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Guest Post: Roxanne Bland on Living in the Underground

“This is the weirdest book I’ve ever read.”

That’s what one woman wrote in her pre-release review of my paranormal urban fantasy/romance/science fiction hybrid The Underground. What a fabulous compliment! I wasn’t going for weird when I wrote the story but that’s the way my mind works so I’m happy to know my weirdness shone through. Still, I wonder what it was about the novel she found strange. Could it be The Underground is the story of an alpha werewolf and an interstellar assassin who fall for each other? Hm”¦maybe it was the sex. It’s not every day one snags a ringside seat at the Bedroom Olympics where one of the partners is an eight-foot wolf.

I’ve been asked how I came up with an outlandish tale like The Underground. Well, it’s like this. One oppressively hot and humid afternoon, I was sitting in a city bus with no air conditioning, sweating buckets in my vinyl seat and breathing car exhaust from outside the open window. Between the heat and the pollution, I was close to fainting. I didn’t want that to happen because the bus people the city where I lived were notorious for swiping your stuff if you fell asleep or died or something. So I started playing the “what-if” game. The game starts with a question, and then I keep asking questions about whatever topic I’m exploring until I’ve spun it out to it’s logical””or not-so-logical””conclusion. It’s not that much different from a teaching tool called the Socratic method, a sick, twisted version of the what-if game professors play with their innocent students.

Sweltering in that uptown bus, I asked what would it take for a werewolf to survive in today’s world?

I flung myself down that rabbit hole with glee, envisioning various rural and urban scenarios, the problems they present and how our werewolf could successfully deal with them. I was noodling my way through a complication when it struck me that a werewolf trying to lead as normal a life as possible in his world where he is marginalized and hunted by those in power wouldn’t be that much different from someone trying to lead a normal life in our world where he is marginalized and hunted by those in power. People die every day because of their skin color, sexual orientation and identity, belief systems, and whatever else the various human tribes, being the xenophobic and murderous lot they are, find unacceptable. To live, a werewolf would have to spin a web of lies and keeping track of them all would be a Herculean task. Then there’s having to live in a constant state of hyperawareness, knowing every person who crosses his path is a potential enemy. Surviving the human horde would be like walking a tightrope a hundred feet above the ground without a safety net. What a hard and exhausting way to live. But how much different really, is the werewolf’s life from his real-world counterparts””those who can’t escape the closet, who can’t break out of the egg, or who can’t bear living life as a second-class citizen? I didn’t create a world for The Underground“”it’s our world.

That’s not quite the end of it, though. I was in the middle of an explanation about The Underground world to a friend (and potential reader) when she interrupted me and said, “so why the space alien?” First, let me tell you that rabbit hole took me to some mighty strange places. While I was rooting around down there, I began thinking about how someone from another planet might be treated by society’s outcasts if they discovered her. All things being equal, would they embrace her otherness, recognize her as kindred and hide her amongst themselves? Or, like humans, would they reject her, seeing her as a threat and betray her presence to the larger world? I had no answer. But the question intrigued me so I decided to explore it. If you want to know how it worked out, buy my book.

So the trials faced by werewolves and other paranormals trying to survive in a fantasy world where exposure means certain death aren’t much different than the those faced by any other persecuted people in the real world. Which led me to a final question: What would happen in The Underground’s world””or in this one””if the downtrodden reached the breaking point and decided they wouldn’t take their lot anymore? History tells us the answer. Oppress people long enough and hard enough, they will eventually rise up. And the results won’t be pretty.

About the author: Award-winning author Roxanne Bland was born in the shadows of the rubber factory smokestacks in Akron, Ohio but grew up in Washington, D.C. As a child, she spent an inordinate amount of time prowling the museums of the Smithsonian Institution. She also spent an inordinate amount of time reading whatever books she could get her hands on, including the dictionary. A self-described “fugitive from reality,” she has always colored outside the lines and in her early years of writing, saw no reason why a story couldn’t be written combining the genres she loved, and did so despite being told it wasn’t possible.

