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Teaser: More from Laurel Finch

Illustration to accompany steampunk snippet by speculative fiction writer Cat Rambo
Interested in learning how to get opportunities to interview writers and publish the results as well as has to conduct yourself in an interview? I've got a one hour class coming up on just that, on February 19, 7-8 PM PST.
This is the steampunk world (Altered America) I’ve been writing in lately, and I’m pleased to say Beneath Ceaseless Skies just took another of the stories set in it, “So Little Comfort.” The title of this story is “Laurel Finch, Laurel Finch, Where Do You Wander?”

She was awake. She jolted upright, disturbing Laurel, who said something drowsily. Jemina stroked her hair with her right hand, settled the child back into her lap. Her heart still hammered uncomfortably.

She looked out the window into the darkness and could see only the reflection of the car’s interior for a moment. Then as her eyes picked out detail, she saw the stars hanging far overhead, the blaze of the Milky Way, a curdle of starlight spilling over the plains that rolled out as far as the eye could see.

Chuggadrum, chuggadrum, the sound of the wheels underfoot, the everpresent vibration working its way through her body as they hurtled through the night towards Seattle.

They’d promised her a laboratory of her own. A budget. Assistants.

Things she could do without interference. That was worth a lot, for a woman in a field that held so few other of her sex.

“I have nightmares sometimes too,” Laurel said.

Jemina’s hand sleeked over the curve of Laurel’s skull, cloth sliding over glossy hair.
“We all do.”

“What are yours about?”

“The war. What about yours?”

Laurel lay silent so long that Jemina thought she had gone back to sleep. But finally she said, “How my parents died.”

Jemina’s fingers stilled as though frozen. She waited.

“We were in the house and they came,” Laurel said. “My uncle said they were supposed to stay on the battlefield and no one knew they went the wrong way.”

Her voice was subdued, thoughtful.

“It would have been all right, but papa heard them at the door and he went and opened it. That was how they got in.”

Jemina saw in her mind’s eye, despite her attempt to force it away, the scene: the man mowed down, devoured with that frightening completeness that zombies had, before they moved on to the rest of the house…

“How did you get away?” she asked.

“I jumped out the window and ran away. I tried to get my brother first, but it was too late, so I ran.”

“Your brother?”

“He was just a baby. He couldn’t run.” Laurel moved her head in slow negation. “Too late.”

Jemina closed her eyes, feeling the story wrenching at her heart.

These things happened in war. They were sad, yes, but unavoidable.

The wheels screeched as the train unexpectedly slowed. Both of them sat up to look out the window.

“Whose are those men?” Laurel asked.

“I don’t know.” But she suspected the worst, given the fact that the group had their bandanas tugged up around their faces, that many had pistols or Springfield rifles in their hands.

“They’re bandits!” Laurel’s voice was excited.

“Yes,” Jemina admitted.

They waited. Around them, everyone was abuzz, but stayed in their seats.

The front door of the car swung open and two men entered, both holding pistols, red cloth masking everything except their eyes. Both were hatless, their stringy hair matted with dust and sweat.

“We’re looking for a fellow name of J. Iarainn,” one called to the car at large. “You here, Mr. Iarainn? If not, I’m going to start shooting people one by one, cause according to the manifest, you’re in this car.”

Jeminia held up a hand. “I am Jemina Iarainn.”

Her gender astonished them. They squinted at her before exchanging glances.

“You’re headed to Seattle and the War Institute to work? Some kinda necromancery?”

“Yes to Seattle, yes to the War Institute. No to necromancy. I hold joint degrees in medicine and engineering, specializing in artificial limbs.”

Exasperation kept her calm. Why should these dunces not believe a female scientist could exist? And necromancy — she was, by far, tired of that label. She worked with devices for the products of such technology, but she wielded the forces of science, of steam and electricity and phlogiston.

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Book Promotion Notes from the First Week

Publisher Tod McCoy wearing one of the necklaces made for Near + Far.
Publisher Tod McCoy of Hydra House wearing one of the necklaces made for Near + Far.
As you may know from the five bajillion posts and tweets and updates and god know what all else, I just had a book come out. I tried to have a somewhat coherent, or at least well-documented, promotion battle plan. Some stuff worked, some things worked better than others, and some stuff I dropped the ball on.

