you should read this

I’ve been following Jeff’s posts about this book, which is a very VanderMeerian approach to writing theory, for a while, and so I danced around a bit when this arrived in yesterday’s mail.

If you haven’t heard of it, here is the description from the Amazon listing:

This all-new definitive guide to writing imaginative fiction takes a completely novel approach and fully exploits the visual nature of fantasy through original drawings, maps, renderings, and exercises to create a spectacularly beautiful and inspiring object. Employing an accessible, example-rich approach, Wonderbook energizes and motivates while also providing practical, nuts-and-bolts information needed to improve as a writer. Aimed at aspiring and intermediate-level writers, Wonderbook includes helpful sidebars and essays from some of the biggest names in fantasy today, such as George R. R. Martin, Lev Grossman, Neil Gaiman, Michael Moorcock, Catherynne M. Valente, and Karen Joy Fowler, to name a few.

It’s a freaking GORGEOUS book (to the point where I’m surprised by the relatively low price, given how glossy it is). I spent some of last night flipping through and being delighted. I’m looking forward to a more careful read. Highly recommended.

A bajillion years ago, when you could send the Science Fiction Book Club $.11 and get 11 books back, I signed up, receiving a fabulous armful particularly valuable back in the days when the Internet was just kicking off.

One of the 11 was P.C. Hodgell’s fantasy novel, Godstalk. I recently reread it when I found it and its sequel were available in the form of a single e-book, The God Stalker Chronicles.

I loved that book for its density of innovation as well as its creation of Tai-tastigon, a city is vividly alive as any other in speculative fiction, as evocative as Ambergris or Gormenghast, as alluring and perilous as Fritz Leiber’s Lankhmar, as historied as Minas Tirith or fictional London or any of the cities George R.R. Martin evokes so well.

And I loved it for its heroine, Jamethiel. She comes to the reader as a semi-amnesiac, unsure of exactly what lies in her past and bearing, as such heroes and heroines often too, a magical object. Or agical objects. Those objects shaped my naming convention for magical objects and remain as lovely as when I first encountered them: the Ivory Knife, the Book Bound in Pale Leather and the Serpent Skin Cloak.

Their bearer enters the city of Tai-tastigon and swiftly is embroiled in the doings of several groups of characters, including the staff of a local tavern, the Thieves Guild, assorted priests and gods/goddesses, the rooftop-dwelling Cloudies, and assorted bandits, allies, and felines, all of whom turn out to be more connected and in more mysterious ways than one would expect. I am an inveterate re-reader. More so in the days when I didn’t have the ability to download just about anything from the Internet, but even so still a habit I indulge in. Godstalk stood up to multiple rereads over the decades and shaped my expectations for fantasy novels ever since. It set a pretty high bar.

I loved Godstalk to death and managed to find its sequel Dark of the Moon much later. It always frustrated me not be able to find others in the series. Therefore I was overjoyed to find out that that not only were there more in the series but that they were available in electronic form. I’m halfway through the third book, Seeker’s Bane, and looking forward to the next three.

One of the things that makes returning to the book so satisfying is the heroine Jamie. Her flaws as well as her strengths are written deeply, shaping her actions inevitably and eloquently. The author takes us deep into Jamie’s head, letting us watch her development as well as her struggle with her complicated existence.

The main source of Jamie’s struggle is her adherence to the Kencyr code of honor, a trait that makes her a hero in the classic sense, someone to look up to and emulate, and which often talks directly about the nature of honor. Here’s a passage I just hit in Seeker’s Bane:

Trust honor, Immalai had said.
yes. For her, balanced on the knife’s edge, honor was more than life, its loss infinitely worse than death. And part of honor was taking responsibility for one’s actions and choices, over and over, as long as one acted or chose.

Jamie is complex and compelling. Her twin brother, Tori, begins to share the viewpoint in the second book and is interesting in his own right, but Jamie is rightly the core of the series. As I’m reading through the series, it’s a pleasure as a reader to watch her history unfold even as her personality is sharpened and shaped. As a writer, it’s a terrific lesson on the effectiveness of going deep into a character’s head.

Fantasy books and series that share this depth of character development:

• Carol Berg’s Collegia Magica
• Jo Clayton’s Diadem series
• Amanda Downum’s Necromancer Chronicles
• Tanith Lee’s The Birthgrave
• Fritz Leiber’s Fafhrd and the Grey Mouser
• Any book by Martha Wells, but particularly The Element of Fire

In the past I’ve found the promotional bag of books from a con can vary widely in terms of quality. One treasure that emerged from my World Fantasy Convention bag, though, is THE RED KNIGHT by Miles Cameron. I’m about to send my copy off to a friend, and I thought I’d recommend it to other folks as well.

