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Teaser: Final Excerpt from The Crow's Murder

Abstract Image for IllustrationI finished a first draft of a new story, tentatively entitled The Crow’s Murder, today. It clocked in at 8300 words, which is technically a novelette, but I’ll probably trim enough to bring it down to official short story length, 7,500. I’m pleased with it, but there’s an angle that may let to WTFery on my writing group’s part when I run it past them. One thing I’ve done over the course of the past few days is track the progress of the story by taking pictures of early notes and saving snapshots of it from day to day. I’ll be using that in the Writing Fantasy and Science Fiction class and then looking at the story again when we get to the section on rewriting and revising.

So here it is. I hope it tantalizes you to read the rest!

I wheel the Colonel out into the day. He can walk, but prefers the dignity and slowness of the chair, in spite of its awkwardness, to having to struggle for every step. Dr. Larch will not let him have his artificial leg except when there are visitors. Otherwise it stays in the cabinet in the supplies room, along with all the rest, locked up so the patients can’t break or wear them down.

It’s just as well. Two days ago, when he surrendered it to me after a visit from his niece, the Col. said, “I knew every man of the three who owned this before me.” He slapped the brass surface. “And some fella will get it after me. Maybe someone I know, maybe someone I don’t. Do you think that ghosts linger around the objects they leave behind, the ones that accompanied them day by day? Because if so, I wouldn’t be surprised if there weren’t three ghosts riding this one.”

I didn’t answer and he didn’t expect me to. He knows my vocal cords were seared away in the same war that’s stole his leg, the same war that’s furnished most of the inhabitants of this asylum. Broken soldiers, minds and bodies ground-up by its terrible machines.

It used to be an injury was enough to get you out. Now if they can, they turn you into a clank, half human, half machine, and send you back to the lines. Nowadays we receive only the men who cannot be repaired, and here they sit or lie in their beds, waiting to die a slower death than the war would have given them, waited on by orderlies like me, other broken men who can function enough to pretend to work.

If you want to read the rest of the story, you can get it, along with at least six other stories, at the end of July by signing up to sponsor me in the Clarion West Write-a-thon. Even a small donation entitles you to the stories, so please do sign up!

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Teaser from The Threadbare Magician (WIP, short story)

Detail from a Hawaiian shirt(Feeling good and energized after WorldCon, ready to finish up a piece that’s been floating around in my head for a while. Story elements include Hawaiian shirts, a retirement community called Friendly Village, an old love affair, a smart-alecky fortune teller, rabbits, and centaurs. Here’s the current beginning.)

Old fabric holds smells better than the kinds come about in the most recent decade. The new stuff is all chemicals, rubbing the roof of your mouth like steel wool if you sniff too hard, can bite like a spell’s sting. Older silks, cottons hold household odors: cedar or cinnamon, tumeric and garlic, perfumes you can no longer find like L’Origan or Quelques Fleurs, camphorated moth balls or talcum powder. Rarely, the whiff of a person, a smell lingering long after every scrap of their DNA has vanished.

Most often just the lilac assault left by a hasty dry-clean. But the other times make it worth it.

I pulled the green XL circle aside with my thumb and kept going widdershins, into the Ls. So far the Value Village’s rack had yielded only two possibilities: an XXL black with a subtle bamboo-patterned weave, cream-colored dragons curled and coiled like sunridden clouds and an XL crimson rayon whose flame-pattern suited it to throw-away magic, a protective cloak perfect for what I was after: a trip through hostile territory with no one to watch my back.

It was a pretty day outside, the last days before summer would slant to the other side of the clock and the days begin shrinking into the grey days of fall. A day for turning up the radio and blasting “Dani California” until the sound came up through your bones.

My shirt was umbrellas, parasols really, pinwheeled against cerulean sky and white cumulus clouds. Protection, and even though it was newer and untested, I trusted it to ward off anything, magic protective gloves, more supple than lead-lined canvas but surely at least that solid.

The spell struck up from a black background, red serpents, scales lined with scallops as blue as the sky outside. Slashing bites along the outside of my left hand, locking on, tails sticking straight out as they attached themselves.

I lurched sideways.

The floor crashed up into my face, thunked against my forehead in painful collision.

Then I was gone.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.

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Documents of Tabat: Street Foods of Tabat
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What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for web-use. I hope you enjoy this installment, but you’ll have to read Beasts of Tabat to get the full significance. -Cat

An Instructive Listing of the Street Foods of Tabat, being Pamphlet #5 of the first series of “A Visitor’s Guide to Tabat,” Spinner Press, author unknown.

The visitor to Tabat will find themselves faced with a multitude of new things, and the food of the city is no exception. Carts and food stalls in particular supply many of the daily food needs of the populace.

No matter where you go in the city, you will find the bakery carts. Most belong to the Figgis Bakery, but you will also see some from smaller and independent bakeries. They sell a multitude of breadstuffs, including several pastries unique to the city: two and twos, large flatbreads which are half one color, half another; hyacinth cookies with their distinctive purple icing; and jelly cups.

Close to the docks, particularly around the Fish Market, vendors sell all varieties of sea food, cooked on the spot and fresh from the boats that have just brought it in. Many of these use the seaweed spices Tabat is famous for: ironbite with its metallic peppery taste; summer salt; and the mix of dried fish and seaweed that forms the basis of chal. Look for kerik, the sweet purple nodules of seaweed that are harvested in late summer, for a particularly exotic treat.

Sweets are usually flavored with honey from bees or Honey-mothers, or a touch of Fairy honey for those with more expensive tastes. Of late, though, the Southern Isles have been sending sugar to Tabat, expensive and rare, and a dusting of such atop a pastry or cake is considered to render it the height of culinary sophistication.

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Love the world of Tabat and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.

#sfwapro

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