Guest Post: Food and SF in Jewish Australia - Part 2 by Gillian Polack

So, as a middle schooler, I thought that Awesomewriter65 would be the perfect username for my Wattpad. I had then started writing Happy Endings.

This story was practically my baby. I worked out ever single detail I could and planned it to the tee. Even though I have everything for it planned, I still have not finished my entire novel. I have been rewriting, revising and planning this entire universe since I was in the sixth grade.

Since publishing chapters of Happy Endings on Wattpad, so far I have gathered over 1k in views. In honor of the many years I have been posting chapters of Happy Endings, I thought I’d share with you my favorite scene from Happy Endings.

Before I share the excerpt, I should probably tell you what my story is about. This summary was pulled from my Wattpad account:

Will they be able to stick together?”

Now, the following is an interaction between the lawyer, Shane, and the twins’ sister-in-law, Angie. If you have any interest in reading more, follow my Wattpad page and check out my posts there.

“Shane stayed in a dirty motel a few blocks away from a few restaurants. This was his first custody case. Shane mostly worked with cases in which someone sued someone else. The only thing he hoped for is not bonding with the twins. That would be horrible. He was hired by the twins’ mom to represent them, but somehow let their mom win. For the sake of the case, and for the sake of him getting his money, he had to let their mom win and had to not get attached to the two teens.

As he threw his clothes in the dirty dresser that smelled like mold, he hoped the dresser wouldn’t ruin his clothes. The room was dark and dusty. There was one bed and a dresser and a square T.V. There was a bathroom, a small one at that. The room was quiet. It was almost too quiet. He could hear his own heart beat. It was a nervous heartbeat. It was a guilty heartbeat. The kind of heartbeat you get after someone gets furious with you and you’re afraid they’ll never forgive you.

All he had left in his brown matted up suitcase was a couple of black shirts and some socks. He shook, startled when he heard a knock at his room door. Shane stood silently hoping the knocking would go away and he could watch T.V. His body was like a deer when it sees headlights. Only fear pumped his blood. The knocking soon turned into banging and he gave in and slowly walked to open the door. When he opened the door, he saw a short British woman with dark red hair crossing her arms. Her arms were crossed and anger spread across her face.

Shane put on a fake face to hide his fear. ‘Hey, dollface,’ He said to her. ‘How ya doin’?’

Angela jabbed her pointer finger at Shane’s chest yelling, ‘You’re a fraud!’ She backed him up into the room and slammed the door behind her.

Shane crossed his arms, ‘What in the world are you on about?’ He snapped.

‘What am I on about? Don’t act like you don’t know,’ she replied in a irritated voice.

Shane threw his hands in the air. ‘Well if I’m an actor, you might as well give me an Oscar!’ He replied sarcastically in an almost shouting voice.

He tried to ignore Angela so he walked his way to the mini fridge in his motel. Angie still stood, silently judging him. Angela knows how to get information outta of people. She does it for a living. She can flash the opposing side in a courtroom a look and she can get the information out of people.

Angela is an honest person. She doesn’t believe in lying and she can sniff it out a liar from miles away.

‘Shane Russo, don’t you dare mess with me. I uncovered all your dirty little secrets.’

Shane stopped in his tracks as he opened the bottle of beer.

‘What do you know about me?’ His voice shook as he turned around to face her. He tried the best he could to as stay calm as he could, but in that moment it was hard to stay calm.

‘You’re just another sleazy lawyer!’ she accused.

‘I wouldn’t know what you’re talking about,’ He replied sipping his beer.

‘I have a very good friend who can dig up so much dirt about you. You may have Rebecca and Phil and maybe even Eddie a little, but I could see right through your ignorant smug look. I don’t trust you.’

Shane rolled his eyes at her. ‘Oh yeah?’ He tested.

‘You act like women don’t know how to do their research,’ Angie muttered under her breath.

Shane kept rolling his eyes at her. This whole conversation was like arguing with his siblings. The other one will just keep badgering him until he finally tells the truth. He didn’t want to give in, but if there is one thing he hates more than waking up before noon, it’s someone like Angie.

Granted, he knew what he was walking into when he signed up for this job. Laura gave him information of the family. Shane already knew what he needed to know. It was just a matter of time before he could put everything into action and do what he does best.

‘How’d you even find anything on me?’ Shane sighed giving in as he rubbed his temples. ‘Fine! You want the truth? I lie, okay? I bribe people and I do illegal things. And I like it.’

Angela was stunned and wide eyed. ‘I can’t believe you! How could you do that?’

Shane stifled a sarcastic laugh. ‘Look, dollface. There are two kinds of people out there. There are the Saints who want to do everything right. Then there are liars and I’m one of them.’

