold At Auction
On the 12th Day of Autumn, at the Black Dome
At 2nd Afternoon Bell
***
Two serviceable male Minotaurs, of approximately 25 years, trained in simple guard duties and of proven loyalty and good breeding.
One stout Satyr, capable of gardening and light field work.
One hearty Centaur female, trained in cookery and housekeeping.
One Oracular Pig, of unremarkable accuracy.
Two hands of small hunting dragons of good bloodline and health, with two females currently in brood.
Brace of Riddling Deer, elderly.
One Dog-Man, incapable of breeding but trained for fugitive-hunting.
***
Sold For No Fault; With The Best City Guarantee
Sale Positive And Without Reserve
Terms: CASH
***
Love the world of Tabat and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.
For me it was a pretty productive con – I connected with a few people that I definitely wanted to meet or see, I got a chance to hang out with some favorite peeps, I got a little writing done, and I did some career/work stuff that I wanted to get done. And I got the photo of Howard Waldrop with my brother and Gene Ha’s Project Superman.
Beforehand I did some stuff – I made a list of what I wanted to get accomplished, wrote to a couple people who I wanted to make sure to spend time with, and I went through the con program to identify some of the panels/features that I really didn’t want to miss. I also blocked in plenty of time for hanging at the bar, which I consider a crucial part of any con. I didn’t plan out every waking minute, to be sure, but I did make sure I knew what I wanted to do. I volunteered for programming and set up an individual reading as well as being part of the Broad Universe Rapidfire Reading.
This is, I think, the sort of thing you need to do if you’re going to cons and justifying the expenditure as work/career related rather than fun. Otherwise you end up sitting in your hotel room thinking that you should be doing something or being somewhere but not quite sure what.
Absolutely, cons are about friendships, that’s one of the more enjoyable aspects. But some you know a lot of folks at and others you have to push yourself a bit. I tend to retreat when around people I don’t know, but I’ve found that if I push myself out of my comfort zone some, I end up having a much better time.
If I’d been more diligent, I would have done the following:
Found the con organizers and thanked them. The con was well run and trouble free, and the panels were a nice mix.
Organized some sort of Broad Universe coffee or lunch meet-up, as well as something with the Codex peeps.
Gone through the dealers room and introduced myself, making sure book dealers had the card for my collection. I know no one had my book for sale, which was a little dampening, but I don’t know the best way to prevent that. Do folks write to dealers ahead of time in order to make sure they know where to get the books?
How do y’all prep for conventions? Or do you even bother about this sort of thing?