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You Should Read This: Miss Mole by E.H. Young

The cover for Miss Mole, by E.H. Young, recommended fiction.
From the introduction by Sally Beauman: "This is, at first sight, a very odd book: it has an exceedingly odd, indeed unlikely, heroine, the eponymous Miss Mole, and an exceedingly odd style."
There are some books I go back to over and over again, and this is one of them, because I love the main character so much. Hannah Mole is engaging, delightful, and incredibly sympathetic. I originally found this book because it was a Virago Modern Classic (I found a TON of great reading through Virago, many of which will appear in weeks, months, and hopefully years to come), and it is, unfortunately, out of print nowadays. I sincerely hope it’s reissued sometime.

What: Miss Mole is a novel that won the James Tait Black Memorial Prize in 1930. It is set in Radstowe and is, in many ways, a small town novel of manners.

Who: Read this if you love absorbing fiction that deals with small things: not wars or aliens or other monumental matters, but rather cases of crewel yarn gone astray or a pilfered mattress. Read this for characters that come alive and are exemplary of characters who are lovable while still shown with all their flaws.

When: Read this when you want an engrossing read, but also when you want to see the interior life and thoughts of a character conveyed in the most engaging way possible.

Why: Read it because Miss Mole is a heroine outside the norm, because she doesn’t care (or does she) what society says, and because she faces the consequences of past actions with bravery and good spirits.

Where and how: Read this on a rainy day, when you want a love story that is gentle and understated, on a day when you hear the characters’ murmuring in the sound of the falling rain.

2 Responses

  1. Love the name Hannah Mole, and I’ve been getting into the Twenties and Thirties. This one sounds quirky-good!

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Nattering Social Justice Cook: This Is Not A Review

Picture of male footprints in sand.So I read a book recently and I loved some parts of it and other parts…not so much. And I’ve been thinking about it ever since because there was one part of it I just adored but I don’t feel like I could tell anyone to read the book without a big “hey and you should watch out for this” addendum. I’d bounced off a previous book by this author with what was supposed to be grimdark but had a big ol’ weirdly ungrimdark gendered cliché early on that made me think so hard about it that I couldn’t pay attention to the rest of the book, so I was already a little cautious, yet optimistic because I knew the author to be a good writer.

I’ve talked before about reading when the protagonist is markedly not you, and how used to it women — and other members of the vast majority the mainstream media calls Other — become. And this was a good example of a very young, very male, very heterosexual book. Which God knows I’m not opposed to. I remain a huge fan of the Warren Murphy and Richard Sapir Destroyer series and Doc Savage was a big influence on me, growing up.

So why did this book hit me so hard in an unhappy place? Because it was so smart and funny and beautifully written and involved connected stories about a favorite city and magic, which are three of my favorite things. And because it had a chapter that was one of the best short stories about addiction that I’ve read, and that left me thinking about it in a way that will probably shape at least one future story.

And yet. And yet. And yet. Women were either powerful and unfuckable for one reason or another or else fell into the category marked “women the protagonist sleeps with”, who usually didn’t even get a name. Moments of homophobic rape humor, marked by a repeated insistence on the sanctity of the hero’s anus, and a scene in which he embraces being thought gay in order to save himself from a terrible fate, ha ha, isn’t that amusing. And I’m like…jesus, there is so much to love about this book but it’s like the author reaches out and slaps me away once a chapter or so.

Why? Because representation matters. At one point or another a writer needs to look at representation in their book, try to perceive what it is saying to readers, and make a choice about that. Authors may choose to offend or shock, sometimes in the name of social change, like Harriet Beecher Stowe’s Uncle Tom’s Cabin, John Steinbeck’s The Grapes of Wrath, or Harper Lee’s To Kill a Mockingbird. Or they may do so by pushing up against the boundaries of art, like James Joyce’s Ulysses, William S. Burroughs’ Naked Lunch, or Kate Chopin’s The Awakening. The list of books challenged for one reason or another is long and full of wonderful writers. But — in my opinion — stirring the shit isn’t a good reason.

Books shouldn’t be banned. Books should be discussed, argued about, and used to learn and advance. Certainly there are books to exist to offend and use it as a marketing technique. This is not a new phenomenon, and it’s something that some authors use to good financial effect, like the authors who promise not just that the reader will find themselves in the book but that by some strange alchemy they are sticking pins in SJW voodoo dolls and then something about salty tears blah blah blah. It’s interesting that in such cases, reading is unnecessary – it’s the act of financial consumption that matters, and whether or not one tweets to signal one’s virtue.

Those are border cases, though. Most books just want people to read them and prefer to entertain over outrage. I’m about 95% sure the book that provoked this piece wasn’t intended to be edgy in its reinforcement of 1960s upper-middle-class American gender norms. It’s simply its take, a particular point of view that is not universally inherently tiresome except that it’s been a facet of the mainstream narrative for so long.

With the development of indie publishing, perhaps we’ll see a continued splintering of that narrative as well as a move to look backward in order to find the neglected, hidden, alternate texts that show an alternative viewpoint. As more and more readers look for the works that reflect their lives or at least don’t use their experiences for derogatory humor, those works emerge: G. Willow Wilson’s version of Ms. Marvel as an American Muslim teen, Charles Saunders or Steven Barnes‘ reimagining of traditional stories, Octavia Butler’s deeply uncomfortable and compelling Kindred, Yoss’s vision of a Spanglish-speaking universe. And more: stories that feature protagonists who are mentally ill, outside traditional body norms, or outside the narrow straight/cis arc of the gender spectrum. Here’s hoping, at least, for more and different lands in which we can all find ourselves.

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You Should Read This: The Forest of Forever by Thomas Burnett Swann

Cover for Forest of Forever, by Thomas Burnett Swann.
"I am three hundred and sixty years old and I pride myself, not unjustly, on having enjoyed twice as many lovers as I have years. I have loved Men, Minotaurs, Centaurs, and Tritons and no one has ever complained that Zoe, the Dryad of Crete, has failed in the act of love."
Here’s one of my favorite speculative fiction authors, and it was hard picking a reasonable book to represent him. I have a stack of his paperbacks, garnered over the years in used book stores and thrift shops, and they are some of the books I’ve held onto through any number of rigorous book purges.

What: The Forest of Forever, by Thomas Burnett Swann, was originally published in 1971. Many of Swann’s slim little volumes appeared during that decade, lovely retellings of Greco-Roman myths and alternate histories full of mythological creatures. Dryads, centaurs, minotaurs, and fauns fill the pages. Swann depicted same-sex relationships as a matter of fact in a way that nowadays seems well ahead of his time.

Who: If you love gentle fantasy, this is a splendid entrance into Swann’s world. Particularly for those who love mythological creatures, you’ll find a full cast, including some magical creatures invented by Swann.

When: Read this when you’re a little down. You may well find that Swann becomes one of your comfort reads. It’s not a thick fantasy by any means, (my copy is 155 pages) but if you finish it too fast, there’s a sequel to Forest of Forever, Day of the Minotaur.

Why: Read Swann for an interesting take on fantasy. I’ve always thought that his world would be a fabulous one in which to set a role-playing game. Also read him to see same-sex relationships worked in seamlessly, without the “OMG look how socially conscious I am” flavor that sometimes intrudes.

Where and how: Curl up in a corner for this one, with a mug of some pleasantly flowery tea. Be aware the time will pass all too quickly. Be aware there’s plenty more Swann out there, though you may have to hunt for some of the rarer titles.

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