The Andre Norton Award for Young Adult Science Fiction and Fantasy is an annual award presented by the Science Fiction and Fantasy Writers of America (SFWA) to the author of the best young adult or middle grade science fiction or fantasy book published in the United States in the preceding year.This year I’ve been reading for the Andre Norton Award, which has been great in that a ton of books have arrived and insane in that a TON of books have arrived and need to be read. I wanted to call out some of my favorites so far.
The Rise of Renegade X by Chelsea M. Campbell: This is listed as Jan 2014 for the paperback edition, but I believe the e-version was self-published in 2013. It’s a terrific teen superhero adventure, featuring a protagonist trying to figure out if he’s a hero or a villain. IT has a sequel as well, The Trials of Renegade X.
Conjured by Sarah Beth Durst: I don’t usually like protagonists who wake up with amnesia, but here Eve and her situation grabbed me and made me care much faster than such narratives usually do. The book managed to surprise me, and did so in a really engaging way.
Contanimated by Em Garner: This is a zombie story, so I didn’t expect to like it much. But the zombies are caused by a diet drink, and the challenge is integrating the contaminated into society. When that contaminated is your mother, it’s a whole new issue. The ending is not as satisfying as it could be – things feel a bit too easy — but overall this was a gripping, hard to put down book.
Control by Lydia Kang: Plenty of corporate-controlled futures in the YA I read this year, and this was one of the more interesting ones. The ensemble of teen characters are engaging, entertaining, and above all believable.
The Color of Rain by Cori McCarthy: This features a fairly adult theme, in that the protagonist prostitutes herself to get herself and her brother off planet. But the sex is fairly low-key and not depicted in the thorough way it might be for adults. It’s a good story with a charismatic main character in desperate straits.
Twinmaker by Sean Williams: This book is an extended exploration of the implications of matter transporters. It’s a lot of fun, fast-paced, and ingenious.
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Recent Reading From September
Linoleum print I did in 2008 (?). Meant to use it on Christmas cards, then never got around to it.I went through the usual slew of books in September, but I thought I’d mention some of the more notable ones. Links go to the Kindle edition when available, because I do most of my reading on that.
Erin Morgenstern’s THE NIGHT CIRCUS was a terrific read and one that will delight fans of THE PRESTIGE and CARTER BEATS THE DEVIL. Lots of gorgeous and beautiful description of a highly evocative setting and the love story that plays out against it.
While on a visit to Baltimore recently, I was introduced to Joe Hill’s graphic horror novel, LOCKE AND KEY. I read the first one, and am looking forward to the rest.
THE PALACE JOB by Patrick Weekes was a terrific romp of a fantasy read, and is an Ocean’s Eleven type adventure played out against a fantasy setting.
Jonathan Wood’s NO HERO and YESTERDAY’S HERO reminded me of a less frenetic Charlie Stross. Another fun and frothy urban fantasy was Jennifer Willis’ VALHALLA.
Love Joe Lansdale, but I’m reading him slowly in order to spread out the cost of getting all the Hap and Leonard novels. September held THE TWO-BEAR MAMBO as well as a collection of short fiction, BUMPER CROP.
I go back every few years to read E.F. Benson’s Mapp and Lucia novels. Why doesn’t someone do a fantasy version of these? That would be so awesome.
THE BANDIT KING by Lilith Saintcrow is a fantasy romance, the sequel to THE HEDGEWITCH QUEEN. I’ve yet to find a Saintcrow book that I haven’t enjoyed.
In nonfiction, I’ve been reading these:
RATIO by Michael Rudman, which talks about the ratios needed for certain things like biscuits vs. pie dough and explores a lot of the science. It’s fascinating, and I’m thinking about taking a year just to work through each of the 33 ratios (he goes through doughs, stock, sausage, sauces and custards) he explores.
You Should Read This: The Past Through Tomorrow by Robert A. Heinlein
A blog post I read recently used attitude towards Robert A. Heinlein as a measurement of a person’s…I’m not quite sure what, but it seemed to be connected to their worthiness to be part of the F&SF community.
I don’t care so much about that. There are problematic aspects to Heinlein’s writing, yes, and one fascinating thing about that is that they span the range of the political spectrum. But regardless of attitude, if you want to be well-read in science fiction (by which I mean you have read much of the significant material in the field and understand at a rudimentary level where it fits in relationship to other significant works), you need to have at least a nodding acquaintance with Heinlein. And if you are looking for one work that shows his range and also includes some stories that show how marvelous a wordsmith he can be, I recommend The Past Through Tomorrow: Future History Stories.
Why do you need to have read Heinlein?
Because a significant group of readers came to science fiction through Heinlein’s YA novels. Know the novels and you’ll have a better understanding of some of their sweet spots as well as many of the basics for writing a YA novel. Heinlein knew how to do it.
Because he wrote so many landmarks in the field. Decades later, they’re still using the word “grok” (from Heinlein’s Stranger in a Strange Land) at Microsoft. The Moon is a Harsh Mistress and Starship Troopers are other books that are worth grabbing if you only read a few of his books.
Because he influenced so many other writers and also interacted with and mentored many of them. Read his letters to get a sense of those interactions.
Because he is problematic. Farnham’s Freehold is infamous for how badly it’s aged and how racist it appears today, and in some ways it showcases how a writer can fail (in my opinion) to rise above the limitations of their own world view. If you want to avoid similar traps, you need to understand where Heinlein fell into them. Heinlein has some books that I recently saw described as “squicky” and I will agree that featuring an incestuous relationship with underaged twin girls, for example, in a book does strike me as squicky — (although I didn’t note it at all when reading the book as a teen). Lolita‘s squicky too. But it’s still literature. I don’t think anyone should be shamed or scolded* for having read Heinlein or even liking his work. I like a lot of his books.
To go back to the idea of using this as a measurement of who belongs in fandom and who doesn’t: this assumption is asinine. It’s a straw man argument. If you read and enjoy science fiction, you are a part of science fiction fandom regardless of what is and isn’t your favorite. And to present this as a characteristic of some monolithic block in fandom (or use it as a way to place them outside “true” fandom) strikes me as a misguided strategy if one is genuinely trying to solve divides causing difficulties in communication.
But I digress, and in doing so I’m pulling you away from some writing that has always moved and impressed me. The story, “The Green Hills of Earth,” for instance, makes me weep and sticks with me to this day. “The Man Who Sold the Moon” is another classic, with a protagonist who is one of my personal favorites. Beyond that, the book provides a sense of the chronology of Heinlein’s universe and the events that shaped it, functioning as a sampler of of his stories.
And it holds “The Menace From Earth,” a story that so irritated me that decades later it spurred my reply, Long Enough and Just So Long.
So yeah. You should read a little Heinlein. And you should read other stuff too, newer stuff. Stuff that grew out of his works, like Bill the Galactic Hero, which was Harry Harrison’s reply to Starship Troopers, or Soldier, Ask Not, which was Gordon Dickson’s answer in turn.
*I note that this has never happened to me, but several people have recounted incidents. Your mileage may vary.
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