Still working on 2015’s business planThings I have made so far this year:
Some words
A lot of ebooks
A loaf of bread
Quite a bit of yogurt
Danish pastry dough
Flaxseed crackers
Ricotta cheese
Cashew cheese
Several pots of coffee (seven to be be precise)
What I have written:
One blog post
One freelance piece
Several pieces of flash
Part of what looks like it might be a superhero novel
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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Class Notes from Writing Fantasy and Science Fiction Stories - Week One
Keep an eye on the world around you and see what stories present themselves.As I said in class, I’ll be posting notes after each Wednesday session, which all three classes can use to ask questions about or comment on what we covered. I encourage the students to hop into the discussion here, but it’s also open to the public.
We started by talking about what makes a story and the idea of character(s) involved in a conflict with rising tension that moves to a resolution at the end. It’s a pretty classic model and Vonnegut says some useful things about it here. Everyone brought a two line description of the story they’d like to write, and we listened to those and talked about which would work as is for stories and which need some narrowing down.
In discussing how we know when a story will be good, we looked at the first few paragraphs of stories by Carol Emshwiller, Joe Hill, and Kurt Vonnegut. I asked you to, in the coming week, look particularly at how people begin stories, and for Week 2, people will be bringing in a story beginning by someone else that knocks their socks. I mentioned that there’s plenty of online magazines to find speculative fiction in and here’s a brief starter list for you (feel free to add recommendations in the comments): Abyss & Apex, Beneath Ceaseless Skies, Clarkesworld, Daily Science Fiction, Lightspeed, Strange Horizons, and Tor.com. One of the things I mentioned is that reading other people’s short fiction, particularly good stuff, is important: you’ll find more story ideas coming to you, you’ll learn new tricks from them, and you’ll become familiar with the markets you hope to sell to.
We also spent some time on writing process and the idea of timed writings, as taken from Natalie Goldberg’s Writing Down the Bones and did some in class. Feel free to post yours here if you like it. I urged you to spend some time this week thinking about your writing process and perhaps trying to change it up a little: writing by hand instead of the keyboard, or in a place you don’t normally write.
I’m off to Multiverse Con next week – it’s their first year, and I’m there as Industry Guest of Honor along with Seanan McGuire and John Piccacio. Come say hi if you’re there! Two weeks after that I’ll be up in Surrey BC as a presenter at the Surrey International Writers Conference.
In writing stuff, I am working hard this month on EXILES OF TABAT, which should go to beta readers on November 1. THE FIVE OF US, my middle grade space opera, just went off to readers at the beginning of the month. Next up in writing is the sequel to the Tor space opera, which will be my November project. In December, I’m going to focus on short stories and outlining three of my 2020 projects: a horror novel, a novella project, and the third space opera book.
I just got the advance reading copies of CARPE GLITTER, my novelette coming out on the 29th with Meerkat Press. It’s a slim little book, and contains the story of a young woman who finds more than she expected when cleaning out the accumulated belongings of her stage magician grandmother, and asks the question – what do we do with unwanted inheritances when they’re part of our family?
Really enjoyed this family drama cum magic (mostly black) taking place in a late Not-So-Fairy-Grandmother’s house. Trying to find some interesting (and probably sellable) stuff in her deceased granny’s house, Persephone stumbles on stranger and more dangerous things than she had hoped for. A short, enjoyable and beautifully mastered anti-fairy tale novella, which offers more than its glittery surface indicates. Highly recommended for the readers who like true complexity hidden behind apparent simplicity.
This weekend, the Rambo Academy presents two new live online writing classes that I’m excited about. The first, Writing in the Cracks: Finding Time to Write with Diane Morrison, is aimed at people prepping for NaNoWriMo next month, and provides guidance for making and defending writing time. It’s $49 (or $39 for Patreon supporters and former students.) If you can’t make it, don’t despair! Next week the on-demand version will be up as well.
The second class on Sunday is a timely one if you’re thinking about Halloween fiction. Crimson Peaks and Menacing Mansions: How to Write Gothic Horror is a session where Catherine Lundoff will provide lecture and writing exercises designed to help you incorporate gothic horror into your own writing. It’s $99 (or $79 for Patreon supporters and former students.)
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You’ve accomplished stuff this early in January!? You are amazing, I put away the Christmas stuff, and that’s only because I had company coming
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