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Speculative Reminiscences: Weekly Recap for 2/9/2014

If you enjoyed "Tortoiseshell Cats Are Not Refundable" and are interested in finding out more about my online classes, click here!
If you enjoyed "Tortoiseshell Cats Are Not Refundable" and are interested in finding out more about my online classes, click here!
There’s plenty of room left in my upcoming online classes.

The first part of my Asimov’s story, All the Pretty Little Mermaids, is up online.
Kate Baker does a beautiful job with the audio version of “Tortoiseshell Cats are Not Refundable”

For Writers:

Books I talked about these books for You Should Read This:

Things of Note:

Timewasters!:

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Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Sneak Peek at Near + Far's Cover Art

Here’s the cover art for the new collection, NEAR + FAR, coming out from Hydra House this fall. Since we’re doing the tête-bêche format (if you don’t know what that is, think Ace Double), there had to be two covers, one for the NEAR side and one for the FAR side. The artist, who did a great job, is Sean Counley.

The Near cover for Cat Rambo's collection Near + Far, by artist Sean Counley.
This is the cover for NEAR, referencing the story "The Mermaids Singing Each to Each." Isn't it gorgeous?
Cover for sf story collection FAR by Cat Rambo, by artist Sean Counley.
And here's the FAR side, which is equally gorgeous, and which takes its inspiration from 'Amid the Words of War.'

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WIP: Teaser From "Red in Tooth and Cog"

This is what I’ve been working on today. It’s a lot closer to being done that it was.

This is how Renee lost her phone and gained an obsession.

She was in the park near work. It was a sunny day, on the edge of cold, the wind carrying autumn with it like an accessory it was trying on before settling for it for good.

She set her phone down on the bench beside her as she unfolded her bento box, levering back metal flaps to reveal still-steaming rice, a quivering piece of tofu.

Movement caught her eye. She pulled her feet away as a creature leaped up onto the bench slats beside her, an elastic band snap’s worth of fear as it grabbed the phone, half as large as the creature itself, and moved to the other end of the bench.

The bento box clattered as it hit the concrete, rice grains spilling across the grey.

She’d thought it an animal at first, but it was actually a small robot, a can-opener that had been greatly and somewhat inexpertly augmented, modified. It had two corkscrew claws, and grasshopper legs made from nutcrackers to augment the tiny wheels on its base that had once let it move to hand as needed in a kitchen. Frayed raffia wrapped its handles, scratchy strands feathering out to weathered fuzz. Its original plastic had been some sort of blue, faded now to match the concrete beneath her sensible shoes.

The bench jerked as the robot leaped again, moving behind the trash barrel, still carrying her phone. She stood, stepping over the spilled rice to try to get to the phone, but the leaves still on the rhododendrons thrashed and stilled, and her phone was gone.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

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