In flavor, it reminds me a little of what I like about Joe Abercrombie – a nice grittiness to the characters, as well as a melange of viewpoints that end up weaving together coherently to deliver a story that pulls you along. The social structure feels medieval, full of knights and squires, but while noble by birth, most are not noble in nature. I like strong female characters in my fiction, and there’s plenty of them in here, including some older ones, which I appreciate. The fighting is nicely choreographed and realistic, without the description ever getting tedious.

It’s the usual some dark mystic force is invading sort of plotline, but it’s enjoyable and tense. I’m a fan of big fat fantasy novels, and this is both engaging and highly satisfactory, to the point where I’m eager to read the next, since THE RED KNIGHT is the first of a trilogy. The jacket says Miles Cameron writes historical fiction under another name, and I’m going to poke around and see if I can’t find his other work, since I enjoyed this so much.

I went through the usual slew of books in September, but I thought I’d mention some of the more notable ones. Links go to the Kindle edition when available, because I do most of my reading on that.

Erin Morgenstern’s THE NIGHT CIRCUS was a terrific read and one that will delight fans of THE PRESTIGE and CARTER BEATS THE DEVIL. Lots of gorgeous and beautiful description of a highly evocative setting and the love story that plays out against it.

While on a visit to Baltimore recently, I was introduced to Joe Hill’s graphic horror novel, LOCKE AND KEY. I read the first one, and am looking forward to the rest.

THE PALACE JOB by Patrick Weekes was a terrific romp of a fantasy read, and is an Ocean’s Eleven type adventure played out against a fantasy setting.

Jonathan Wood’s NO HERO and YESTERDAY’S HERO reminded me of a less frenetic Charlie Stross. Another fun and frothy urban fantasy was Jennifer Willis’ VALHALLA.

Love Joe Lansdale, but I’m reading him slowly in order to spread out the cost of getting all the Hap and Leonard novels. September held THE TWO-BEAR MAMBO as well as a collection of short fiction, BUMPER CROP.

I go back every few years to read E.F. Benson’s Mapp and Lucia novels. Why doesn’t someone do a fantasy version of these? That would be so awesome.

THE WEIRD: A COMPENDIUM and THE APEX BOOK OF WORLD SCIENCE FICTION are both books that I am dipping into periodically, spacing them out so I can think about the stories, rather than absorb them all in one long read.

THE BANDIT KING by Lilith Saintcrow is a fantasy romance, the sequel to THE HEDGEWITCH QUEEN. I’ve yet to find a Saintcrow book that I haven’t enjoyed.

In nonfiction, I’ve been reading these:

• RATIO by Michael Rudman, which talks about the ratios needed for certain things like biscuits vs. pie dough and explores a lot of the science. It’s fascinating, and I’m thinking about taking a year just to work through each of the 33 ratios (he goes through doughs, stock, sausage, sauces and custards) he explores.
• Gretchen Rubin’s THE HAPPINESS PROJECT and STUMBLING ON HAPPINESS by Daniel Gilbert.
• FROM AN ANONYMOUS SOURCE purports to be written by a senior White House official. It’s entertaining if you’re interested in politics.

I’m headed into the city this evening to hear John Scalzi read from Fuzzy Nation. I’ve loved the Little Fuzzy books (and I’ll note that there’s a bunch of his stuff free for e-readers) since discovering them as a teenager and found a book club edition of the first two this weekend at the thrift store. I’d forgotten what a tear jerker the first one is, and the anti-corporate message seems even more timely than usual. I haven’t read Fuzzy Nation yet, but I’m picking it up today and looking forward to it. I’m also fascinated by the idea that Scalzi’s written fan fiction – it opens up some interesting questions about that debate.

I recommend the first book for people working on learning how to create emotional depth, which a couple of writers have mentioned to me lately. Any book that has me welling up with tears is doing its job right in that regard. I’m taking my Writing F&SF class to this reading so they can be inspired by seeing a writer in action – maybe Scalzi will get them to cry (in a good way).

Dragons, dragons, dragons – so many writers have written about them in one form or another. Here’s ten books featuring dragons for fellow lovers of the form.

