Charlie is one of the great characters of SF and the story resonates with his voice. If you're interested in finding out more about how to write great dialogue, check out my Speaking in Another's Voice: Dialogue online class tonight, 7-8 PM PST. Cost is $29.99 ($19.99 for former and current students) For more details, click on "Take an Online Class with Cat" at the top of this page.Flowers for Algernon was originally a short story by Daniel Keyes that appeared in 1959 in the Magazine of Fantasy & Science Fiction and won the Hugo Award the following year. Seven years after the story’s publication, it appeared in novel form under the same name, and shared that year’s Nebula Award with Samuel R. Delany’s Babel-17.
What: The story is told by Charlie Gordon and involves intelligence experiments being done on both Gordon and the title character Algernon, who is a white mouse.
Who: Anyone who wants to be decently well read in science fiction should read this book. It’s a classic, and one referenced and discussed elsewhere. One of my favorite stories by Susan Palwick, the title story in The Fate of Mice, is told from Algernon’s POV.
Why: Read it because you will want to know Charlie, to hear him tell his story, and to see a master use the device of an unreliable narrator in a way that takes your heart and breaks it over the book’s knee. Read it to discover a story that has survived the test of time and will, I strongly believe, continue to do so.
When: Read this when you’re thinking about things like how a character gets the reader on their side, as well as how what a character doesn’t say is sometimes as telling as what they do. Read this when you are ready to sit down and read it in one full sitting, preferably, which is doable for faster readers since it’s a slender book.
Where and how: Read it where you won’t mind weeping; public spaces (like airplanes) are unsuitable because you will have to have a heart as hard as winter to not tear up some. This is, in fact, one of the best examples of a fabulous tearjerker of a story that I know.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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You Should Read This: An Appreciation of Maya Angelou
This picture makes me happy. What a well-deserved honor. I first read Maya Angelou at twelve or thirteen, with I Know Why the Caged Bird Sings. I was a white Midwestern girl with an academic and a journalist as parents and the world Angelou described was so different from my own experience that it helped me learn early that there were outlooks beyond my own.
Later I’d come to her poetry at a time when my ears were ready to drink it in. Her voice was sharp and observant, outspoken and nuanced all at once. Here’s one of my favorites among her poems, “I Rise.”
You may write me down in history
With your bitter, twisted lies,
You may tread me in the very dirt
But still, like dust, I’ll rise.
Does my sassiness upset you?
Why are you beset with gloom?
‘Cause I walk like I’ve got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.
Does my haughtiness offend you?
Don’t you take it awful hard
‘Cause I laugh like I’ve got gold mines
Diggin’ in my own back yard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?
Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
Learning of her death this morning was a blow. She was bold and wonderful and eloquent, all that a poet should be. She spoke about our times and testified to her experience so others could learn from it. I have a special family in her heart, made up of the writers that have shaped me. Chaucer’s there, and Joanna Russ, and so many others. I wish I’d had the chance to meet her in person.
Here’s a recent quote from her I came across this morning and love: The ache for home lives in all of us, the safe place where we can go as we are and not be questioned.
I’m glad you’re home, Maya. But oh, those of us still aching for it will miss you.
"Words create sentences; sentences create paragraphs; sometimes paragraphs quicken and begin to breathe." - Stephen KingWhen I taught at Hopkins, the students used to defiantly bring up King as an example of what they liked to read. It always surprised them when I said I liked him too. It feels like I’ve been reading Stephen King all my life. At least, for a very long time. He’s produced a lot of wonderful books, including one of my favorites, The Stand. In this book you get to see beneath the covers on a lot of those books.
What:On Writing: A Memoir of the Craft by Stephen King is divided into two parts. The first is an autobiographical look at his writing over the years. It is unflinching and honest and well worth the read. The second is stuff about writing. It is also unflinching and honest and well worth the read.
Who: If you are a writer who buys writing books, it maybe impossible for you not to know about this book already. If you’re a writer who doesn’t read books about writing — this one’s worth picking up.
Why: Read this to become a better writer, or just to understand the craft better. King uses the metaphor of the writer’s toolbox, which is a very useful one.
I want to suggest that to write to your best abilities, it behooves you to construct your own toolbox and then build up enough muscle so you can carry it with you. Then, instead of looking at a hard job and getting discouraged, you will perhaps seize the correct tool and get immediately to work.
What goes in your toolbox? Vocabulary and punctuation. Point of view. Literary Devices. Foreshadowing. You get the picture.
When: Read this when you’re feeling a bit starved for the muse and want to be reminded that writing is a matter of work, not divine inspiration.
Where and how: Read it with pen in hand, ready to underline and make notes that apply to your own writing. Read it with King’s books close by, so you can reach for them and see his principles played out in their pages.
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