She pinched the bridge of her nose. ‘God, you’re horrible. I can’t believe I breathe the same air as you.’

Shane downed the rest of his beer he had been drinking and threw it in the trash can. He watched her as she circled the room, trying to wrap her head around the situation. Angela quickly tried thinking of solutions to fix the problem.

It seemed like everyone had goggles on in the house. They all thought this guy was their savior. To Angie, he was translucent and she could see right through him. She was even surprised that Phil and Eddie fell for Shane’s act.

‘You act like you do nothing wrong. You’re a sleaze and a scammer. I can’t believe that people like you exist””’

He pointed his finger at her, cutting her off and shouting, ‘You don’t know what it’s like for me. When I first started out I broke and I needed the cash. It’s easy to throw a little bribe here and there.’

Her hands ran through her red hair. ‘Everyone starts off at the bottom, Shane! It would’ve been fine if you just played fair! You didn’t have to base your cases off lies and bribes!’

‘You’re a lawyer too! You should know that we’re professional liars!’

‘We serve for justice. We can’t just feed lies. We need cold hard facts. Why’d you even take this case?’

She seemed more calm than before, but now she was more sad than angry, ‘Why’d you even take this case? Because their mom offered you a lot of money? I can see you need it.’ She looked around at the grimy hotel room.

‘Okay, yes she gave me money to fight in this custody case and yes I may be living in a crappy motel room. Sure, I’m broke at this moment in time, but I’m not who I was back then.’

Angela scoffed at this and rolled her eyes. She had every right to. She doubted that he was any different now. The reason he was broke is because he blows all his money. Mostly on gambling and drinking. The reason he took this job was because to him, it seemed like the perfect job for him. It was different and seemed easy enough where he could pass with flying colors. Plus, these days it seems like people love seeing children reunited with their biological mother.

‘But I’m also doing this because I really want to do this, and do something good for these kids,’ Shane lied and Angela just rolled her eyes. She could see right through this guy. She no idea why anyone would trust this him.

Must be his good looks, Angela thought to herself.

Angela turned around before she walked out the door. She turned back about to speak again but only stared for a good few seconds at the middle-aged man. Then she shook her head and left. Shane watched her get in her car. He watched until she drove away.”

Lou is a writer of rom coms, eater of pizza, lover of 90s boybands and cat enthusiast. You can follow her on Twitter at @aweosmewriter.

Audiobooks are the current gold rush in publishing””or so they say, and you know “they” always know what they’re talking about. If you don’t get on the audiobook wagon, you are sure to lose out.

That might or might not be true. But one thing that is true, without a doubt, is that listening to a book narrated aloud is an experience unlike that of silently reading text. An audiobook can make or break a book for the listener. In the hands of a poor narrator, any book can be crushed. But in the hands of a skilled narrator, even humdrum text can take flight, and sparkling text can soar. The latter is an experience you might want to serve up to your readers. But if your publisher isn’t doing it, or you’re an indie writer and are your own publisher (I’ve been in both positions), how do you make it happen?

I’ve spent much of the last year getting some of my best work into audiobook, and I won’t kid you””it’s not easy. But you can do it. The landscape of audio publishing has changed quite a bit in the dozen or so years since my agent placed nine of my books with Audible, the 400-pound gorilla in the business. For that process, I didn’t have much to do beyond providing the text, except offer pronunciation guidance to the (Audible-chosen) narrators who asked. What I got from the deal was a mixed bag: some recordings I could be truly proud of, and others that made me wince.

As it happened, my best-known books were not part of that deal, because of the audiobook rights being held by my print publisher (who was not exercising them). It took years to get those rights reverted, and when the reversion came, it was just in time to miss a window of opportunity to get the books into Audible. Curses! Rotten luck!

Or… maybe not. Eventually, my failure to land The Chaos Chronicles at Audible (with a narrator chosen by them), led me to approach a narrator whose work I loved and admired””Stefan Rudnicki, a Grammy and Hugo-winning artist, whose natural voice is somewhere down in the frequency range of James Earl Jones’, and just as captivating.

Stefan liked the book I pitched to him, Neptune Crossing, and he secured a deal to have it recorded by him and published through Blackstone Audio. He did a great job, and Blackstone got it out in great shape, and all was grand. Except… it didn’t sell. Not very well, anyway. It’s a terrific audiobook (in my opinion), but it was the first and only book in the  series. Who wants to buy the first book and find that there are no more? Approximately nobody, apparently.

Blackstone, discouraged by the sales, didn’t want to fund the rest of the series. I was on my own if I wanted the books that I considered some of my best work turned into audiobooks. Stefan was eager and willing. Stefan is also a top-tier narrator who works with a top-flight director and top-notch engineers. I could pay Stefan out of my own pocket, and the rights would be mine forever. My books tend to be long. The cost for finished recordings clocked out at around $4000-6000, per book. Eeek. It seemed impossible.