1. R.A. MacAvoy’s Tea With the Black Dragon (Kindle version) features urban fantasy and an ancient Buddhist dragon in search of spiritual teaching. Two of my favorite characters of all time occur in the form of the dragon and his teacher, Martha. There’s a sequel, Twisting the Rope (Kindle version) but it doesn’t quite live up to the magic of the first book.
2. James Maxey’s trilogy, Bitterwood (Kindle version), Dragonforge (Kindle version) and Dragonseed (Kindle version),. This unique take on dragons has characters engaging enough to make you want to follow them forever.
3. Tooth and Claw (Kindle version) by Jo Walton, is an awesome novel of manners featuring dragons. Smart and funny.
4. Naomi Novik has taken dragons and mashed them up with Horatio Hornblower in her Temeraire series: In His Majesty’s Service (Kindle version), His Majesty’s Dragon (Kindle version), Throne of Jade (Kindle version), Black Powder War (Kindle version), Empire of Ivory (Kindle version), Victory of Eagles (Kindle version), and Tongues of Serpents (Kindle version).
5. I first encountered Gordon R. Dickson’s The Dragon and the George (out of print and no Kindle version) in high school. This story of life from a dragon’s point of view is a solid fantasy read and one of the classics.
6. No list like this would be complete without Anne McCaffrey’s Pern novels, which feature not just dragons but miniature ones in the form of fire lizards. My favorite of the books remain the Harper Hall trilogy, Dragonsong (no Kindle version), Dragonsinger (no Kindle version), and Dragondrums (no Kindle version).
7. Another classic is J.R.R. Tolkein’s The Hobbit (Kindle version), in which the dragon Smaug plays a crucial role.
8. A stuffed dragon is one of the entrancing side characters of Charmed Life (only available in Kindle version) by Diane Wynne Jones. All of Jones’ Chrestomanci books (or anything by her, really) are worth picking up.
9. Michael Swanwick’s The Iron Dragon’s Daughter (no Kindle version) and The Dragons of Babel (Kindle version) feature gritty industrial dragons in one of the greatest fantasy settings of all time, full of danger and delight.
10. Last but certainly not least, many of us are looking forward to George R.R. Martin’s Dances with Dragons (no Kindle version listed yet).

I blogged a couple of weeks ago about books I’d recommend for writers focusing on their craft. This time I’m choosing books that are handy to have on a nearby shelf, particularly books that help spark new ideas, whether it’s at the overall story or plot level, or bits that can be used to adorn a story, the tiny embellishments like filagree or the lines in the Book of Kells, because we can always use new idea, little shocks, a kick in the head that turns the world askew in a way that lets us see it more clearly.

• The Penguin Dictionary of Symbols. Sometimes when I’m stuck on a story (or even a polish of a story), I like to look up things that appear in the story, using this dictionary. Looking at the lore behind a symbol can often help you use it effectively.
• Talk the Talk: The Slang of 65 American Subcultures by Luc Reid. I love this little book both as a way to spark ideas for stories or characters, but also creating touches of authenticity when ivoking subcultures like rock climbers, sky divers, and UFO believers.
• Visual Dictionary – I like my Macmillan Visual Dictionary, but there’s also plenty of others, like Merriam Webster’s. If you don’t know what a widget or boat part or architectural feature is called, this will have it. A great aid towards precision.
• Some book of poetry. It could be anything, Shakespeare to Ogden Nash. T.S. Eliot. Sylvia Plath or Emily Dickinson. Something densely poetic. It can be prose, but it has to be dense, poetry-drenched prose, like Djuna Barnes or James Joyce. Recently I’ve been employing Rumi. Use it several ways – to spark timed writings or stories or whatever, but I use it primarily for coming up with titles.
• People’s History of the United States by Howard Zinn. (Kindle version) This is a view of history from the left, and one that looks at a lot of moments that are not covered in the mainstream history books. Look here for interesting story ideas or historical details for period pieces.
• Booklife by Jeff VanderMeer. (Kindle version) A career guide that is worth looking at repeatedly. (Disclosure: I wrote the appendix on writing workshops, but there are much, much wiser voices throughout the book, particularly Jeff’s.
• A tarot deck. Yes, technically not a book, but certainly there’s been plenty of books written about them and these books tap into all sorts of archetypes.
• The White Goddess: A Historical Grammar of Poetic Myth, by Robert Graves. A rich source of European Mythology, Graves is both reading through or dipping into on an occasional basis, this can be another useful source of starting images, symbols, or even poetic titles. For similar books, look at Weston’s From Ritual To Romance or Frazer’s The Golden Bough.