Today, she writes stories that are hybrids of paranormal urban fantasy, romance, and science fiction. She is enamored of Great Danes and has been owned by several. She lives in Maryland with her current owner, Daisy Mae. Discover more at http://www.roxannebland.rocks, or follow her on Twitter as @RoxanneBland2.

This was a guest blog post.
Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
  • A recipe or description of a meal from your upcoming book
  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
  • Women, PoC, LGBT, or other wise disadvantaged creators in the history of gaming, ranging from very early times up to the present day.
  • F&SF volunteer efforts you work with

Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Guest Post: Jasmine Arch on A Safe, Inclusive Haven for Writers

I do my writing in between the cracks of a fulltime job, four dogs, two horses, and the renovation of our house, in which a lot of the work is done by my husband and myself. So yes, my writing time is precious. Very much so. However, most evenings, at least one hour of my time, and sometimes more, is not spent drafting, revising, or editing. Not exclusively. That time is spent in an online writing community, where I am one of the founding members.

Typewriter logo, with the letters for "Inkubator" in red in a single line of keys.

For some people who, like me, live in a part of the world where English is not a prevalent language, where cons are few and far between and writing groups even more of an oddity, these online groups are pretty much the only opportunity we have to interact with other writers on a regular basis.

When we first started out, our community had a whopping ten members, give or take, and already we spanned the globe. We had several members living in the US and a strong contingent of at least four people in Europe and Asia, jokingly called the night shift.

But as we built a website, ventured onto Twitter and Reddit, and started promoting our community, our ranks grew and our modest little Discord server sprouted channels left and right. And one thing we always agreed on is that we want to be welcoming to new members.

We want no one to feel unseen, unheard, or unimportant.

I think we’re doing something right, as our membership continues to expand. As of now, eighteen months into our collective journey, we have just over two hundred members. And what I love the most about them is that they are so so wonderfully diverse, and they feel absolutely comfortable talking about their similarities and differences.

We are a home away from home for members of the PoC community, for those who identify as LGBTQIA+, people for whom English is a second language, neurodivergent folks…

If you write, or if you want to write but are struggling to find the courage, then you have a place with us.

As a group, we have a large number of activities going on all the time. We trade critiques, but we also brainstorm when one of us needs help, and we have word sprints to help you get that draft out on the page. Sometimes, it’s as simple as listening to music together in one of our voice channels while you’re writing. Experienced rejectomancers are always at hand to engage in this fine and honorable art. We commiserate when a rejection comes in and cheer for every acceptance.

We laugh together, cry together, and most of all, we are there for each other, constantly pushing each other onwards and upwards.

Nothing makes me prouder than to have stood at the cradle of the INKubator, and to be at hand when a moderator is needed, though that is rarely the case. Nothing brings me more joy than to see a 15-year-old writer’s happiness over an accepted drabble, or to see one of our members adopting the pronoun roles we implemented on the server to avoid misgendering and show that we actively work at being allies.

And so, the writing time I sacrifice doesn’t feel like a sacrifice at all. It’s a joy and a treasure that I hope to have for a long time to come. If you’re considering starting up a similar initiative, I can only advise you to give it a try. It enriches you and your writing in more ways than you thought possible.

If that thought overwhelms you, why not join an existing community? Not every group is the same, and neither is every writer. Gods know we can play and banter as hard as we work and some may find that a bit overwhelming.

There’s only one way to find out whether the water is too hot, too cold, or just right, and that’s by dipping your toes in.

If you’d like to learn more about the INKubator, you could have a look at our website, but the best way to get to know us is by stopping by for a visit.


Headshot of Jasmine Arch with happy dog.BIO: Writer, poet, and narrator Jasmine Arch lives in the Belgian countryside with two horses, four dogs, and a husband who knows better than to distract her when she’s writing.