However, fortune seems to favor the foolish, because some unexpected funds came to me that made it possible to pay for books 2-4 in the series. And around the time those were finished, some different unexpected funds came in that enabled me to contract for Books 5-6, my recently published The Reefs of Time and Crucible of Time. I had spent eleven years writing these books, and after a career of working with traditional publishing, found myself without a publisher””and put them out myself, as my first self-published originals. They meant a lot to me. And so I made the choice””not an easy choice, mind you””to take some money that I might have used for other purposes, and invested it in having my books recorded.

That point bears repeating: the money was an investment in the future. An investment for my readers to have new ways to discover my story, and an investment in future earnings, even if the time to recoup my costs is measured in years.

Great, I can hear you thinking. How does this help me? Well, you might not have the particular good fortune of money coming just when you need it. But there are other ways to fund these projects. You might crowd-source the expense. You might find a narrator who’s newer and charges less, or is willing to record for a share of the royalties. The two major audiobook self-publishing platforms both offer ways to do this. There are avenues.

And that brings us to the second big question: Even if you get your audiobook recorded, how do you get it before an audience? You may already know that ACX.com and FindawayVoices.com are the two big players. But which do you want to work with, and why?

How about both?

I started out by leaning toward Findaway, mainly because they distribute to more than 40 stores, including Apple, Audible, Amazon, Google, Kobo, Nook, Overdrive (library sales!), and many more. ACX distributes to just Audible, Amazon, and Apple. Add to that Findaway’s 80% of net royalty rate, versus ACX’s 40% (if you go exclusive), and it seems like a no-brainer.

But maybe not. If you distribute through Findaway to ACX (which is how they distribute to Audible and Amazon), you only get 80% of the reduced nonexclusive royalty of 25% from ACX. For many people, Audible, Amazon, and Apple are where most of the sales come from, so that might not seem like such a good deal.

Personally, I lean strongly toward wider distribution, both for philosophical reasons and practicality. (I don’t want Amazon to control everything, and I don’t want to put all my eggs in one basket.)  So I went with Findaway for maximum distribution.

Uploading to Findaway is a pretty straightforward, if finicky, procedure. You learn right away if a chapter file flunks some fiddling technical specification. So you know when you’ve nailed it, and your book starts showing up pretty quickly, at least in stores like Apple, Nook, and the other big outlets.

But all was not rosy with the Audible/ACX distribution. The “ingesting” process is slowwww. Where things started going wrong was when it turned out that ACX has more exacting standards””not in quality, but in finicky attributes such as the exact amount of silence (room tone) at the beginning of a chapter, or the precise length of a sample. Two or three months can go by before you learn that your book failed acceptance at Audible. That’s a long time when you’re trying to rev up interest in a new book.

I finally came around to this: Submit your book to both places. At ACX, choose nonexclusive distribution. At Findaway, exclude Audible and Amazon from your distribution. It’s more work, but you get the widest possible distribution, you’ll be up at Audible much faster, and the royalty rate is better. You’ll also get a better reading of where your books are selling.

Support at ACX, in my experience, has generally been quite good. At Findaway it has ranged from meh to excellent.

Since last fall, I’ve released three books in audiobook format: Strange Attractors, The Infinite Sea, and Sunborn. Books 5-6, The Reefs of Time and Crucible of Time, are being prepared for fall 2020 release.

Has it brought me riches of sapphire and gold? What do you think? (The correct answer is no.) It’s a marathon, not a sprint. I don’t know when I’ll break even, so in that respect as in many others, this is a labor of love. But it’s also a way to more richly present my stories to the widest possible audience. A way for folks in their cars, or at the gym, or walking their dogs to discover my work. It’s an investment in every conceivable meaning of the word. So, yes””a labor of love. But one that I hope will pay dividends for a long time down the galactic road.

JEFFREY A. CARVER has been writing character-driven hard science fiction/space opera since the 1970s and is still hard at it. His novel Eternity’s End was a finalist for the Nebula Award, and his Star Rigger novels and ongoing series The Chaos Chronicles have gained a wide and appreciative audience. Battlestar Galactica fans will enjoy his official novelization of the 2003 BSG Miniseries. Last year he published an epic two-volume novel, The Reefs of Time and Crucible of Time, which are widely available in ebook and print, and will be out in audiobook in the fall of 2020.

You can read about his books at https://www.starrigger.net, where you can also subscribe to his blog and his occasional newsletter. Or you can find him on Facebook at https://www.facebook.com/jeffrey.a.carver.

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