Tired of the usual stuff? Here’s five fantasy classics that you may have missed.

Jirel of Joiry, by C. L. Moore. If you love Red Sonja, Jirel is the heroine for you, worthy of company with Conan or Imaro. Indiana-born Moore was one of the first women to write in the sword and sorcery genre.

Tomoe Gozen, by Jessica Amanda Salmonson. Another strong woman is embodied in Tomoe Gozen, a samurai in the first of a trilogy set in a richly-realized and fabulous 12th century Japan.

Unquenchable Fire by Rachel Pollack. Beautiful and ornate, set in an alternate America that seems sadly unlikely, this is a fabulous take on spirituality today.

Monday Begins on Saturday, by Arkadi and Boris Strugatski. A young computer programmer is recruited for a Russian Institute devoted to the paranormal in a book that’s more Office Space than X-Files. One of my top ten favorite books of all time.

Green Phoenix, by Thomas Burnett Swann. Swann is sadly neglected and all of his books are worth picking up, but this is one of the lovelier ones. He does more interesting things with classic mythology than most authors.

When I’m teaching, I do bring some books to class in order to point students toward them. I don’t think books are a substitute for the act of writing, but they can help focus and direct your practice and give you a list of things to work on that might not otherwise occur to you. Here’s a list of my top ten for speculative fiction writers focusing on their craft. I was sad to find some not available on the Kindle, but where possible, I’ve pointed to the e-version.

1. The 10% Solution by Ken Rand from Fairwood Press. I love this slim little book, I recommend it above all others for both fiction and nonfiction writers, and I think you cannot get more bang for your buck than buying this book and applying its methods. I use it on all my pieces — the process becomes less mechanical and more automatic as time goes by.
2. The Elements of Style by Strunk and White. Kindle version. You get this when you go off to college but no one ever reads it. It is well worth sitting down and working your way through.
3. Steering the Craft by Ursula K. LeGuin. Thoughtful and poetic writing instruction. I often use the Expository Lump exercise in my Writing Fantasy & Science Fiction class, and learn something new from it every time.
4. Beginnings, Middles, and Ends by Nancy Kress. Useful and practical, Kress goes over the basics, putting them together in a coherent and easily understandable fashion that includes plenty of exercises to work through.
5. Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg. Kindle version. While this book will prove too new-agey hippie for some (I’d advise those to turn to Strunk & White or the Kress), it’s a useful and exciting kick in the butt to write for others. I appreciate Goldberg, whose book taught me the habit of doing timed writings, a mainstay of my process.
6. About Writing: Seven Essays, Four Letters, and Five Interviews by Samuel R. Delany. Delany is one of the greatest voices of the 20th/21st century, and his writing advice is practical and elegant and deep. One of the things he says is that you can’t write anything better than the quality of what you’re reading and that seems like great, inspirational advice to me.
7. Surrealist Games by Alastair Brotchie. If you want to enliven your writing, play some of the games enclosed here, which inspired some of the greats of the Surrealist movement.
8. The Passionate Accurate Story: Making Your Heart’s Truth Into Literature by Carol Bly. Some great stuff on writing here, and interesting exercises, including writing a scene that doesn’t actually appear in the story.
9. Style: Lessons in Clarity and Grace by Joseph M. Williams. I originally ran across this book while teaching composition at Johns Hopkins, and I think it’s just fabulous for focusing on the sentence level. I’ve found it often hard to find over the years, so I’m happy to see it in print again.
10. On Writing by Stephen King. (Kindle version) The first part is raw autobiography that is a useful insight into how a writer can be off the rails and still productive. The second part, which focuses on writing, is full of terrific stuff that shows what a craftsman King is.

2016 addendum! I still stand by all these, but here are five more:

Million Dollar Outlines

Storyteller by Kate Wilhelm

talk the Talk: A Dialogue Workshop for Scriptwriters by Penny Penniston

The Three Jaguars: A Comic about Art, Business, Life by M.C.A. Hogarth

Wonderbook: The Illustrated Guide to Creating Imaginative Fiction by Jeff VanderMeer. Worth it just for the pretty illustrations and marvelous charts produced by Jeremy Zerfoss in collaboration with VanderMeer, but also jam-packed with good and interesting writing advice that I have found best absorbed in small chunks, dipping into the book now and again for inspiration.