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Documents of Tabat: Fashions of Tabat

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What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for web-use. I hope you enjoy this installment, but you’ll have to read Beasts of Tabat to get the full significance. -Cat

An Instructive Listing of the Fashions of Tabat, being Pamphlet #2 of the first series of “A Visitor’s Guide to Tabat,” Spinner Press, author unknown.

Tabat, like any city, has fashions that distinguish it, often shaped by the city’s history and resources. To look like one of the natives, you may want to purchase one or more of the following to wear.

Feather cockades, worn pinned to the breast or on a hat, represent a long tradition in the city. The explorers of the early expedition Perseverance found a river of feathers, cast off by vast flocks of waterfowl. They brought back sackfuls of the varicolored feathers to the city and it became customary to show one’s support for one expedition or another by wearing the cockades. In recent times they have become associated with different political powers in the city and with the coming of the elections, they are widely used to indicate one’s party affiliation.

Rain market hats, wide-brimmed and tightly woven of purple reeds, are seen in abundance on the streets of Tabat and are as functional and cheap as they are picturesque. Some sellers sell hats with designs or slogans painted upon them, often distributing the latter at political rallies.

Great-coats, woven of wool or made of dyed fur, are traditional gear for Merchants, Explorers, and others who travel widely. Their styles may vary from year to year in matters like buttons, pocket cut, or thickness of piping, but generally they remain the same in overall look.

Dandies of either sex prize the fine lace gloves produced by the Altos factory, where they are woven by the large spiders exclusive to Altos use by order of the Duke. If on the street outside where they are housed in early morning or evening, linger to hear their haunting song.

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Love the world of Tabat and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.

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Post WorldCon: Happy Daze

It’s the day after the last day of Chicon 7, and I have caught up a little on sleep. I had one of the best times I’ve ever had at a convention, and the book launch party went (IMO) swimmingly. Lots of people showed up, people really loved the jewelry and the stickers, and everyone seems to think the book design almost as cool as I do.

Some people who helped make it the most awesome of cons were: Al Bogdan, who’s provided some lovely party pics; the enigmatic Folly Blaine/Christy Johnson, who is always good con company; Randy Henderson, who pitched in when needed and also kept everyone from taking things too seriously; Stina Leicht, whose book And Blue Skies From Pain was also being promoted at the party and who was an excellent co-host as well as providing a vicarious experience of being on the ballot 😉 ; Vicki Saunders, who trekked and fiddled and above all, kept me from stressing (too much); Dallas Taylor, bartender extraordinaire and always, always, always Tod McCoy for being one of the prime instigators of all this madness.

Various highlights:

  1. Watching the Hugo Awards from the bar with Folly Blaine, Gio Clairval, and Tod McCoy and supplying what John Scalzi was saying since we didn’t have any sound.
  2. Lovely lunch with Kay Kenyon and all too brief Louise Marley time.
  3. Several people thanking me for personalized rejections from Fantasy, and one young man saying that rejection was one of the reasons why he was still writing.
  4. As always, meeting many people I knew from correspondence or social networking and getting a chance to put faces and voices to the icons and screen names. Two I was particularly excited to meet were Gio Clairval and Jay Caselberg.
  5. Getting to squee like a fangirl upon meeting Sharon Shinn.
  6. A stint at the SFWA table and getting to stroke Catherine Lundoff’s lovely book cover for Silver Moon, which is a kickass novel about menopausal women turning into werewolves, which I’m downloading onto my Kindle asap.
  7. The Broud Universe Rapidfire Reading, which was jampacked with great stuff, including a closing filk song, which was about the nicest way to end a reading that I’ve seen or heard in a long time.
  8. Getting to see Rachel Swirsky in full and beautiful glitter.
  9. A lot more which is still full of happy, giddy blur, so if I’m overlooking you, it is because my memory is still aswirl. 😉

...

Teaser from The Threadbare Magician (WIP, short story)

Detail from a Hawaiian shirt(Feeling good and energized after WorldCon, ready to finish up a piece that’s been floating around in my head for a while. Story elements include Hawaiian shirts, a retirement community called Friendly Village, an old love affair, a smart-alecky fortune teller, rabbits, and centaurs. Here’s the current beginning.)

Old fabric holds smells better than the kinds come about in the most recent decade. The new stuff is all chemicals, rubbing the roof of your mouth like steel wool if you sniff too hard, can bite like a spell’s sting. Older silks, cottons hold household odors: cedar or cinnamon, tumeric and garlic, perfumes you can no longer find like L’Origan or Quelques Fleurs, camphorated moth balls or talcum powder. Rarely, the whiff of a person, a smell lingering long after every scrap of their DNA has vanished.

Most often just the lilac assault left by a hasty dry-clean. But the other times make it worth it.

I pulled the green XL circle aside with my thumb and kept going widdershins, into the Ls. So far the Value Village’s rack had yielded only two possibilities: an XXL black with a subtle bamboo-patterned weave, cream-colored dragons curled and coiled like sunridden clouds and an XL crimson rayon whose flame-pattern suited it to throw-away magic, a protective cloak perfect for what I was after: a trip through hostile territory with no one to watch my back.

It was a pretty day outside, the last days before summer would slant to the other side of the clock and the days begin shrinking into the grey days of fall. A day for turning up the radio and blasting “Dani California” until the sound came up through your bones.

My shirt was umbrellas, parasols really, pinwheeled against cerulean sky and white cumulus clouds. Protection, and even though it was newer and untested, I trusted it to ward off anything, magic protective gloves, more supple than lead-lined canvas but surely at least that solid.

The spell struck up from a black background, red serpents, scales lined with scallops as blue as the sky outside. Slashing bites along the outside of my left hand, locking on, tails sticking straight out as they attached themselves.

I lurched sideways.

The floor crashed up into my face, thunked against my forehead in painful collision.

Then I was gone.

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