She grew up devouring her brother’s collection of sci-fi and fantasy novels, and her love of the written word in all its incarnations goes back further than her memories and knows no rivals, except the long-suffering husband, though coffee and shoes come pretty close.

Her work has appeared in Illumen Magazine, The Other Stories, and Quatrain Fish, among other places. Find out more about her at jasminearch.com, or connect with her on Twitter @Jaye_Arch.


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

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Guest Post from Sandra Odell: Fantasy Audio

Steam punk girl with headphones
Check out Audible.com for even more audio fiction.
Do you recall being read to as a child? The highs and lows of a familiar voice lulling you to sleep or keeping you entertained, if only for a few minutes? Where did it happen? In bed? Curled up together on the couch or in a favorite chair? On the subway? Outside under a tree? What did the voices read? Works by Laura Ingalls Wilder? Doctor Seuss? Langston Hughes? Judy Blume? Staples such as Goodnight Moon, Pat the Bunny, The Hobbit, There’s A Monster At The End Of This Book, any of the Harry Potter books?

Readng to as a child stimulates a number of areas of growth: language development; social bonding; letter and color recognition. Not that the child cares about any of that. Reading fantasy to a child opens up worlds of possibility. When done right, all the child cares about is the next line in the story, the next fantastic moment and location that will sweep them away to somewhere wondrous where they don’t have to do chores, finish homework, or hurt, if only for a little while.

The same can be said for audio fantasy fiction as an adult. Load an audio book, click on your favorite podcast, and let someone tell you a story. I’m not talking radio dramas or stage performances, though those have their merits. I mean a story or novel, something with the “he said”, “she did”, “they saw” intact, A full package deal with one narrator or many, sound effects and music or a bare bones production. There is something about listening to a story that allows our thoughts to soar. We focus on the wonder of the written word brought to life by the tradition of passing tales from one generation to another. Good stories make us feel. Great stories make us think.

All of the above is a fancy way of saying “I like audio fiction.”

The development of easily accessibly audio fiction has opened doors to a whole new audience of readers. Whether on a bus, at home alone, in the gym, driving to work, or “too busy to read”, audio fiction is the perfect hands-free medium to indulge yourself in a bit of fancy while continuing about your day. I often listen to stories while doing household chores, and audio books frequently transform rush hour traffic into quality time. At night, I put myself to bed with my favorite fantasy or horror fiction podcast. I have friends who listen to books while jogging or working out, and one who keeps a CD collection of Bradbury’s works in the bathroom so she can “read in the tub.”

SF/F/H/YA fiction have benefited from a variety of audio markets that allow readers to sample new authors, revisit old favorites, and delve into new areas of interest. Larger chain bookstores rarely deviate from the regular offerings of the major publishing houses. Audio fiction allows you to mix it up a bit, seek out different voices, under represented voices, women writers, LGBTQ writers, writers of color, writers with disabilities.

Services such as iTunes, Audible.com, and Blackstone Audio offer short story collections and a range of full length novels. A growing number of genre fiction podcasts present a selection of short fiction from both new authors and seasoned, award-winning writers of note. Certain podcasts also produce classic genre stories that might otherwise be overlooked by modern readers in the hurry and crush to buy the next mass-market best seller. Not that there’s anything wrong with best sellers. I listen to those as well.

Audio fiction is often free in the case of podcasts, is relatively cost competitive when compared to physical books or eBooks, and is often far more portable. Multicast productions present distinct character voices, while certain narrators are skilled enough to breathe life into the story with the barest of inflections. Most podcasts are produced under a creative commons license that encourages you to share the work with friends or on any number of social media platforms so long as you don’t change the attribution or the production itself. You can loan someone an audio CD or file of a downloaded work, but please don’t give copies away. Like writers, narrators and sound crews work hard to produce the best product possible and deserve to be paid for their efforts.

So, it’s a big audio world out there. Where do you start? Check out the links to some of my favorite genre fiction podcasts below and see what tickles your ears’ fancy.

#sfwapro

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

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