Things I did included:

  • Making jewelry: Anyone following the blog has seen the jewelry based on the interior art that Mark W. Tripp and I put together. They turned out beautifully and were a lot of fun to make. I’ve used those pieces as giveaways at the book launch post, as well as various web giveaways, and people seem to like them. I’ve been able to post some pictures of people wearing those, and that’s been fun as well. I made sure the pieces I handed out at WorldCon had chains with them, so people could put them on immediately and many did. I also made special versions for blurbers and other people involved with the book design.
  • Sending out an email: I sent out an email listing what people could do to promote Near + Far. I sent it to friends, fans, fellow writers, anyone I thought might be interested, and tried not to be too spammy about it, including a way they could remove themselves from my mailing list.
  • Contacting book bloggers and reviewers: I contacted a number of people, making my list simply by poking around on popular spec fic sites to look at their blogrolls. I’d intended to set up a blog tour, but didn’t get my act together on that, so there was no organized effort along those lines, but I did do a number of interviews.
  • Getting stories out there in both audio and print form: Figuring that samples of my work were one of the best ways to intrigue people, I sent out a lot of stories, including a number of audio reprints. I made sure that in the bio statements for each of these I mentioned the new book.
  • Goodreads giveaway: I set up a Goodreads giveaway, following the excellent suggestions Emily Chand laid out in How to Run a Goodreads Giveaway with Maximal Results. The giveaway is currently on its last day, with 752 people requesting it, which seems like a good result, particularly since a third to half of them have added it to their to-read list.
  • Blog giveaway: I gave away three pieces of jewelry on the blog, and had about a hundred entries all together. In retrospect, I might follow the poilicy mentioned in the Goodreads piece and just distribute one thing at a time, but next week I’ll be doing a sticker giveaway with stickers from the interior art.


So what’s in store for this week? Well, mostly preparing for a trip to the Baltimore Book Festival. I’ll be taking some stickers and jewelry along with me, but my focus is selling books. Beyond that, I’m continuing to send fiction out (got six pieces circulating over the weekend), preparing for another Goodreads giveaway, the aforementioned sticker giveaway, and trying a giveaway on Shelfari as well.

What all have I neglected? I’m still struggling with the mobile app intended to accompany the book, for one. I’d hoped to have more audio available, but still need to work on recording that (along with some other pieces I’ve promised to narrate). Overall, I’d give myself a solid B for my efforts, but I’ve made plenty of notes of things to do better next time.

...

Exploring Near + Far's Interior Art: Row 5

Last day of the giveaway! Remember that you can comment five times (one per giveaway post) in order to be entered five times in the jewelry giveaway. Here’s another shot of that jewelry, just because it’s so pretty. 🙂

Near + Far jewelry
Near + Far jewelry, based on interior art by Mark W. Tripp.

The book launch has been going well. If you’re one of the people who’ve finished the book already, Amazon reviews are most welcome if you feel so inclined. (Yeah, I know that’s shameless, but I’d really like this book to do well because I love it so much.) Lots of people have signed up for the Goodreads give-away and 165 people have added it on there.

Some of the interviews, reviews, and guest blog posts:

Art by Mark W. Tripp for Cat Rambo's Near + Far interior
Row 5

So here’s the last five of our images, left to right.

Image #1 accompanies the story “Angry Rose’s Lament.” It’s another of the images that remind me of a submarine, if you had one carved by Aztecs.
Image #2 was chosen to go with the story, “Long Enough and Just So Long.” I like this image to the point where I’m considering another tattoo, featuring this. I don’t know why it appeals to me so much.
Image #3 was chosen for its swordlike aspect to illustrate the superhero story, “Ms. Liberty Gets A Haircut.”
Image #4 is set with the story “Seeking Nothing.” This one’s half submarine, half brass musical instrument.
Image #5 illustrates the story “Surrogates,” because it often looks to me like a laughing jester’s face, of the sort that perfectly illustrates that story.

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