Documents of Tabat: Fashions of Tabat

I announced new online classes as well as the next round of classes and news about my teaching schedule for 2014.

For Writers:

• I discussed how to write in order to have an impact on the reader and made some observations about collaborations.
• Having trouble getting a non-SF reader to enjoy your favorite SF book? This may explain why.
• Charles Coleman Finlay talks about the slush pile for his guest editor issue of the Magazine of F&SF.

I talked about these books:

• Classic feminist text Woman and Nature: The Roaring Inside Her by Susan Griffin
• Poetry collection The Essential Rumi, translated and arranged by Coleman Barks
• Nonfiction book A Biography of the English Language by C.M. Millward
• New space opera novel Ancillary Justice by Ann Leckie
• Classic animal fantasy novel Watership Down by Richard Adams

Time Wasters!

• A review of several books about the OWS movement talks intelligently about the history and implications of the movement.
• Scientists discover new poems from Sappho.
• G. Willow Wilson will be writing the Ms. Marvel comic.
• How moles dig. Because you always wanted to know.
• Some absolutely stunning photographs by Russian photographer Elena Shumilova of her children and farm animals.

Interesting Social Media Links

• A piece I did for the SFWA blog on Shelfari.
• Not social media related, really. but if you are working on the Internet, I strongly recommend two-factor authentication.

This video can be read as an inspiration for writers:

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So one of my resolutions, post-Confusion, was to be better about social networking and spreading word of my projects. Towards that end I’ve been posting scraps of the WIP on a daily basis (and plan to do so until it’s done or someone buys it), doing more writing for the SFWA blog (just finished up a review, and I’ve got interviews scheduled with authors Myke Cole and Jason Heller) as well as a series I proposed on Thomas Burnett Swann for the Tor.com blog, and — in keeping with my belief that one of the best ways to promote yourself is to promote other people — trying to mention interesting stuff on various social networks.

So – it’s weird, but they all have such a different vibe for me that I find myself posting different stuff depending on what the network is, and this, I think, leads to a certain amount of inefficiency and wasted time, which since in theory I am a fiction writer more than I am a blogger is something I should curb.

I’ve pretty much abandoned Livejournal, and I don’t know whether that’s a good or bad thing. I should probably set up a widget to collect G+ posts or Twitter tweets on there. Google+ is great (and my favorite, truth be told), but not everyone is on there. I use it a LOT for class stuff.

Facebook is where almost all of my family members are (and where I get most of my baby pictures, between certain people named Corwin, Dresden, Leeloo, and Mason) and it’s also where I seem to talk about politics the most. Twitter and I have an on-again, off-again relationship, and I always feel like I’m missing parts of the conversation on it in the BLAST of stuff from the firehose of tweets constantly crawling up my page. And then there’s this blog as well.

One of the things hampering me in setting up a good system is a feeling that too much social interaction can be a bad thing — that people will unsubscribe if there’s too much, and it seems as though that varies from one network to another. I like Jay Lake’s Link Salad — and maybe one thing to do is collect the links and stuff posted on other networks to present here in a weekly entry. Is that something people who read this blog regularly — or sporadically — would find useful?

And should I be posting the same stuff on all the networks? I took a look at what I’d posted over the course of one day on FB, Twitter, and G+ and while some stuff got crossposted, there wasn’t a lot of overlap.

Part of the reason I’ve never cottoned to Twitter is that it feels like you’re shouting all the time. I like being able to like or + a comment to show I read and appreciated it without feeling like I have to say something. And conducting a conversation on the latter two feels like…a conversation, while Twitter feels like shouting across a room of people who aren’t particularly interested (or else are overly so) interested in the conversation.

What do you think – how much social networking is too much? Do you stick to a particular network or employ the same scattershot approach?

Enjoy this advice about social media for writers and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.